eso76 said:
thinking of it, one thing that makes the experience less interesting compared to re4 is not being able to understand what the majini's are saying, or even knowing if they're actually saying something meaninful.
The Majini are speaking Swahili. For instance, the guy with the megaphone in 1-1 says the following:
- "People, think of what awaits us! The paradise. It, Uroboros, is a gift; we are lucky presentees!"
- "He here is an infidel, a fiend. So we now will make an example of him."
- "Intruders! There in the house!"
- "No one shall find out what happened here! They shall DIE! Get them!"
brandonh83 said:
RE4's ending was not an exception to the short-'n-sweet rule. All they did was ride off into the sunset on a jet ski, roll the credits and show a brief exchange between Leon and Hunnigan. Not drastically different from RE5's helicopter flight, which has twice as many characters and actually parallels RE1's ending. Plus, in RE5 you have enough epic battles at the end to serve as the climax for three games, battles with more meaning than escaping a pissed-off spider.
dalyr95 said:
Sheva and Chris were lifeless and Jill was wasted.
I disagree. These characters were more real than past RE games, imo. Show any casual person cutscenes from this game against ones from past REs and ask which feels more real. Chris has a motive (Jill, redemption), a cynical worldview, a lot of empathy; Sheva plays the hero until all her friends die, then she's scared and wants to cut and run, which humanizes her. These guys weren't all machismo and bravado; they had moments of doubt, fear and sadness. I liked them a lot.
And Jill was great. We see the strength of her love for Chris, how she sacrificed herself at the Spencer Estate to save him. We see that the mere chance she's alive is enough for Chris to continue when he would've quit after 2-3. And the whole idea of Wesker weaponizing her against you is shit-your-pants crazy; the symbolism in her Weskerized hair is delectable, and beating a boss with an appeal to the heart is brilliant. Good, good stuff. To top it all off, both iterations of Jill in Mercs are
awesome.
And that ASS, good lawd.