Judy, bro! I just said!
Is it though? Because then what is Mr. C looking for then? To kill Judy before he takes BOB?
Judy, bro! I just said!
Judy, bro! I just said!
How did they do the new scenes with young Laura? Was it just a double?
After sleeping on it my mind is still a clusterfuck of thoughts and emotions. I need the Bluray stat - this show is going to look amazing on Blu.
Others were saying earlier in the thread that when Coop is guiding Laura through the woods, it's present-day Sheryl Lee wearing a wig, but I'm not sure I buy that. Granted she was obscured in shadows a lot, but I feel like most of the time you saw her face she looked much more like her younger self than her current one.
One of the most mind-blowing things is actually that Lucy killed mr. C
Others were saying earlier in the thread that when Coop is guiding Laura through the woods, it's present-day Sheryl Lee wearing a wig, but I'm not sure I buy that. Granted she was obscured in shadows a lot, but I feel like most of the time you saw her face she looked much more like her younger self than her current one.
Kyle after the finale:
One of the most mind-blowing things is actually that Lucy killed mr. C
Pretty sure it was just Sheryl, yeah. They doctored her up a bit with make-up and CGI it seems. Obscuring her in shadow also helped not make it obvious or anything.
Others were saying earlier in the thread that when Coop is guiding Laura through the woods, it's present-day Sheryl Lee wearing a wig, but I'm not sure I buy that. Granted she was obscured in shadows a lot, but I feel like most of the time you saw her face she looked much more like her younger self than her current one.
Is it though? Because then what is Mr. C looking for then? To kill Judy before he takes BOB?
How do we know this? I thought it was the Lincoln Hobo from episode 8
and what was that device in Argentina that disappeared
It wouldn't be hard to de-age her for a few frames at a time w/ CGI
Judy is clearly masterminding a lot of shit, and in the phone scene she intercepted a call C thought was to Jeffries.
But seconds before that phone call, he's showing Darya the playing card with Mother/Judy on it (assuming mother and Judy are one in the same).
But seconds before that phone call, he's showing Darya the playing card with Mother/Judy on it (assuming mother and Judy are one in the same).
Better than mockney glove guy killing Bob. If you need someone with super human strength, you should have had Nadine take him out with her gold shovel instead of the random guy who's there because Lynch chuckled at his YouTube video.
"But I will tell you one itty-bitty thing - Judy is positive about this."
"How interesting, I thought we were going to leave Judy out of it."
(...)
"HELL GOD BABY DAMN NO... I found something. In Seattle, at Judy's."
So... The Missing Pieces is not "canon," huh? Unless we're supposed to accept that the FBI crew casually talks about a dumb retcon monster as if it's a regular person.
The line that ended up in the show's overdubbed flashback is the only part that could be retconned to work with this clunky new addition to the show's mythology, the rest just falls apart.
Exactly. It just seems odd for Mr. C to seemingly want to meet Mother/Judy if she's gonna want to kill him. It just sucks that we have no idea what the main reason Mr. C is doing all of this besides not wanting to return to the Lodge.
He tells us in the diner, dude. It's all there in the text.
"If there's one thing you should know about me, Ray, it's that I don't need anything. I want."
He wants everything, all the power. Judy stands in the way of that.
Why does Judy need to be defeated anyway?
Better than mockney glove guy killing Bob. If you need someone with super human strength, you should have had Nadine take him out with her gold shovel instead of the random guy who's there because Lynch chuckled at his YouTube video.
Then it just makes him look all the more like an idiot when the White Lodge sends him to TP instead. Not sure if I like that angle.
I'm sure Judy is the Jumping Man is Sarah Palmer.
I'm not sure Judy is the mother, or if Judy is the frog moth born of the mother.
I do think Judy is fake Jeffries.
How did they do the new scenes with young Laura? Was it just a double?
I'm sure Judy is the Jumping Man is Sarah Palmer.
I'm not sure Judy is the mother, or if Judy is the frog moth born of the mother.
I do think Judy is fake Jeffries.
Did Lynch do some of the effects himself in After Effects?
I am not being mean, I am legit curious.
Because they have pointy bits - Jumpin Man's nose and the bug's beak. Everything has to be connected because reasons.Wait so where are people getting the "jumping man is the frog moth" theory from??
I don't think there has been any official confirmation, but I'm fairly sure that is the case. This show's simpler special effects resemble his personal animation projects too much to come from the visual effects studio responsible for the more professional CGI.Did Lynch do some of the effects himself in After Effects?
I am not being mean, I am legit curious.
Still shook from that ending last night ahaha. God damn.
Reading thread reactions from last night is hilarious.
All I know is that ending was terrifying.
Diane's "colors" matched that of the red room (red hair, black and white nail poilish).
Oh no, you guys are really sticking with the "Mother" thing? I was hoping that would fade away now that the show is over and the only way the creature was referred to officially is Experiment (Model).
It's so strange how this fandom's theories started eating their own tail and somehow became this unofficial universal truth.
So I doubt I'll ever rewatch season 3, honestly. I felt there were a lot of things I let slide because "Lynch gonna Lynch" and in the hopes that it would come together in the end.
But hours and hours of Dougie only to get about 5 minutes of Cooper was underwhelming. And senseless IMO (make sense of it). Evil Cooper's intentions at this point seem suspiciously improvised on Lynch's end. Episode 8 was good (not a masterpiece) but honestly... I never asked for Laura Palmer to be some divine entity. Bob lost all of his sinister presence with Evil Coop. Instead of being some demon/spirit that feeds on pain and suffering and attacks people's insecurities/weaknesses, he was just a comic book villain reacting passively to what was going on around him (even the arm wrestling scene had emotionless delivery). Like, am I supposed to care that Evil Coop was... Trying to, what, find Phillip Jeffries, so he can, uhh, discover the meaning of Judy?
Lynch had some severe problems in his pacing/editing this season that most people defended as "it'll all come together by the end, it's all there for something" etc. but, I don't see it. Four redundant scenes of Jacoby's radio show, his golden shovels (which were present in the SECOND scene of the season!), all that was... for nothing IMO. And if it had any meaning, it was poorly telegraphed.
The Mitchum Bros. were just left off to the side to witness Lynch's mindfuck. James didn't even acknowledge Coop's presence. A British guy with a green glove (seriously, what) defeated Bob and sent him to the depths of hell from whence he came... Like, man. This was just bad. And I'll clarify again, this is just my opinion, but this was a badly told story. And sure in many cases Lynch has excelled in creating a sense of tension hiding in plain sight, an existential dread, etc. Particularly in the sound design (which has been outstanding).
The end of episode 17 with a dimension-bending Sarah Palmer thrashing a piece of broken glass at Laura's picture was phenomenal if only because of the lighting and sound. Yes, Laura Palmer's shriek and disappearance in the forest unsettled me. Yes the shot of her screaming and the lights going off in the Palmer residence was atmospheric, and represented the Hell that Cooper has seemingly stepped into... But it's not like that automatically excuses the fact that the story was inconsistently told. Characters were just unceremoniously killed off (or just plain standing off on the sidelines) because... they didn't serve a purpose anymore. And that's the problem. Characters, instead of being actual people, were mostly a representation of an idea. Evil incarnate/Good particularly. Even Norma and Ed's reunion felt undeserved, as Norma spent most of the season leafing through receipts, and Ed barely made his season 3 debut an episode or two before it happened.
Also, one of my biggest disappointments, which cemented itself in episode 8, is that the surreal elements from the show now turned into something with rules. Something that indisputably exists. It feels like Lost, or something, rather than a surreal representation of the evil that dwells inside man.
I doubt I'll rewatch season 3 ever again, but I'll still hold on dearly to seasons one, two, and especially the movie.
Nothing in episode 18 was terrifying. The scream at the end was mildly chilling. How did anyone think that car scene was terrifying as well?
Mindfuck is what I asked for. Mindfuck is what I got. I feel satisfied lol.As I dwell on it I'm liking the last two hours more and more. It's just a dream, it actually feels like one, but somebody else's dream you get to watch. I guess Laura's.
yeah it is pretty funny haha
you wanted a mindfuck weird show folks, be careful cos david lynch is a crazy old coot and will actually give you one
"But I will tell you one itty-bitty thing - Judy is positive about this."
"How interesting, I thought we were going to leave Judy out of it."
(...)
"HELL GOD BABY DAMN NO... I found something. In Seattle, at Judy's."
So... The Missing Pieces is not "canon," huh? Unless we're supposed to accept that the FBI crew casually talks about a dumb retcon monster as if it's a regular person.
The line that ended up in the show's overdubbed flashback is the only part that could be retconned to work with this clunky new addition to the show's mythology, the rest just falls apart.