dyes were pretty ubiquitous in Early Modern Western Europe, certain colors (and types of clothing) were restricted for certain classes as a method of social signalling, but it really wouldn't be out of the ordinary to see a villein wearing bright blue. I'd chalk the show's decision up to a) budget and b) going for an earthy, realist aesthetic (Real is Brown after all). Those scenes in the North really try to realize a robust environment, loading them up with browns and greys indicates to the viewer that this is a no fun zone.I understand why the show isn't as elaborate color wise, but sometimes I do wish for some of the flair you see in some Shakespeare adaptions.
One of the interesting things about the period of history Martin was/is inspired by is that color was really a privilege of the rich, as well as knights. A normal person could go their entire life seeing only brown, black, and other dreary colors. So seeing a royal in flowing, bright colors must have been surreal. Likewise seeing a knight with colorful banners would be equally surreal and also terrifying depending on which side he was on.
One thing I didn't like last week was how much Indira Varma accent changed in Dorne. It's subtle change from more Middle Eastern before to straight Spaniard/Portuguese and sort of like Oberyn. I thought she was a new character altogether when I first saw. Did anyone else pick up on it? Hard to explain. But I had marathoned last season before seeing this new season and her voice was so familiar to me and then felt different. It's probably more accurate Dorne-ish, but still.
Why are you guys so infatuated with Stannis' nod?
Why are you guys so infatuated with Stannis' nod?
He'll just accept it and bide his time. Then, at the HBO season 7 wrap-up party:
"George sends his regards."
I thought it was because she found out Lancel had confessed to the old High Septon? I didn't remember the part about him being Tyrion's.
Last week I thought the Lord Commander election seemed rushed and this week they sort of ruined the execution scene.
One could accept the election change due to time, and since half the people involved aren't there anyway. The botching of the execution scene is just inexcusable. It's pretty much the same as the mess they did with Tyrion's last scenes last season, they changed shit just to change it.
One could accept the election change due to time, and since half the people involved aren't there anyway. The botching of the execution scene is just inexcusable. It's pretty much the same as the mess they did with Tyrion's last scenes last season, they changed shit just to change it.
That was awful.
The nod was alright, but undermined by having Davos explain that Stannis respects Jon (the point of the nod was to show that).
Also, Tyrion turning down a whore? Oh my. Well, I hated him in ADwD anyway.
Feels weird to have Sansa marrying Ramsay. Don't know where that's going.
How was it awful...
Feels weird to have Sansa marrying Ramsay. Don't know where that's going.
The same way it went in the books but with Sansa. Since Brienne is following them, and there is no Stoneheart, I have a feeling she will end up helping Theon and Sansa escape.
Also, that North Remembers bit got me a bit emotional for a split second. I wonder if they'll have Sansa go down to the crypts at some point.
They've used the line in advertisements for the show. It's clearly going to be used more. And they didn't suddenly ruin the moment from the books by doing that. It could still happen later.Because they took the most iconic line from the best monologue and one of the bigger reveals in ADwD and gave it to some random Winterfell worker who just blurts it out.
I'm going to guess something along the lines ofFeels weird to have Sansa marrying Ramsay. Don't know where that's going.
I imagine just about everyone will be really fucking upset if they take it in that direction with Sansa Stark. She's finally being built up as a confident player in the game and breaking her down again will ruin it.I'm going to guess something along the lines of
"This is some trick. Its him, its my my lord, my sweet lord, he sent you, this is just some test to make sure that I love him. I do, I do, I love him more than anything. A tear ran down her cheek. Tell him, you tell him. Ill do what he wants whatever he wants with him or or with the dog or please "
The main reason I am interested and mostly optimistic about the Winterfell change is because they have been planning this from way back in 2011. I'm guessing whatever they have here has been planned out pretty explicitly and it's not just a random arc they thought of in a couple days.(like the crasters stuff in S4)
This thread is always the best comedy after any deviation from the books. Never fails to out the idiotic pedants.
And its because of Turners strength, Benioff continued, that it made sense to give Sansa a dramatic storyline this season and to use Ramsays engagement for that very purpose. In fact, the showrunners first thought about putting Sansa and Ramsay together back when they were writing season 2. We really wanted Sansa to play a major part this season, Benioff said. If we were going to stay absolutely faithful to the book, it was going to be very hard to do that. There was as subplot we loved from the books, but it used a character thats not in the show.
Writer-producer Bryan Cogman had some insight, as well. The seeds were planted early on in our minds, Cogman said. In the books, Sansa has very few chapters in the Vale once shes up there. That was not going to be an option for one of our lead characters. While this is a very bold departure, [we liked] the power of bringing a Stark back to Winterfell and having her reunite with Theon under these circumstances.
Besides, Cogman pointed out: You have this storyline with Ramsay. Do you have one of your leading ladieswho is an incredibly talented actor who weve followed for five years and viewers love and adoredo it? Or do you bring in a new character to do it? To me, the question answers itself: You use the character the audience is invested in.
How is this remotely comparable to the really drastic changes they did to Tyrion's escape last season? I don't see how the relatively minor changes to how the execution scene was structured are somehow inexcusable.
I'm going to guess something along the lines of
"This is some trick. It’s him, it’s my … my lord, my sweet lord, he sent you, this is just some test to make sure that I love him. I do, I do, I love him more than anything.” A tear ran down her cheek. “Tell him, you tell him. I’ll do what he wants … whatever he wants … with him or … or with the dog or … please …"
Because there's no difference whatsoever in terms of time or budget in both cases...? That those changes, despite not being necessary, result in inferior scenes?
And the execution scene in the way it was in the books is an important step in Jon's character development, and it's simply more satisfying.
I don't undrstand that reactions to sansa's storyline, we have known or at least expected that for months haven't we? and I like them honestly. it's leages better than all that BS with harry the heir, we can count ourselved lucky we don't have to watch that on TV.
however, I was displeased with slynts execution, because that is one of the very, very, few moments I actually liked in the whole of AFFC/ADWD. I just loved how jon wanted to have him hanged first but then remembered ned saying you should carry your sentence out yourself.
nod was fine
And it is here. There's no significant change with regards to character development.
Just because the end result is Janos' head rolling on the floor doesn't mean that's true. Changing his mind to execute him himself instead of deciding to do so right away like in the show is very different and is rather significant.
I do like the fact they reused the beheading music for Theon and then Robb for the scene. Instantly made me remember Ser Rodrik and Karstark beheadings. You're right though, having Sean Bean's voice in his head repeating the "man doing the sentencing should swing the sword" would have been an even nicer touch. That's one thing about the show, these small simple details they can do to tie in things they sometimes miss or don't care enough for.
“There were some things in this series that I was really disturbed by. “Just before the scene I was like ‘I don’t want to do this” but it’s my job so you’ve got to get on with it.’”There's no chance this is in. It's certainly more than the 6/10 Sofie rated her scene.
But I already told my brother that Sansa gets raped by a dog this season.There's no chance this is in. It's certainly more than the 6/10 Sofie rated her scene.
Jon choosing the rope first and changing his mind is not important.
This season is a fucking mess. It's like the exact opposite of Season 1 or 2, nothing is recognizable from the books aside from Jon cutting off Slynt's head or small moments elsewhere. They've cut out such massive amounts of material, all for the sake of simplicity and streamlining. I understand that they want to focus on the characters, but they've lost the sense of scale and sweep the books have achieved for it.
I'm just trying to enjoy the show as it's own thing, a high budget fanfiction loosely inspired by the best fantasy books since LotR, rather than an adaptation anymore. Sadly this season is probably going to spoil a lot of Winds of Winter, though.
The writers have said this isn't the case. Sansa is just taking Jeyne Pooles storyline this season. She'll probably go back to her WoW storyline next season.Sadly this season is probably going to spoil a lot of Winds of Winter, though.