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I'm slowly falling in love with Brit Marling.
I'm slowly falling in love with Brit Marling.
YesIs it, though?
Is it, though?
They know how to nail situations/characters, while snappy edits cull fluff, leaving only comic gold.
Adapted from its Web format, Broad City is hardly a fully formed exercise just yet, but with a clear comic voice (Jacobson and Glazer are also the writers) it merits the time to find itself.
The show veers precariously between low-budget and lazy, and the sketches are hit-or-miss. Still, Jacobson and Glazer make an appealing odd couple.
A&Es Wahlburgers is a thick heaping of Boston baked silliness starring two of Hollywoods biggest stars and their beloved mom.
There's no drama, no trumped-up conflict, no insights, no revelations and absolutely no discreet view of a once-notorious Dorchester clan that ran wild in the streets but now drives them, coolly surveying their kingdom for another restaurant location.
Its generally playful, but unlike the burgers, consists of completely empty calories.
Broad City presents a recognizable, recognizably hilarious perspective on what trying-but-failing looks like from the inside.
The stiff who was born wearing a necktie and a starched shirt is transformed and redefined in just 90 minutes.
Achieves in an hour and a half something Republicans wanted desperately to do throughout 2012: It makes Mitt Romney human. Lovable, even.
A determinedly apolitical movie that inevitably will be viewed in partisan terms, "Mitt" is a fascinating fly-on-the-wall portrait of family life on the U.S. presidential campaign trail.
Lizzie Borden Took An Ax: Christina Ricci gave some whacks; and when it all was said and done, it was in fact quite creepy fun.
Its just a period horror story starring Wednesday Addams as the high-strung monster from the playground jumping-rope rhyme, with costumes and furnishings (and a general lack of extras) that suggest a high-school play.
An utterly pedestrian docudrama that never lives up to its campy billing.
This ambitious pirate story is helped immensely by going beyond the pay cable freedoms that often bog down lesser shows in boobs, blood and sex. "Black Sails" steers itself out of that realm after a few episodes and makes a play for bigger, more complicated stories. Solid acting patches up weaker spots. A series worth a look.
[Viewers] figure there will be sex and nudity, blood and violence. Black Sails has most of that, but there isn't enough action in the first four episodes. If you give us a pirate series, we want to see ships going at it on the high seas.
What's mystifying is why Starz and the creators of Black Sails seem to think that, given the expanding array of options available to consumers, any content creators can get away with peddling fare that can't even manage to be consistently mediocre.
talking in period inappropriate accents
What are the period appropriate accents?
Everyone talks in fairly modern diction with strong accents meant to evoke pirates but they just seem like Americans trying to be british in 2014. Some don't even try. It just feels chintzy, like the rest of the show.
Directed with aplomb by Mat Whitecross, who periodically decides, in the course of this four-hour feast, to stop making a movie about a man and instead make a Bond movie, Fleming is the kind of movie that winks at you constantly and you never get annoyed by the intimations.
Cooper does a solid job with the title role, and the early installments have an engaging briskness. However, Fleming drags a bit in its second half; given its slender budget, it might have worked better as a three-episode miniseries.
Fleming the character is Bond without the mystery, and Fleming the miniseries is a Bond epic reduced to the most generic of redemption stories.
Quick heads up, Onion A|V Club pointed out that the original, Scandinavian version of The Bridge is up on Hulu now in case anyone wants to check it out.
Today in sitcom shark-jumping moments:
A-plot: One half of a couple says "I love you" and the other has trouble emotionally committing and won't say I love you back
B-plot: Celebrity stuntcasting
Last year in sitcom shark-jumping moments:
A-plot: Product placement for a car
B-plot: No b-plot, it's just product placement for a car
I am soooooo lttp on Happy Endings. My wife and I recorded the entire series when VH1 ran it on New Year's Eve. We're probably about 20 episodes in and love it.This was the episode that premiered against Happy Endings and the episode where a Ford commercial beat Happy Endings :-(
I am soooooo lttp on Happy Endings. My wife and I recorded the entire series when VH1 ran it on New Year's Eve. We're probably about 20 episodes in and love it.
Sorry, ivy. :-(
Tim Goodman taking a look at some of the shows starting up after the Olympics and later this year:
- All the Upcoming Buzz Shows You Need to Know About
Tim Goodman taking a look at some of the shows starting up after the Olympics and later this year:
- All the Upcoming Buzz Shows You Need to Know About
Silicon Valley (HBO, April 6). Talk about instant impact this Mike Judge comedy looked to be firing on all cylinders before HBO has even dropped it into the race. Critics got a look at two episodes and an extended sizzle reel. It's one of the favorite things I saw at TCA, and I'm willing to bet Silicon Valley could be HBO's most wide-appeal comedy in ages.
The Leftovers (HBO, summer). Critics got to see the pilot of this Damon Lindelof series, based on the Tom Perrotta book and directed by Peter Berg. It's both complex and ambitious. Also: weird and riveting. The Leftovers is a series that may take another two or three episodes to wrap one's head around, but it's buzzing like mad and should continue to.
Fargo (FX, April 15). I would put Fargo near the top of any list of buzz series because, having watched the pilot and wanting to rewind scene after scene this looks to be an out-of-the-box gem for FX.
The Strain (FX, July). Holy hell - This different-than-usual vampire story, based on the trilogy of books of the same name, looked really scary and intense. I'm not much of a vamp fan, but The Strain looks like something you can't take your eyes off of and that will generate buzz every time. When the clip ended, I wanted there to be another one.
Inside Animal Minds (PBS/Nova. April 9). I know, it sounds strange. How many Nova specials are going to generate buzz. But anyway, having seen clips and listened to the animal experts talk, prepare to have your mind completely blown. One of the best, least-expected panels at TCA. Also: fun.
Review, co-created by and starring Daly, will debut Thursday, February 27th at 10pm. Daly plays Forrest MacNeil, a TV critic who reviews life experiences like stealing, drug addiction, and sleeping with a celebrity. The supporting cast includes Jessica St. Clair as his wife, Fred Willard as his father-in-law, and James Urbaniak as his producer, with Andy Richter, Ashley Tisdale, Jason Mantzoukas, Rich Fulcher, Emo Phillips, Andy Blitz and Maria Thayer set to guest star.
Sundance's The Red Road premieres the 27th and there is no footage of it yet?