So what would the male trinity be? Adam Lambert + MJ + Freddie?
You still have time to edit this.
So what would the male trinity be? Adam Lambert + MJ + Freddie?
So what would the male trinity be? Adam Lambert + MJ + Freddie?
What about Alicia Keys?
Arianna also has an over reliance on guest artists. It's why I wasn't too familiar with her as a solo artist because I just figured she was hook girl. All the other major artist on this thread had several hits where they were the sole performer. You couldn't accuse them having to ride the coat-tails of other artists to have hits and reach a wide audience.
Pair her with Diana Ross, sure.
Those other three divas can actually sing really well.
Could you back up this subjective, dismissive nonsense?
Mau ®;131110919 said:Whores who lie about their bastard children's paternal father do not enter the trinity.
Bey can blow. It is known.
Mau ®;131109752 said:Bruh, let's not talk about Queen Rih here, ok?
If I had Zedd, Nicki, Jessie J, and Iggy Azalea on my tracks, you'd know about me too.
BEYONCE - 3.36 million sales worldwide
UNAPOLOGETIC - 4.1 million sales worldwide
Biggest song - Drunk in Love #2.
And that was the BIGGEST song from the album.
No impact. A force-fed flop.
I know, but it's just annoying when every PopGAF topic has people coming in making "clever" comments to that effect, or else making complaints about how incomprehensible PopGAF is (it isn't; you just can't read). It gets old.
BEYONCE - 3.36 million sales worldwide
UNAPOLOGETIC - 4.1 million sales worldwide
Biggest song - Drunk in Love #2.
And that was the BIGGEST song from the album.
No impact. A force-fed flop.
One of these things is not like the others.
But Brian McKnight and Luther Vandross say hello.
Have you HEARD that man singing with Queen? He's amazing. I'm not a fan either, and his music is like super terrible, but his voice is the best of the pop male singers alive.LOL wut? No. Not even close.
Anecdotally, I'd like to add Beyonce has no radio presence whatsoever. Never hear any of her songs get played on the local pop station, except maybe on weekend mornings when they're doing early 2000s throwback and Crazy in Love gets played.
BEYONCE - 3.36 million sales worldwide
UNAPOLOGETIC - 4.1 million sales worldwide
Biggest song - Drunk in Love #2.
And that was the BIGGEST song from the album.
No impact. A force-fed flop.
Kim K is old and busted; it was hilarious to see her desperate attempt at staying relevent with that cheesy 'nude' CQ shoot only to have the lauch completely sabotaged by The Fappening, which (against their will) jump started and catapulted the sex symbol status of JLaw and others in the mainstream mindset. Kim K is being moved to the back pages of gossip mags next to Paris Hilton and others.
Kim K is basically over and is starting go fade out. It's a shame to see how she ruined Kanye's image too. He's now seen as 'the husband of Kim K with a petulant manchild personality' and is not taken seriously anymore. He's like a joke character at this point.
A new generation of personalities like A. Grande and Jlaw are now taking over and pushing out awkward old aunts like Kim and her circus family. The brand name is becoming toxic
As for vocal range, Beyonce is rather terrible live and can't really reach the range of Celine Dion (while im not a fan, her live voice is perfect)
Also those 3 female singers in the first posts have fanbases that are much older than beyonce's, which is more aimed at young preteens and early teenagers.
Also those 3 female singers in the first posts have fanbases that are much older than beyonce's, which is more aimed at young preteens and early teenagers.
BEYONCE - 3.36 million sales worldwide
UNAPOLOGETIC - 4.1 million sales worldwide
Biggest song - Drunk in Love #2.
And that was the BIGGEST song from the album.
No impact. A force-fed flop.
I don't get what the numbers for an album that's over a year older is making a solid point? Is Beyonce supposed to look like a flop with millions of sales next to an album with less than 800k more sold over a year longer?
And this is silly because Rihanna isn't even being debated as part of the OP discussion. How does she factor in with how those other women are doing in sales? I don't get your point and again, you aren't showing any reason to back up the dismissing of Beyonce when in the past month it has been featured in the VMAs and an HBO special. Not everyone is dismissing it just because you feel like saying it.
So what would the male trinity be? Adam Lambert + MJ + Freddie?
Everyone Beyonce fan I've come across has either been self-sufficient educated women or lascivious homosexual men. Though I guess there are some teenagers that fall into those categories as well~
How do you explain the album sales?
I don't get what the numbers for an album that's over a year older is making a solid point? Is Beyonce supposed to look like a flop with millions of sales next to an album with less than 800k more sold over a year longer?
And this is silly because Rihanna isn't even being debated as part of the OP discussion. How does she factor in with how those other women are doing in sales? I don't get your point and again, you aren't showing any reason to back up the dismissing of Beyonce when in the past month it has been featured in the VMAs and an HBO special. Not everyone is dismissing it just because you feel like saying it.
Dead Man, the "you" in that parenthetical aside wasn't you.
Compared to?
My Everything - 1st Week 169,000
http://en.wikipedia.org/wiki/My_Everything_(Ariana_Grande_album)
Katy don't care - Prism - 1st week 286,000
http://en.wikipedia.org/wiki/Prism_(Katy_Perry_album)
Ariana sure as hell didn't beat Beyoncé
During its first day of release in the United States, Beyoncé sold 80,000 units in three hours and a total of 430,000 digital copies within 24 hours. In its second day, the album sold 120,000 units, which brought its two-day sales total to 550,000. Billboard predicted it to sell around 600,000 digital copies by the end of the tracking week on December 15, 2013. Beyoncé debuted at number one on the Billboard 200, with three-day sales of 617,213 digital copies. This gave Beyoncé her fifth consecutive number-one album, making her the first female artist to have her first five studio albums debut atop the chart.
I know" Sorry! Going by this thread it would be "vocally super talented artists with decent to good international success".You didn't answer my question about criteria!
I think going 80's and forward would be a good idea as 80's musical sense is still somewhat present on modern music and it can be argued it's still influencing new sounds. I certainly can't give you an exact criteria, and the examples from the OP aren't making it easier So I dunnno, say what you please!Anyway, I think it depends on whether the singers you are listing need to have connected in time, Like, if we're going "1950s - early 1960s", then I'd be very pleased with Jackie Wilson, Roy Hamilton, and Elvis Presley. Or you could swap out one of those for The Platters' Tony Williams, or Andy Williams, or maybe someone else I'm not thinking of offhand. If you're going by the late 1970s - 80s, maybe Freddie Mercury, or Steve Perry, or Luther Vandross, or Michael Bolton (no, seriously), or Elton John. I don't really have a good grasp of when different metal singers were in their prime vocally and commercially, but people like Dickinson or Geoff Tate could be in the conversation, too. It feels like we have a dearth of talented, popular male singers these days. And I'm obviously glossing over other decades and dozens and dozens of talented male vocalists. It's hard without clarifying exactly when and what you mean
I know, but it's just annoying when every PopGAF topic has people coming in making "clever" comments to that effect, or else making complaints about how incomprehensible PopGAF is (it isn't; you just can't read). It gets old.
Patti*
And Whitney is amazing. I Am Changing in 1986 is astonishingly good.
I'm not even a Diana fan, but that video doesn't really prove anything. I'm sure if YT was a thing back then you could track down a video of Diana singing like she was having a solo in Sunday church choir.
Bey has a voice, but comparing her to Whitney and Mariah? Yeah, no. Especially when she can't even out sing Jennifer in Dreamgirls. Oh, but she tried. She tried.
That was a great performance.
But Celine had restraint and showed mercy for Bey, tho
That was a great performance.
But Celine had restraint and showed mercy for Bey, tho
Yep. Bey sounded a little but like a try-hardThat was a great performance.
But Celine had restraint and showed mercy for Bey, tho
So what would the male trinity be? Adam Lambert + MJ + Freddie?
LOL wut? No. Not even close. There is no trinity, there is only Freddie.
I know, but it's just annoying when every PopGAF topic has people coming in making "clever" comments to that effect, or else making complaints about how incomprehensible PopGAF is (it isn't; you just can't read). It gets old.
I know" Sorry! Going by this thread it would be "vocally super talented artists with decent to good international success".
Yep. Bey sounded a little but like a try-hard
Still, what an amazing,amazing voice. She just needs better composers.
You are comparing Altos against a Soprano. Do you not know how vocals work. Of course Bey couldn't outsing Marish and Jhud. She doesn't have the range neither is her voice on the same range as them. However as a Soprano, she is the beat of this generation, that can sit well next to Whitney. Obviously she can't outsing Whitney because being a vocal partner, Whitney has more range however she makes up for her lack of range with techniques to florish her voice than to do a Christina and sing way above it.
Wow.... Her singing a song and feeling it means she's trying hard. The reach to just admit that she actually is a great vocalist. Lol
I disagree, what she was doing is way more impressive to me. Both notes sounded like vocal notes, unlike your example where it is creating a strange nasal/whistling harmonic note on top of a single vocal note. Her technique sounds genuinely like two normal vocal notes (albeit a bit breathy) at the same time. And she was creating chords in tune with the band, unlike your example which is unaccompanied and therefore has more flexibility in terms of being able to fish around for a tone where the harmonics work best.I think she's just somehow managing to employ the vestibular folds at the same time as her vocal folds, so she's singing two notes simultaneously, sort of like a much less impressive version of what throat singers do.
She doesn't even know how's she's doing it, but it probably is overtones:I disagree, what she was doing is way more impressive to me. Both notes sounded like vocal notes, unlike your example where it is creating a strange nasal/whistling harmonic note on top of a single vocal note. Her technique sounds genuinely like two normal vocal notes (albeit a bit breathy) at the same time. And she was creating chords in tune with the band, unlike your example which is unaccompanied and therefore has more flexibility in terms of being able to fish around for a tone where the harmonics work best.
The hook was that I was able to sing multiple chords at once. On the YouTube video you can see me realizing, in the moment, how to control that process. It took six minutes to get to that point, but it was an incredible, expansive experience. I went to a different place vocally to be able to manipulate those chords. People are still trying to figure out how I'm doing it. And I don't even know. It's just something I've been doing since I was 1213 years old.
On that particular take, two distinct tones are coming out, and then we change keys and I sing two tones in a different keys. I never really used it before on a record, because I wasn't sure how to control it, and people would probably think it was fake anyway, so I only do it live, and that just happened to be the right venue.