MikeHattsu
Member
Ordered the Australian release of Date A Live (BR) because I've given up hope of it getting released in the UK. It's the same region (B) so I'm assuming it'll run fine, but someone kindly let me know if I'm wrong.
It will run fine.
Ordered the Australian release of Date A Live (BR) because I've given up hope of it getting released in the UK. It's the same region (B) so I'm assuming it'll run fine, but someone kindly let me know if I'm wrong.
Ordered the Australian release of Date A Live (BR) because I've given up hope of it getting released in the UK. It's the same region (B) so I'm assuming it'll run fine, but someone kindly let me know if I'm wrong.
No it isn't. It's a completely valid form of representation, and great melodramatic stories exist since Greek tragedies.
If anything, the problem with the hammy bits in Kimiuso is that they're at odds with other parts of the show. It's not exclusive to the drama moments, the physical deformed comedy carries the same issue. It's a problem with tonal consistency.
Good name![]()
Tokyo Ghoul I think. And no, I wouldn't classify it as good. And that illustration doesn't really show the series tone so...
The anime Tokyo Ghoul is good if you count it as a standalone, because the manga is infinitely better than the anime. But in the anime's case episode 1, 8, and 12 makes the anime worth a watch. And it has a great Opening and really well done OST. So if you do end up reading the manga in any case watch the anime first.
Also one of my top favorite manga series.
Ordered the Australian release of Date A Live (BR) because I've given up hope of it getting released in the UK. It's the same region (B) so I'm assuming it'll run fine, but someone kindly let me know if I'm wrong.
I think that's the plan, it came with the Japanese Miyazaki set too. The Japanese Bonus disc contained the following:Will the bonus disc contain On Your Mark?
Also comes two bonus discs containing "Yuki no Taiyo" pilot film (5mn), "Akado Susu no Suke" (episodes 26,27, 41 for a total of 30mn), "On Your Mark" video clip, and Hayao Miyazaki press conference on his retirement (90mn). Discs come in digipak with illustrated jacket. Also includes booklet. As bonus of individual release are not included, transfer rate is slightly better.
Cannon Busters
- Collectors Packaging, 18.1 x 21cm
- 96 paged softback book delving deeper into the world of Giovannis Island including the historical background, production and art.
- 55 minutes of extra features including a comprehensive Making Of (38 mins), Digital Art Gallery, Interview with the Russian voice of Tanya & a Troika music clip which was unused in the film!
- Limited to 1000 copies only in the world so its a rare chance to own the best possible edition of Giovannis Island on the market. Art card inside certifying the number the release is in the series.
- Dubbed and subtitled versions of the film on both Blu-Ray and DVD.
Pitt-san kawaii desu ne
Damn this actually became a thing lol
http://www.neogaf.com/forum/showpost.php?p=137167225&postcount=872
Tokyo Ghoul. This is not an popular opinion round these parts but it is quite alright. Especially now that the uncensored version is releasing.
lol You haven't seen anything yet. Good luck with episode 4.
Damn this actually became a thing lol
http://www.neogaf.com/forum/showpost.php?p=137167225&postcount=872
Working!! 01
It's not easy being short.
A part time employee gets hired, a customer gets insulted and fluffy hair gets touched. Pretty funny so far.
So I found this interview in August 2014 with Otsuka from Trigger, hosted by Alexander Grant(Pixar). Anyway some minor interesting details:
https://www.youtube.com/watch?v=XnaAfXcaDJs
-The copyrights from an Anime Mirai production revert back to the studio after three months of the theatrical run.
-Two early versions of LWA. One being the one we saw. The other was more action heavy. Yoshinari chose the current one as he felt the animators might relate to the girls more as the girls are learning just like the animators.
-Claims that they left Gainax not due to creative restrictions but rather as they wanted a challenge.
-An average anime episode has bare minimum of 3000 drawings, a good one has 6000. Otsuka stated that Gurren Lagann and Kill La Kill had 8000 drawings per episode. KLK's number is probably heavily padded. LWA had 17,000 drawings.
-Otsuka stated that anime is more for a younger audience compared to manga.
-"Imaishi is basically an adult [child]"
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Some unintended Arjuna and Glass Fleet references in this episode.
This is the weird thing about Sunrise's "nutty" mecha shows like Valvrave and Cross Ange. I can't tell if they're just making weird, deliberately trash mecha shows to somehow 'capture' the Code Geass effect or if it's just a case of them making bad shows. This thought only occurs to me because I'm not sure what the 'audience' is for shows like Valvrave and Cross Ange. They certainly aren't conventionally appealing shows.A thought about Cross Ange.
At first, I expected Adolf Hitler in anime form, given the initial outrage and scorn. But you know, more than super awful ohgod, this is just the typical Sunrise mech show, so in other words a mix of being bad, stupid and a bit too crazy and schizophrenic and trying too much, in their usual ways. It's just more trashy than their usual works thanks to the ever present fanservice (from the suits to some riskier scenes included because it seems they chose to aim directly the adult otaku fan instead of the teenager otaku fan, so more edginess/ecchi is allowed); but at the core behind all the tits and butts it's just another Sunrise show, with a mc going from the bottom to slowly turning into a hero and learning to make friends, a conspiracy to revolt against society, a kludgey romance interest that hides more than seen at first sight, I bet some stupid twist at the mid of the season with the dragons, a moustache-twirling bad guy, etc.
Can't wait to watch LWA today, hopefully they deliver it. Been waiting to watch the making of until I got the BD.
8000 per Kill la Kill episode seems like a stretch, there are only a couple I could see hitting that number without significant padding.
Each keyframe was drawn by six different animators and they picked each used keyframe via lottery.
Damn this actually became a thing lol
http://www.neogaf.com/forum/showpost.php?p=137167225&postcount=872
This is the weird thing about Sunrise's "nutty" mecha shows like Valvrave and Cross Ange. I can't tell if they're just making weird, deliberately trash mecha shows to somehow 'capture' the Code Geass effect or if it's just a case of them making bad shows. This thought only occurs to me because I'm not sure what the 'audience' is for shows like Valvrave and Cross Ange. They certainly aren't conventionally appealing shows.
Cross Ange, for example, has the look and feel of a fanservice show, except it's far too unpleasant in many scenes to be simply that. As I've mentioned before, it borrows heavily from exploitation films but it also borrows from old shoujo manga and from mecha shows. At the same time, it also makes fun of itself and shuns it's serious tone. I just don't know who it's for.
i think spiderman would be the perfect fit to handle those harmless titans![]()
Cross Ange, for example, has the look and feel of a fanservice show, except it's far too unpleasant in many scenes to be simply that. As I've mentioned before, it borrows heavily from exploitation films but it also borrows from old shoujo manga and from mecha shows. At the same time, it also makes fun of itself and shuns it's serious tone. I just don't know who it's for.
This is the weird thing about Sunrise's "nutty" mecha shows like Valvrave and Cross Ange. I can't tell if they're just making weird, deliberately trash mecha shows to somehow 'capture' the Code Geass effect or if it's just a case of them making bad shows. This thought only occurs to me because I'm not sure what the 'audience' is for shows like Valvrave and Cross Ange. They certainly aren't conventionally appealing shows.
Cross Ange, for example, has the look and feel of a fanservice show, except it's far too unpleasant in many scenes to be simply that. As I've mentioned before, it borrows heavily from exploitation films but it also borrows from old shoujo manga and from mecha shows. At the same time, it also makes fun of itself and shuns it's serious tone. I just don't know who it's for.
This is the weird thing about Sunrise's "nutty" mecha shows like Valvrave and Cross Ange. I can't tell if they're just making weird, deliberately trash mecha shows to somehow 'capture' the Code Geass effect or if it's just a case of them making bad shows. This thought only occurs to me because I'm not sure what the 'audience' is for shows like Valvrave and Cross Ange. They certainly aren't conventionally appealing shows.
Cross Ange, for example, has the look and feel of a fanservice show, except it's far too unpleasant in many scenes to be simply that. As I've mentioned before, it borrows heavily from exploitation films but it also borrows from old shoujo manga and from mecha shows. At the same time, it also makes fun of itself and shuns it's serious tone. I just don't know who it's for.
Needs Jeanne to pave the way for yuri.Shingeki no Bahamut Genesis 05
Yeah, the angel/demon stuff does kind of obstruct the best part of the show. But this was by no means a bad episode. Good action sequences and pretty stuff going on the whole time.
Maybe our group is all assembled now? If Kaisar can go a minute without trying to kill Favaro?
Rather than Sunrise in general, I think it all comes down to staff rotation and especially the various directors or writers involved. Their common objective is always to be entertaining and make money, of course, but I think there are significant variations beyond that point when it comes to the issue of execution. Each production has its own unique circumstances as well as its respective flaws and virtues that are reflected in their distinct outcomes. Code Geass had more conventional appeal among the viewership than what Valvrave or Cross Ange could hope to achieve and I credit Taniguchi for this. He let the writers run wild with deliberately crazy contents but also oversaw some legitimately engaging parts that a significant percentage of the audience did truly care for, whether in whole or in part, so it served a dual purpose. Those who think it's only about insanity are merely getting half the experience (or less).
Then Valvrave just took all the craziness and ran with it, since Okouchi already knew how to make something enjoyable in that sense, but outside of some purely technical competence and nice storyboarding by Kou Matsuo, the series ultimately felt hollow and underwhelming at its core (even leaving aside the whole "rape" controversy). While popularity does not always equal quality, I think its commercially mediocre results do correlate to this. I don't have a clue about what's going to happen with Cross Ange and won't stick around to find out, but it seems to be the result of Mitsuo Fukuda giving ideas to a relatively untested writer with a more experienced yet still low profile director. It's only unique in how far it's willing to go with exploitation and fanservice at the expense of everything else. In my opinion, the self-awareness angle is not particularly new and I also feel it doesn't do enough to compensate for the rest.
YesIs Grisaia suppose to be a school for troubled children?
sounds like every vn animeIs Grisaia suppose to be a school for troubled children?
Fate/Stay Night UBW 4
Question for those who've played the VN, at what point are you able to choose which of the 3 paths you go down? The show has given a lot of attention to Rin (as it should since UBW is her romance path in the VN from what I understand) but it still feels like we're in the pre split.
sounds like every vn anime