Movies You've Seen Recently |OT| March 2017

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Peer-pressure will make others say otherwise, but Metropolis is a chore.

You won't get any peer pressure from me. I think Metropolis is technically impressive and is beautifully filmed, but the story is just dull fascist propaganda that ties itself up in a supremely facile conclusion. Far from Lang's best work.
 
Sitting in the Music Box Theater in Chicago waiting to see Raw. First time here, and this theater's amazing. It feels like it hasnt been altered since the 1920s, and the theater itself is compact in a way I've never seen before. Seats less than 50 people. Shit's cool man
 
I never considered Metropolis to be fascist but always found its ultimate political message of "the mediator between the hand and the brain is the heart" to be silly and simplistic. Reading more into the fascism angle it appears it is exactly this message which seems to link to fascism but I don't quite see it.
 
Sitting in the Music Box Theater in Chicago waiting to see Raw. First time here, and this theater's amazing. It feels like it hasnt been altered since the 1920s, and the theater itself is compact in a way I've never seen before. Seats less than 50 people. Shit's cool man

Beautiful theater.

Does it still have the stars on the ceiling?
 
Sitting in the Music Box Theater in Chicago waiting to see Raw. First time here, and this theater's amazing. It feels like it hasnt been altered since the 1920s, and the theater itself is compact in a way I've never seen before. Seats less than 50 people. Shit's cool man

It's great. Used to live near there and saw Blair Witch Project opening night. Fantastic experience.
 
I never considered Metropolis to be fascist but always found its ultimate political message of "the mediator between the hand and the brain is the heart" to be silly and simplistic. Reading more into the fascism angle it appears it is exactly this message which seems to link to fascism but I don't quite see it.

Yeah it mostly lies in the conclusion I think. The worker class falls into destructive chaos on when they revolt, the elite class is too inept and out of touch to rule, and so they rely on a populist individual that rules through emotion. Apparently it was a big hit with Hitler, as you can probably imagine.

I don't think Lang intended this to be a fascist movie (he even fled Germany) but his soon to be Nazi wife did co-write it. And yeah, I honestly take less issue with the fascist undercurrent than I do with it being simplistic and dull.
 
No doubt, it is undeniably gorgeous.

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I watched Metropolis a couple weeks ago and thought it was pretty incredible.

Raw was really good, but that might be the most I've ever been tested on a physically uncomfortable level watching a movie. Some of those scenes were almost too much. However, they were all relevant to greater themes and characterization so they didn't take me out of the movie. The crowd I saw it with was fantastic too, really added to the atmosphere of the film. Director seems to have a talent for bringing energy and entrancing the audience in the film's mystique.
 
Dead Heat Old 80's buddy cop movie with zombies...Joe Piscopo and Treat Williams do a great job on this. I thought it was going to be a stupid 80's comedy but it was played rather straight and actually has a very cool story. Glad I took a chance on this!

Coherence Looking at other Letterboxd comments I see people comparing this to Primer which was a lot more confusing on the first go. This by comparison was straight up with little to guess about which is fine. I loved all the confusion this tries to throw out there and really enjoyed all the interactions. I do wish a bit more was done with the uh...shall we say alternate ideas but it is what it is and I enjoyed this a lot.
 
Kong: Skull Island:While its visual and editing playfulness, often times remeniscent of Edgar Wright (although, temper your expectation this is Edgar Lite) and delivery of the monster smackdown goods keeps this a step above Godzilla, it's still got the same flaws. Namely most of the characters are nothing more than exposition machines, and sometimes not even that (remind me again what the biologist of the team did? Because it clearly wasn't biology, but rather starting a sentence only to let her geologist man friend do the talking). John C. Reilly is the one compelling character here, afforded clear emotional stakes, motivation, and a performance that is endearingly unhinged.

The problem is the script doesn't trust the actors to act, and so they just explain everything to you and it's just so boring. But then Kong shows up framed in impressively apocalyptic fashion using all sorts of brutal props to lay the hurt on a wide array of creatures so my inner 15 year old can't let me get too disappointed. It's not great, but this is a particular niche in the genre that doesn't really demand greatness. Let the next two decades of giant monster smack down shared universe commence.
 
Dead Heat Old 80's buddy cop movie with zombies...Joe Piscopo and Treat Williams do a great job on this. I thought it was going to be a stupid 80's comedy but it was played rather straight and actually has a very cool story. Glad I took a chance on this!

How about that last line?
 
Throne of Blood 1957
★★★★★
Visually Stunning movie with great performances, and a simpler adaption of Macbeth. Kurosawa did an excellent job with the camera work and capturing the eerie atmosphere.
 
As a perennial slumber party film of my youth that I've seen enough times to remember every nearly every inch of, yet haven't found the time to revisit in a good number of years, it appears I've taken for granted how good The Matrix is. It's genre blending mix of cyberpunk, John Woo gun fights, kung fu, wuxia, and Cronenbergian body horror still stands the test of time. The Wachowski sisters' able directing and editing keep the action clear and beautiful, and the movie unfolds it's revelations and set-pieces at a gripping pace. It would all be for naught if the story couldn't keep pace, but even the hacker nerd-as-action hero can't put a damper on its compelling philosophical core, one that is powered by clear characterization rather than word-salad drivel.

While all the black leather, sunglasses, and Nokia phones, and the film's massive impact on turn of the century popular culture keep it dated in a certain respect, watching The Matirx eighteen (!!) years later it's hardly seeming to show any age at all. In fact the story seems to be becoming increasingly relevant today, even beyond the Y2K paranoia that may have led to it's inception. That could certainly explain why the powers that be are mulling a reboot, but I wager you could just stick this one in theaters again and it would feel just as fresh.
 
Raw was really good, but that might be the most I've ever been tested on a physically uncomfortable level watching a movie. Some of those scenes were almost too much. However, they were all relevant to greater themes and characterization so they didn't take me out of the movie. The crowd I saw it with was fantastic too, really added to the atmosphere of the film. Director seems to have a talent for bringing energy and entrancing the audience in the film's mystique.
I'm going to see this tomorrow, this has me more hyped.
 
Personal Shopper (7.5/10) - Intriguing, beguiling film that doesn't completely land for me (some of the plot threads resolve in hurried, unsatisfactory ways), but thematically I still like where Assayas was going with this. The "horror" elements are surprisingly effective (loved the opening, and I was genuinely creeped out during a couple key sequences later in the film). But the centerpiece here is a sustained texting sequence that slowly transforms in tone, slipping around between two different worlds (the ghost story, the fashion industry) in clever ways, and remaining suspenseful throughout. The best thing I can say about Personal Shopper is that even when I was sure I knew where it was going, Assayas still managed to surprise me. I didn't enjoy it as much as Clouds of Sils Maria but it's still pretty good.
 
Dead Heat Old 80's buddy cop movie with zombies...Joe Piscopo and Treat Williams do a great job on this. I thought it was going to be a stupid 80's comedy but it was played rather straight and actually has a very cool story. Glad I took a chance on this!

I just loved how goddamned dark it got by the end. It winds up so not the kind of film you would expected from the premise, and it's all the more memorable and interesting for it.

And Vincent Price gets to deliver what's essentially the GOP mantra in one of his best late career performances.

BTW, the Metropolis screening I mentioned was probably my favorite filmgoing experience ever. It would have been plenty to see the film as it was essentially intended back in 1928, but the combination of the great location with balcony seats and a world-class organ player making the task of transposing a score intended for a 60-piece orchestra to a single instrument look effortless, and it's hard not to be over the moon about it.
 
Logue One: A Donal Logue Story: 5/10. A strong finish, not unlike when I take a nice shit having eaten peanuts the previous day. Gareth Edwards is like the definition of a 5/10 filmmaker (I've seriously rated all three of his films 5), but I don't know how much he's to blame, this has a the stench of the boardroom all over it. Probably a great 90 minute movie in here. Those CG people... why.
Captain America: Ken Burns Civil War: 6/10. So this is supposed to be the best one huh? Yeah it's exactly the same as all the others. Spiderman looked awful.
 
Logue One: A Donal Logue Story: 5/10. A strong finish, not unlike when I take a nice shit having eaten peanuts the previous day. Gareth Edwards is like the definition of a 5/10 filmmaker (I've seriously rated all three of his films 5), but I don't know how much he's to blame, this has a the stench of the boardroom all over it. Probably a great 90 minute movie in here. Those CG people... why.
Captain America: Ken Burns Civil War: 6/10. So this is supposed to be the best one huh? Yeah it's exactly the same as all the others. Spiderman looked awful.
Borg gonna borg
 
Spot on with that rogue one impression. Man Edwards is just aggressively mediocre and you combine that with fine tuned Disney oversight and you get this dull film. I'm not a big fan of Abrams but his star wars movie murks this for me

But yeah it finishes strong for sure. And another thing I'll say about this guy is that he's pretty dope at conveying the scale of things.

Edit: and the matrix is so damn good still. Top 10 action movie for me. The bluray transfer is dope too.
 
Christine
I really liked it. It's pretty well directed and written but the big positive is Rebecca Hall's performance as the title character. She is just amazing.
 
The Conjuring 2

What a thrill! It's great to see a horror film with impeccable set design and cinematography. The movie is gorgeous to look at, as is the attention to detail of the 1970's. The horror elements are not as spooky as the first film, and maybe relies a little too heavily on jump scares. But there are times where the camera plays tricks with your eyes, something just out of frame or out of focus that takes shape into something else entirely, and that becomes a whole lot of fun. The standout is Madison Wolfe, she was crazy good in this.

Grosse Pointe Blank

The most 1990's 80's movie ever. John Cusack is good in here, and the script has some good moments, and there's some bit players that have become supreme standouts later on in life. But Minnie Driver is the true win of this film. She's great in it. It's just the rest of the movie felt a little half baked, and relied on the 90's cool hitman trope too hard. But it does play with it a little, and so I can't fault that as much as I would most movies during that time. Also, Dan Akroyd plays a manic, almost always smiling killer who says "Popcorn" a lot for no good reason, so there's that, too. Best part was the convenience store shootout, and the "now I need a new job" line from the cashier.
 
1:54

A french Canadian movie that talk about bullying. This is the first movie of a guy that win a Oscar for short film in 2014 (Henry). I was surprisingly good. I wasn't sure at first, but everything start to grow on me and i like the way the story is involving. It's never get to the revenge mind like other movie of that genre. A little like Ben X i could compare. I recommended it quite easily.

Arrival

One of my biggest let' down i ever experience this year so far, i like every previous Denis Villeneuve... but this one was... boring, i don't know. I feel 0 attachment to the Amy Adam character. Same thing with Emily Blunt in Cigario, i think he don't know how to direct woman with strong personality on screen (Incendies is the only exception that come to mind). However no spoiler here but the twist was bad.... really bad i think. As much i was happy to see him direct Blade Runner 2.... now i'm not sure anymore....
 
Does Peter Berg only do cheesey films? I'm fine with a bit of sentimentality, but this guy goes wayyyyy overboard.

Not that I'm a robot completely immune to the emotions Patriots Day tries to invoke in me, but there should be a limit really.

It's a retelling of the events of the boston marathon bombing in 2013, and the consequent manhunt to find the culprits. Marky Wahlberg (Peter Berg also likes him apparently) plays Tommy Saunders, an amalgamation of several real police officers, who plays a major role in finding and taking them down. It's also interspersed with scenes of average boston people doing stuff revolving their lives and the effects of the bombing, and how its all interconnected including the perspectives of the terrorists before and after the attack.

Pretty simple compelling plot overall, cos I'm not made of stone, and some stuff works a lot better than others. Seeing people unite under harsh circumstances, some parts of the investigation, a firefight in a civilian street, that works. And like I said, the emotions do work mostly, it just lays it on so goddamn thick. Wahlberg's character in paticular seems to be created specifically for the purposes of eliciting emotion from the audience, specially a scene where he gives a monologue about the only way to defeat terrorism is by loving each other, and other kinds of remarks that feel like they'd work best on a terrible facebook meme, the kind that get shared by those relatives you never speak to.

It ends up feeling treacly (is that a word?), frankly. But not bad, not uncompelling, and it worked in making me have feels. Kind of maybe reccomended.
 
What about the Human Centipede movies?

While I see how one could argue that they address capitalism, I think they each have distinct focuses and ultimately function together as a long-form joke: why be so offended by movies when you are silent about real-world atrocities? There is also another joke on the nature of sequels.

Belko and Hostel are both more focused on the one subject.
 
'Twas a weekend with horror for me.

The Shallows (2016) okay, so there's a bit too much gratuitous shots of glistening Blake Livelyin the beginning, but I enjoyed it for what it did as a 'confined space, besieged, time's running out, what now' kinda movie - like Phone Booth and Buried. And that seagull was a really great addition.

Hausu (1997): I read somewhere someone describing this movie as 'not a great movie but a great experience' and I kinda agree.

Into the Forest (2015): 'You know Ellen, we really are The Last of Us' - shit, I couldn't seperate this movie from the Last of Us. It's decent, sombre, rather realistic (though I think the movie made it look waaaay too easy to gather and preserve food - I've made jam and pickled veggies with my parents as a kid and it's not that easy to prevent spoilage, especially under the challenging circumstances they're in) and I enjoyed the Max Richter score a lot.

We Are Still Here (2015): supposedly a tribute to Fulci's style of movies. That only becomes clear when the movie switches
from more traditional ghost story/haunted house atmosphere to full-on 'everybody here is really fucked' slashergore bordering on Jackston-style comedy gore
. I did like that the house
is basically anti-everybody, so the attacking villages are also turned into red stains left and right. The 325 scissors rammed into that one bar lady was pretty raw too
.

We were just warming up for The Greasy Strangler when the weather improved a lot and beer in the sun won from watching more muck. Next time.
 
A quick FYI: Letterboxd has (temporarily?) made the import function available to all users, instead of only pro users. So if you want to start using the service without manually adding thousands of movies, now is the time.
 
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Watched all the main Fast & Furious movies. Can't be bothered to do specific write-ups for all of them. But it is fun to see these movies evolve (with the 2nd and 3rd entries being the odd ones out) from the 'simple street racing' in part 1 to the over the top, tank/drone-fighting, skyscraper-hopping, Tony-Jaa-parkouring action-filled mega-movies. Fun stuff.

Special mention to F&F6 which, for me, really is a notch above the rest, the writing on the comedic front and the dynamic and gigantic action pieces are especially well done.

In my opinion, from best to worst

1. Fast & Furious 6
2. Fast Five
3. The Fast and the Furious
4. Furious Seven
5. Tokyo Drift
6. 2 Fast 2 Furious
7. Fast & Furious 4
 
Star Wars Rogue One (Gareth Edwards, 2016) Cool final act, loved Donnie Yen in it, he brought some life to the character.
Everyone else was way too drab and boring to give a shit about, and it was really missing some character moment to make the bond between Jayna and other major characters feel important in the slightest.
I don't know what Forest Whitaker was doing, but i loved it, lmao.
Wasn't too bothered by CG Tarkin, but CG Leia...
 
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