CadetMahoney
Member
How could there be a Juggernaut on LV426 w/ a cargo of eggs when the Xeno at the end of Prometheus is the very first of its kind?
Simple, it's not the "very first of it's kind".
How could there be a Juggernaut on LV426 w/ a cargo of eggs when the Xeno at the end of Prometheus is the very first of its kind?
Simple, it's not the "very first of it's kind".
And why would Weyland bet the farm on the other moon?The file states that Weyland Corp has detected a faint, almost imperceptible signal emanating from one of the lesser moons of the system, that moon being LV426. And David will be programmed to know about LV426 and the rest of the crew - including Meredith - will know nothing about the transmission they've received until the time is right.
How could there be a Juggernaut on LV426 w/ a cargo of eggs when the Xeno at the end of Prometheus is the very first of its kind?
These kinds of complaints just seem silly to me.
We're in the future, watching surgery be done by an automated robot/pod to remove an alien fetus. The woman is clearly in great pain and is repeatedly injecting herself with unknown future medicines to dull that pain. But when she's fighting for her life and the adrenaline is pumping, it's silly to think she could run around some?
Why?
Is the ship that crashes at the end of the movie the same one they enter in the first Alien? is it even the same planet? The space jockey they find in in the first Alien was sitting at the controls of the ship with his chest busted open but the only one alive dies in the escape pod at the end of Prometheus.
I'm in no way a huge follower of the Alien mythos, but I just watched this movie today and found it extremely weird that the main character (forgot her name) punches a few crew members as they are trying to sterilize her, runs into the auto-medic thingy to have the surgery done and then leaves the place. What's weird about this is that no one seems to give a shit that it happened, I mean seriously what the fuck? So you're just gonna leave a live alien right there and carry on as if nothing happened?
Also, no real explanation was given as to why the husband(boyfriend?) had to be killed. The android just decided to be a cunt and poison him.
Fair points which annoyed me too. There is this alien lifeform aborted from this girl's womb and everyone just shrugs and doesn't even mention it. They just leave an alien back in the ship no questions asked.
This "movie logic" breaks a movie for me personally, simply because it doesn't make any sense.
I just watched this movie and after that part I waited for every scene to be one where she TELLS SOMEBODY AN ALIEN WAS CUT OUT OF HER, but no. WTF. Nobody even asks her in the ship why she's walking around in her underwear and with blood all over her. And also why the hell did the robot poison holloway and how did he know what to poison him with, the alien technology he took, how did he learn how to use it. I thought it was all part of the plan but the old man never gave a damn.
The movie was nice to look at, decent, but that's it. How many great sci-fi movies are there anyway? Even just good ones? Not much. Maybe one day when computer technology advances so much that it's cheaper to make movies that cost hundreds of millions today we'll see talented people get their chance, who knows.
What Lindelof had to say about that:David the robot poisoned the dude not knowing the outcome. He asked Holloway (?) if he would do ANYTHING to get the job done or so and Holloway said yes so he kinda figured (David) should do anything at all cost to get what had to be done. (Hope that makes sense)
He didnt give a rats ass what happened to Holloway because he isnt human/cant feel sorry. He didint know what the black stuff did nor was it "part of a plan".
And yes, it's completely stupid. But what can you do? It's Lindelof. Those who watched Lost may remember the bear cage sex. Exact same deal.Q: Why did David poison Charlie? Was he hoping he'd impregnate Elizabeth or was that just a nice bonus?
A: In the scene preceding said "poisoning" (but WAS it?), David was chatting with someone in cryo-sleep via headset that we can safely assume is Weyland. If I were a betting man, I'd say something happened in that conversation that very specifically directed David to spike Holloway's champagne. And yes, it was a safe bet that Holloway would have sex with Shaw soon after. Which is why in space, you should always wear a condom!
I'm in no way a huge follower of the Alien mythos, but I just watched this movie today and found it extremely weird that the main character (forgot her name) punches a few crew members as they are trying to sterilize her, runs into the auto-medic thingy to have the surgery done and then leaves the place. What's weird about this is that no one seems to give a shit that it happened, I mean seriously what the fuck? So you're just gonna leave a live alien right there and carry on as if nothing happened?
Also, no real explanation was given as to why the husband(boyfriend?) had to be killed. The android just decided to be a cunt and poison him.
I'm glad the documentary addresses what went on with the writing because it basically confirms that Lindlof thinks he is like a god among writers even though the only reason he got the gig was because Fox was too pussy to let it ride with a unknown writer.
Yea even the "big ideas" all stem from Spaihts' script. The Engineers were his idea. The big medpod scene was his idea. Actually it seemed far cooler and more terrifying
Retconned.Whatever is the chair in Alien is not the same thing that piloted the ship in Promethius. I've been reviewing the part where they find the dead space jockey. Ive been comparing it to the spacesuit the engineers used. There is definitely a difference. The one in Alien is skeletal remains. The head is definitely a skull. Not a helment.
Retconned.
Retconned.
Whatever is the chair in Alien is not the same thing that piloted the ship in Promethius. I've been reviewing the part where they find the dead space jockey. Ive been comparing it to the spacesuit the engineers used. There is definitely a difference. The one in Alien is skeletal remains. The head is definitely a skull. Not a helment.
It might be important to bear in mind that things in the Alien world aren't always straight organic or mechanical. The Xenomorph, for example, is described by Ridley and Giger as "biomechanical", and has the amazing ability to create silicon.Whatever is the chair in Alien is not the same thing that piloted the ship in Promethius. I've been reviewing the part where they find the dead space jockey. Ive been comparing it to the spacesuit the engineers used. There is definitely a difference. The one in Alien is skeletal remains. The head is definitely a skull. Not a helment.
Didn't Ridley say he always envisioned it being a helmet/suit? I don't think you can really say it look skeletal--it's a Giger-designed decayed body.
Certainly not trying to defend Prometheus. I'm still a little upset they made the Engineers "small".
I just watched the Blu-Ray and the deleted scenes / alternate scenes...
[*]I liked the alternate final conversation about "paradise"
I just watched the Blu-Ray and the deleted scenes / alternate scenes...
Scenes I liked and wish were kept in some form:
- The "Our first alien" scene should have been kept in imo. It makes the biology guy seem much less insanely brave later on, and aside from adding a further connection between the worms under the boots of the crew to the snake later on, its also a nice nod / foreshadowing to the Aliens that are later to come..
- When Janek visits Vickers in her quarters after she's had to kill Holloway. The story about his military experience with the science team, and scorching the site would have better forshadowed his talk and theory when he talks to Shaw, and it also helps round out Vickers seeing her physically shaken by what she's done... even if she claims to have burned her hand. I feel like this scene would have jived well with their earlier "are you a robot?" conversation... it's clear that she's not here.
- The alternate Shaw/Holloway sex scene, starting with an argument. It seemed more passionate / real to me than the one they actually used. Along with the deleted scene where Shaw makes the toast, Holloways despair / conflict is better depicted here. When he wakes the next day and sees the small thread of alien shit in his eye, I'd totally forgotten he'd spent the day before drinking and moping, I think they maybe should have kept a bit of this in there.
- The conversation with the Engineer makes his temper tantrum make MUCH more sense... the engineer asks why Weyland wants to live forever, Weyland points out that he created David, and puts himself on par with the engineers, says that he and the engineer are as Gods and that Gods don't die... he inspects David and uses his head to smash the blasphemous Weyland into the dust. The other guys shoot at him and he kills them too, it just makes more sense.. he's more reactive in the alternate scene, in the theatrical cut it just seems a bit proactively evil. I think there's then a bit of added value in that Weyland's final words too, implying there is nothing after death... Gods don't die, they can't because they're not there to begin with...
- I prefer Weta's CGI mutant geology guy in the hanger deck -- it looks closer to an alien, the distended head, horrible mouth, etc. The movements and jumping are more animal like too.... I think they should have went with that.
- I also liked the fight in the survival pod with the heavy axe-usage. The movie resolves itself in these intense scenes too quickly for my liking in the theatrical cut. What can I say, I love loose wires, flickering lights and humans in peril!
- I liked the alternate final conversation about "paradise", and Shaw's tweaked line of "maybe that's because I'm a human, and you're just a fucking robot". I suppose like the alternate sex scene, this just felt more real to me delivered this way.
It was clear in some of those scenes though that the acting wasn't great... the scene where the biology guy and shitty geologist guy find the skin was so terribly acted that I can only assume they were intending to re-record the audio... I can see why a lot of it ended up on the cutting room floor, but I think the editing process did actually harm the movie.
I still want a sequel(s).
Finally got to see this one last night on DVD. I have to say I'm dissapointed.
The movie itself, if taken as a film with horror elements and scary rape tentacle gooey monster exploding things, wasn't that bad at all. I liked the second half of the movie better than the first for this reason.
But as a Sci-fi flick: holy crap, this is a steaming pile! The first half of the movie, which tries to construe itself as more deliberately slow and talky classic sci-fi just pissed me off to no end. I'm very biased against "ancient aliens creationism", so that made me hate the movie right out of the bat. I also hated all the characters almost immediately, specially the archeologists. There was a scene after the Holographic introduction by Weyland where the archeologists are preaching their alien creationism, and the biologist objected by saying "What's your evidence? Oh sure, let's just throw 3 centuries of Darwinism down the drain" (by the way, "The Origin of Species" was published in 1859. The movie takes place in 2090 or something. How's that 3 centuries?). And the female archeologist replies, with tearful puppy eyes "B-b-b-ecause I choose to believe!!! (Take that, science!)". And I immediately knew the biologist would be nothing but a strawman and that this movie wouldn't make any sense. I mean, what does the biologist do when they stumble into the corpse of the decapitated engineer? He runs away in fear back to the ship. They just found the first evidence of not only extraterrestrial life but of sapient extraterrestrial life and this guy is a biologist who has traveled thousands of lightyears for this very purpose and he cowers away. WTF.
I could go on and on and on, but it's all these little things that turn this movie into an absolute failure as Sci-Fi. Which would be fine. "Alien", which is a fantastic masterpiece of a flick, is actually not really Sci-Fi. It's a slasher flick dressed up in Sci-Fi clothes. And it works beautifully because it just uses the Nostromo as a setting to great effect, because it's dark, it's closed; it winds in every direction. And what little Sci-Fi is there is very subtle. We see the corpse of the Space Jockey; we see the remnants of their ship. But we know nothing about them. It's just so eerie and cold and foreign and thus really scary. What's the Xenomorph? We don't know, but also the movie tells us so little about stuff that we are free to come up with ideas. Prometheus on the other hand is just so heavy handed in its approach and trying to come off as deep and philosophical when it's actually so shallow and almost childish. It's just a mess. Such an awful, annoying script.
It annoys that a film that was so beautifully shot, that has such great images and amazing sense of scale is wasted with such retarded, sophomoric, 3rd rate narrative and thematic elements. And the movie could've worked so much better as a horror film if it hadn't tried to take itself so seriously. The scene with the girl using the surgery machine to tear the tentacle fetus out of her worm was awesome. We needed more stuff like that.
And now it turns out the Space Jockeys are just Albino Bodybuilders. Give me a fucking break.
I just watched the Blu-Ray and the deleted scenes / alternate scenes...
Scenes I liked and wish were kept in some form:
- The "Our first alien" scene should have been kept in imo. It makes the biology guy seem much less insanely brave later on, and aside from adding a further connection between the worms under the boots of the crew to the snake later on, its also a nice nod / foreshadowing to the Aliens that are later to come..
- When Janek visits Vickers in her quarters after she's had to kill Holloway. The story about his military experience with the science team, and scorching the site would have better forshadowed his talk and theory when he talks to Shaw, and it also helps round out Vickers seeing her physically shaken by what she's done... even if she claims to have burned her hand. I feel like this scene would have jived well with their earlier "are you a robot?" conversation... it's clear that she's not here.
- The alternate Shaw/Holloway sex scene, starting with an argument. It seemed more passionate / real to me than the one they actually used. Along with the deleted scene where Shaw makes the toast, Holloways despair / conflict is better depicted here. When he wakes the next day and sees the small thread of alien shit in his eye, I'd totally forgotten he'd spent the day before drinking and moping, I think they maybe should have kept a bit of this in there.
- The conversation with the Engineer makes his temper tantrum make MUCH more sense... the engineer asks why Weyland wants to live forever, Weyland points out that he created David, and puts himself on par with the engineers, says that he and the engineer are as Gods and that Gods don't die... he inspects David and uses his head to smash the blasphemous Weyland into the dust. The other guys shoot at him and he kills them too, it just makes more sense.. he's more reactive in the alternate scene, in the theatrical cut it just seems a bit proactively evil. I think there's then a bit of added value in that Weyland's final words too, implying there is nothing after death... Gods don't die, they can't because they're not there to begin with...
- I prefer Weta's CGI mutant geology guy in the hanger deck -- it looks closer to an alien, the distended head, horrible mouth, etc. The movements and jumping are more animal like too.... I think they should have went with that.
- I also liked the fight in the survival pod with the heavy axe-usage. The movie resolves itself in these intense scenes too quickly for my liking in the theatrical cut. What can I say, I love loose wires, flickering lights and humans in peril!
- I liked the alternate final conversation about "paradise", and Shaw's tweaked line of "maybe that's because I'm a human, and you're just a fucking robot". I suppose like the alternate sex scene, this just felt more real to me delivered this way.
It was clear in some of those scenes though that the acting wasn't great... the scene where the biology guy and shitty geologist guy find the skin was so terribly acted that I can only assume they were intending to re-record the audio... I can see why a lot of it ended up on the cutting room floor, but I think the editing process did actually harm the movie.
I still want a sequel(s).
I'm in no way a huge follower of the Alien mythos, but I just watched this movie today and found it extremely weird that the main character (forgot her name) punches a few crew members as they are trying to sterilize her, runs into the auto-medic thingy to have the surgery done and then leaves the place. What's weird about this is that no one seems to give a shit that it happened, I mean seriously what the fuck? So you're just gonna leave a live alien right there and carry on as if nothing happened?
Also, no real explanation was given as to why the husband(boyfriend?) had to be killed. The android just decided to be a cunt and poison him.
I've had two operations in my stomach area. The pain is very severe and there is no way I could run around directly after the surgery, or if I did, I would pass out after acting like a hero! The film cannot in any way provide a reason as to why she is fit and able after that shit. The machine cuts her open, rips out a foreign body (which is also in her womb by the way!) and then staples her up and she is good to go, even after screaming throughout the entire procedure along the way!!?? Sorry. It may be 70-80 years in the future. But NO!
Honestly I have to wonder if you really watched the movie. She was hardly "good to go." She was constantly staggering around and kept injecting herself. She could barely zip up her suit for crying out loud.
Yes she was able to run around when a giant god being was trying to smash her brains in or when an enormous spaceship was rolling her way, but I have no problems imagining her adrenaline and survival instincts kicking in and her being able to do that.
The movie totally sucked, I just saw it the other day. The red head British chick aside, it had nothing going for it.
Also why in the fuck would an intelligent alien (the engineer), start attacking and killing humans after waking up from cryo sleep? The movie makes no fucking sense!! They obviously had a sequel in mind, the entire movie felt like a big cliffhanger.
The Spaihts version of the cesarean scene sounded easier to swallow. In that version, a traditional alien is surgically removed from Shaw, she ejects it and stays sealed in the pod for many hours. As she sits protected in the pod, she watches the alien slowly grow and grow .. finally growing into adulthood and watches as it wrecks havoc on the crew. Sounded awesome.
That sounds awesome, but it seems like development changed from this being an Alien prequel to being something else entirely after Spaihts left. Scott got in his mind that he wanted to explore the beginnings of humanity in some way, so that seems to be where the direction went. Thus the engineers and all that.
I wonder how much more sense the movie would have made if instead of the black goo containers, that those were instead the facehugger pods. Then you have the engineers on the ship being taken over by xenos, but they were unable to take their ship to Earth to wipe out their creation.
i believe spaights script ended with the alien bursting from the engineer and the ship crashing on lv 426.
the shaw/holloway sex scene ended with an alien bursting out of holloway in the middle of them having sex!
All of this would have made a lot more sense. I think Scott just had this creation idea in his head that he kept changing things on. Mixing that with Lindelof is what you end up with.
Very interested to see what the next writer does with what they put in motion in Prometheus.
Here's the thing... Ridley Scott did state on a number of occassions that Prometheus was a movie set in that universe and not specifically one about the xenomorph aliens. It is his "lore" to link so it's entirely up to him how tenuous that link is.Just watched it and this about sums up my thoughts as well.
I went in expecting xenomorphs and general alien lore. But all Scott did was screw up the space jockey theories. Outside of cashing in on the franchise, there didn't even seem much of a point in linking the movies.
But the ending was the worst. "Now we're gonna go find these guys and get answers. Goodbye, audience!" That is where the movie should've fucking started!
they also say in the doc that the studio pushed the engineer angle as well and wanted the movie to have little to do with Alien. They wanted a new franchise. The Engineers were in Spaihts draft. Lindeloff just changed around some of the characters, replaced alien eggs w/ black goo and pushed the science/faith "origins" of man themes. Oh and ratcheted up the ambiguity.
in spaihts draft, shaw/holloway also visit weyland at his home on mars (there is extensive pre-production art on this) and make this very elaborate pitch for why their findings should be explored further. it wasn't just a short presentation to the crew on the actual ship. spaihts explains all this in the commentary.
Here's the thing... Ridley Scott did state on a number of occassions that Prometheus was a movie set in that universe and not specifically one about the xenomorph aliens. It is his "lore" to link so it's entirely up to him how tenuous that link is.
I don't hate the movie either. I have watched it a few times on blu-ray, have devoured the supplemental material and I liked a lot of the deleted/alternate scenes. It's not a terrible movie, just terribly flawed.
Not that merely mentioning it would help all that much anyway...What's even crazier is that the squid monster is in VICKERS' private quarters and Vickers never even sees it or mentions anything about it. She actually DOES at least mention it in the deleted scene with her and Weyland but of course this scene was shortened for the final cut.