BluenoseGames
Member
Hell Yes ! So glad Agent Carter got renewed. Agents of SHIELD was practically confirmed for renewal.
How were they similar? I might not be remembering Reaper correctly.
So now that the dust has settled:
Can somebody explain, why Galavant and Agent Carter were renewed?
That's surprising, but I expect there will be a follow-up post, when all upfronts are done
Will this kill Dave Foley's incredibly terrible Canadian sitcom? (I mean, more than JP Manoux already did.)Dr. Ken got picked up?
I can see Dave Foley getting the text, saying "seeya boys!' and jumping out of a moving car while the rest of the Kids In The Hall plummet off a cliff.
Uncle Buck picked up at ABC
ivy, any predictions on how New Girl season 5 will turn out?
Hell Yes ! So glad Agent Carter got renewed. Agents of SHIELD was practically confirmed for renewal.
Ratings still matter but not as much as they used to.
As recently as five years ago, [TV] was still 80 percent about winning and being competitive, one industry vet says. Today, the equation has changed. Nets still want Nielsen numbers, and they want to draw more of the right kinds of viewers (i.e. young people) than their rivals. Nearly as important now, however, is what Hollywood suits like to call asset creation.
That means using the network platform to create shows that bring in revenue from sources other than advertising sales to international markets, U.S. cable networks, and, increasingly, streaming players such as Netflix or Hulu. Even programs that dont grab that many viewers when they air on traditional linear TV think NBCs Hannibal or the second season of CBSs Under the Dome can still turn into moneymakers for networks through these alternative revenue streams. Ideally, of course, networks want every show to be like Empire or How to Get Away With Murder a blockbuster that prints money every which way. But since such big hits are increasingly an exception, broadcasters are figuring out new ways to get by.
Owning the shows you air is crucial.
All of the aforementioned alternative revenue streams only kick in if a network has some sort of financial stake in a show. If a series is produced by an outside studio, the network only has one big way to make money from it: selling ad time. Thats fine when a show is a big hit, but with so many series now getting by with modest ratings, broadcasters dont have any interest in modestly performing shows they cant fully exploit. Thats why Fox axed Almost Human last season (the show came from Warner Bros. TV) and why ABC pulled the plug on Cristela (which actually improved ABCs Friday ratings). The downside of this corporate synergy: Some really good pilots may die next week because they were produced by the wrong studio.
Reruns are so 2010.
Except for a few comedies and procedural dramas, the low ratings generated by encore showings of programs in prime time increasingly dont make financial success. Broadcasters will battle rerun fatigue by investing in more first-run hours. In some cases, this might be more new shows (ABC and NBC both rolled out about a dozen freshman series this season, to mixed results). You need to get more trips to the plate, one industry analyst says. But it could also mean bringing back bubble shows for limited runs, or splitting seasons into two or three cycles (as Scandal and some ABC serials have done for years).
Jess and Nick getting back together, what are they gonna do with Schmidt and Cece, will it suck?
NBC announces straight to series order for DADBOD, plot to be filled in later.
it's a joke.
There's nothing funny about the dadbod trend.
it's a joke.
There's nothing funny about the dadbod trend.
So with a bunch of supposedly canceled series being renewed, does that mean we're going to see a lot less new shows for the coming Fall?
Icky.Dick Wolf and Magical Elves Productions have sold a new legal show titled You the Jury (working title) to NBC.
The live, one-hour primetime show will allow viewers to vote on the verdict in real-life civil cases. Wolf will serve as executive producer along with Dan Cutforth, Jane Lipsitz and Tom Thayer.
fuck off.
Oh so during sweeps it will be used for criminal cases right?
The show or the Gaffer?
#BanDadBods
Joe Adalian @TVMoJoe ·
CBS COMEDY ORDERS
Angel from Hell (Jane Lynch)
Life in Pieces (Diane Wiest, @ColinHanks)
both single-cam!
Yes, Rush Hour. Love Bill Lawrence.Joe Adalian @TVMoJoe ·
CBS DRAMA ORDERS
Limitless
Rush Hour
Criminal Minds: Beyond Borders
Code Black (@Beloving2 medical drama)
Joe Adalian @TVMoJoe ·
CBS COMEDY ORDERS
Angel from Hell (Jane Lynch)
Life in Pieces (Diane Wiest, @ColinHanks)
both single-cam!