I think it has a lot more to do with season 1 of SHIELD being absolutely terrible. Once you lose people is really hard to get them back. Even though it's found its groove, I think starting off with monster of the week and really low stakes was a mistake. A mistake they might not be able to recover from.
Can you imagine the ratings for The Walking Dead if they didnt have a 1 male black character limit?
I feel like black character shows are running TV right now.
Empire
Blackish
House of Lies
Scandal
HTGAWM
It can't be a coincidence, especially since 5 years ago you were lucky to even get a relevant black character on a long running TV show.
please stop propagating this stupid meme. that hasn't been a thing for years.
The Walking Dead is one of, if not the most, diverse shows on TV right now.
I haven't watched the most recent season, but you do realize that it's absolutely true?
Correct me of I'm wrong, but season 4 had two black males, Bob and the big guy, and they were kept apart all season long until the last episode.
IFC has canceled The Birthday Boys. Just thought I'd post that for the four or five of us who watched it.
Also Gabriel. And Morgan, sort of.I haven't watched the most recent season, but you do realize that it's absolutely true?
Correct me of I'm wrong, but season 4 had two black males, Bob and the big guy, and they were kept apart all season long until the last episode.
Also Gabriel. And Morgan, sort of.
Right now there's:
Tyreese
Gabriel
Noah
and Morgan, who will be a regular soon.
Black dudes are the second largest character demographic on TWD behind white dudes (3-4 former vs. 5 latter).
So it only took four years of outrage that a show set in the south had a one black male character limit?
It's a messy type of show. I like it because it's entertaining. Not entirely sure it's good.Is Empire worth watching though?
Is Empire worth watching though?
My favourite show on TV right now.Is Empire worth watching though?
He's pretty great in this but Taraji P. Henson brings it to a whole other level. She's so much fun in this.But I really don't like Terrance Howard very much.
HmmmmmmmmmmmmMMMMMMMMMMMMmMmmmmmMmmmmmmmmmmmmmmmmMmmmmMMMMMMMmmm...
He's pretty great in this but Taraji P. Henson brings it to a whole other level. She's so much fun in this.
Now the show’s future hangs in the balance.
Actor Jean Paul Manoux, who plays Bryce McBradden, was arrested by Toronto police and charged with voyeurism. He is accused of using a hidden camera to spy on two women, aged 25 and 27, who were renting the condo he owns at 1171 Queen St. W. After discovering a camera and concealed Internet wiring, the horrified tenants called police on Jan. 22.
[...]
Within hours of the arrest, there was a high-level conference call during which CTV execs decided to cancel the post-Super Bowl showcase. The network also decided to yank all Spun Out episodes from rotation across all platforms, meaning it no longer exists on the web or TV, nor will it be available through an on-demand cable channel or premium digital subscription service, such as CraveTV.
CTV, which on Wednesday announced the Season 2 premiere of MasterChef Canada will follow the football spectacle, declined to provide a long-term prognosis for Spun Out, only saying it has been “suspended indefinitely.”
Officially, the show is on life support. Unofficially, there is no way it can survive.
please stop propagating this stupid meme. that hasn't been a thing for years.
The Walking Dead is one of, if not the most, diverse shows on TV right now.
They should diversify their writing staff. Replace some of the hacks writing the current borderline unwatchable garbage with actually talented people.
Last night's numbers are up: http://www.showbuzzdaily.com/articles/the-sked-thursday-ratings-1-29-2015.html
Not a surprise but Backstrom took a pretty big tumble, down to a 1.4.
A staff writers first script is literally a spec for the show theyre on (its counted against pay), so theyd better know how to write one. Pilots, short stories, plays, are nice ways to get TV writing jobs, but you KEEP the job by successfully mimicking your showrunners style. That most agents/managers dont encourage beginning writers to write specs feels short-sighted. Write a spec, even if just for practice.
Showrunners who say they want only distinctive voices are amateurs/posers. By ep. 13, all a showrunner wants is to not have to rewrite. Its cruel: entry level TV writers are told they get jobs for being a very special snowflake when the real work is mimicry and pastiche.
Agents want original pilots because they can sell if you dont staff. Write one, but better be ready to play in someone elses sandbox. But know that you need to know how to write a show you didnt create, in another writers style. Write the specs for your own education. Even if your agent wont read your spec or go out with it, write it! Showrunners want people who UNDERSTAND their job and the job is this: write ideas your showrunner didnt have but liked, and write them in the way the showrunner would have if s/he had!
There is nothing more insulting to a staff than an entry level writer who thinks they are only slumming in television so they can fix it. Finally: being a staff writer is about surrendering your ego, knowing it is NEVER about you, good or bad. Make peace with that early, often. The two worst personalities in the room, the Dr. No (I dont like that) who hates it but doesnt have a pitch on how to fix it, ever.
As a staff writer, you may think you understand whats gone horribly wrong and want to lead the charge to fix it for the sake of the show. Resist that urge at all costs. Your job - and that of most staff positions - is sometimes to produce proof of lack of concept. Sometimes you have to give a showrunners bad idea the best college try in good faith. Its not bullets; its dry erase ink. Acting like its beneath you to take an idea out for a test drive pisses off your boss and is the fast road to being labeled difficult. If the room decides an idea doesnt work, let the co-ep break the news, they get paid very well to take that hit: they are your flak jacket.
Your job on a TV staff is to express your showrunners vision, not to insist on your own. Your showrunners job is to articulate what Maya Lin called a strong clear vision that the staff can follow but heres the bummer. Even if a showrunner cant articulate a clear vision, its still your job to find out what you can about it and try to do express it. Thats the Sisyphean task of a TV writer who is not a showrunner: its their show for better or worse, theres no work around for that.
And finally, if you dont like what your showrunner does, DONT VISIT IT ON YOUR STAFF WHEN YOU BECOME A SHOWRUNNER. The bad ones teach you more than that good ones sometimes. Our business is legendary for enabling abusers, thats not a blank check for you to get yours. When you get to the top. If you were abused or experienced shitty management on the way up, but dont stop the cycle, you are every bit as bad as they were to you. Staffs work in harmony when everyone knows their part clearly and plays it to the best of their ability.
In short: whether youre at the bottom or the top, dont be a dick.
Thanks for that ivy, lots of good advice. Had most of it told to me before by other writers, but still good to read again.I know that some of you are interested in TV writing, and if you are, you should check out some of the tweets that a friend of mine, Javi Grillo-Marxuach, just posted. Informative and real about what goes on day to day.
https://twitter.com/OKBJGM
Great straight-to-the-point advice there.EDIT: Made readable here:
http://kateohare.tumblr.com/post/109598570772/tv-writing-twitter-master-class-from-javi
I know that some of you are interested in TV writing, and if you are, you should check out some of the tweets that a friend of mine, Javi Grillo-Marxuach, just posted. Informative and real about what goes on day to day.
https://twitter.com/OKBJGM
EDIT: Made readable here:
http://kateohare.tumblr.com/post/109598570772/tv-writing-twitter-master-class-from-javi
Sound advice.I know that some of you are interested in TV writing, and if you are, you should check out some of the tweets that a friend of mine, Javi Grillo-Marxuach, just posted. Informative and real about what goes on day to day.
https://twitter.com/OKBJGM
EDIT: Made readable here:
http://kateohare.tumblr.com/post/109598570772/tv-writing-twitter-master-class-from-javi
But I really don't like Terrance Howard very much.
HmmmmmmmmmmmmMMMMMMMMMMMMmMmmmmmMmmmmmmmmmmmmmmmmMmmmmMMMMMMMmmm...
Man, I really enjoyed it. Audiences weren't ready for such damaged characters.....Backstrom down to 1.4 in second week.
Goodbye
Man, I really enjoyed it. Audiences weren't ready for such damaged characters.....
Is it cancelled or not?UPDATE: A TBS rep maintains that Ground Floor has not been officially cancelled.
So superbowl means no new episodes of anything correct?
Except the blacklist right after it?
So superbowl means no new episodes of anything correct?
Except the blacklist right after it?
Showtime and PBS are still airing stuff tonight.
I know that some of you are interested in TV writing, and if you are, you should check out some of the tweets that a friend of mine, Javi Grillo-Marxuach, just posted. Informative and real about what goes on day to day.
https://twitter.com/OKBJGM
EDIT: Made readable here:
http://kateohare.tumblr.com/post/109598570772/tv-writing-twitter-master-class-from-javi
It's Showtime. But Californication ended last year, Season 7 was it's final.I don't think I watch anything from those on Sundays. Is Californication back? That's showtime right?
I'm so, so happy it got a pilot pickup. It seemed totally dead
Was Empire a Reilly joint or the new folks?
I'm not really into horror stuff generally, but some of my fav TV shows currently are horror. At least as far as Teen Wolf and Penny Dreadful are concerned.I'm so, so happy it got a pilot pickup. It seemed totally dead