Rimon-hanit
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Holy fuck, I just realized how much political nonsense is going to be projected on this series if it's going to take off like I think it will.
Holy fuck, I just realized how much political nonsense is going to be projected on this series if it's going to take off like I think it will.
Will this be the next Game of Thrones?
Better.
Worse. Come on, the book is no where to the scale of GoT, and nothing much actually happens compared to GoT.
He told Hey U Guys at the Empire Awards: Its eight episodes, the first season, and its astonishing. Bryan Fuller and Michael Green as showrunners have done this remarkable job of taking just the beginning of the novel and theyve opened it up. Its so powerful.
Neil added: My favourite episode is an episode with nothing that I wrote in.
- IndieWire: American Gods Review: Bryan Fuller Paints a Beautiful, Bloody, and Unblinking Portrait of American Duality.Fuller and Green, who also wrote the four episodes available for review, take us on a mostly smooth ride in the first half of American Gods. Even where theres table setting, its done with panache, as in the checkers match from the book that also plays out as a fanciful riff on The Seventh Seal (it doesnt hurt that Stormare is Swedish). Theyve blended their sensibilities, weaving a rich tapestry of whimsy, epic action, and deft characterization. Practically speaking, it will definitely tide you over until that other fantasy drama returns. But thematically, it could knock someone off their throne.
OT will be up next Sunday.That is, when were not utterly lost in the stunning visual designs. Imagine the most luscious dream sequences from Hannibal and extend them for an entire episode: Thats the vibe of American Gods, as every production detail comes together to create a world weve never seen before. Director David Slade and cinematographer Jo Williams, who worked on the first two episodes, deserve immense credit for pulling off such a dazzling array of iconic imagery. Creating an eye-catching fiery-eyed buffalo is one thing, but finding equal inspiration from an old gravel road or rolling clouds filled with rain is quite another. American Gods pulls it all together to craft an American landscape filled with familiar figures, but stylized like never before.
While were still waiting to see if the storys substance can match its visual splendor, theres so much meat here, its hard to doubt the blood is coming especially with Fuller wielding the cleaver.
- E! Online: American Gods: Everything You Need to Know About the Starz Fantasy Series Is Right Here
Two minute video with some new footage of Mr. Jacquel, Technical Boy, Vulcan, Easter, and others.
This cast, these characters, and the promise of those on their way could keep you watching by themselves. Every facet of this show could keep you watching on its own. When they're all used together with such crafty acuity you can't stop watching. At the end of Episode 4 you will gnash your teeth and petition the heavens for one more episode, just one more is all you'll claim to need...but that won't be true. Yet the gods, both old and new, will be kind. They will grant you your wish times four. Afterward, you will do the exact opposite of the title of Ep 4, rather than ”Git Gone" you'll stick around for whatever the capriciously seductive gods dish out next. Hell, you'll revel in it.
In the end: You'll soon be begging the American Gods to keep blessing your TV altar.
Which is not to say the series is perfect: indeed, its weakest episode (of the four screened for journalists) is arguably the pilot, an oddly paced and overstuffed-in-weird-ways hour of TV that felt much longer given the sheer magnitude of its visualizations. I wanted to love it, but was ultimately frustrated (and I've read the book). Book fans will likely enjoy how fairly literal the first episode's adaptation of the text is, but it may prove a hindrance to recruiting uninitiated viewers. The pilot is a feat of Fuller-ian excess—and that's not necessarily a bad thing for those who've read the source material, but it does make for some at-times distracting imagery and play that may alienate the lay-viewer—this story is incredibly tough to synthesize, y'all. The pilot feels very Hannibal season 3 in tone and tenor, and if that's not your bag (it wasn't my favorite, though I am ride-or-die for Hannibal/Bryan Fuller), it may read as overdone. But for every moment of overdone-ness, there are at least 3 instances of stunning imagery and sweeping atmosphere perfection.
And to anyone who feels dissuaded after the pilot to continue, I will simply say this: keep going. Stick with it. Episodes three and four are particular highlights in terms of storytelling strength, and—we promise—ultimately inform the understanding of just what in the heck happened in the episodes prior. Plus: it just gets fun. American Gods, like America, is still in its infancy in the grand scheme of things. It is wholly worth your worship this TV season. We don't want to try and predict the future, but it's sure to be one of the best of 2017.
Viewers who are familiar with the work, however, will be happy to know that the novel's interstitial segments — which offer snapshots of gods at work in the lives of ordinary people — not only have survived the adaptation but provide some of the richest moments in the first part of the season. The one that sticks with me the most is the meeting of a struggling salesman from Oman and a jinn taxi driver, which is acted and shot with simple sensuality and could stand alone as a one-act play. The interlude is a prime example of why the marriage of Fuller and Green's sensibilities and Gaiman's prose is a holy thing, indeed.
After seeing how Fuller expanded upon and remixed the books for Hannibal, I trust he can do the same just fine with this. Another Preacher is the last thing I'm expecting hereI hope that they will actually manage to improve the story, since I felt like some things were underdeveloped in the book. The fact that they are derailing from it sounds cool to me... I just hope that this isn't another Preacher.
Are you me?I hope that they will actually manage to improve the story, since I felt like some things were underdeveloped in the book.
Man, I'm hoping this will come to Europe soon!
Starzs cunning adaptation of Neil Gaimans novel American Gods may be the most ambitious and successful series the premium cabler has launched since it hit the reset button a few years back.
The eight-episode series executive produced by Bryan Fuller and Michael Green that debuts April 30 is do-not-miss television lived large on the big-picture topics and themes of our time as old-world deities and new-world manifestations spar and war across the American cultural tundra.
Should I read the book before the show comes out, or read it after watching this season's adaptation?
I'm glad that they updated the look of Technical Boy. The version in the book is kinda offensive and stereotypical.
I'm like half way through the book and struggling. Does it ever pick up? There are pockets that are interesting with the gods, and then long stretches of monotony
The book is mostly just quality prose and cool ideas. The actual plot doesn't really go anywhere or do anything - if you're not enjoying it by the halfway mark, you probably never will.
As much as I love SotL, in my opinion Hannibal is better in every way. Not sure that's it's my favorite TV show ever, but it's definitely up there. Needless to say, I'm looking forward to seeing what Fuller does here.absolutely not. Silence of the Lambs is still king by a large margin.
he definitely did a better job than I expected though seeing as it was NBC and he had to follow up a hannibal after Cox and then Hopkins iconic performance.
dude brings cool visual style to his shows, this looks cool.
Final stretch it picks up a bit but as a novel it's definitely too meandering. Well written and interesting vignettes but wayward structurally. I feel his long form written work often suffers from this.I'm like half way through the book and struggling. Does it ever pick up? There are pockets that are interesting with the gods, and then long stretches of monotony