I've watched the UC 3 times now.
It is just about tied with Watchmen as best superhero movie. It surpasses the genre handily and is a real movie, not just comic nonsense for people who can't read.
so are we allowed to talk about spoilers because I have a question holy shit.
Darkseid? Is he "coming"? If so, this means the good timeline is going to happen? Because Lois didn't die and make Superman go evil? In this movie, the flash comes back in time through the speedforce to tell bats that he was "always right about him" [Superman being bad news]. But that is the "bad timeline" right? Because Superman didn't go evil? The sequel (justice league movie) should be dope.
Also, at the end of the movie, bats tels wonder woman that he has a hunch thT the justice league will have to fight? Is he acknowledging that nightmare he had?
Sorry for so many questions, I don't read the comics. Was wondering if this is explained there.
so are we allowed to talk about spoilers because I have a question holy shit.
Darkseid? Is he "coming"? If so, this means the good timeline is going to happen? Because Lois didn't die and make Superman go evil? In this movie, the flash comes back in time through the speedforce to tell bats that he was "always right about him" [Superman being bad news]. But that is the "bad timeline" right? Because Superman didn't go evil? The sequel (justice league movie) should be dope.
Also, at the end of the movie, bats tels wonder woman that he has a hunch thT the justice league will have to fight? Is he acknowledging that nightmare he had?
Sorry for so many questions, I don't read the comics. Was wondering if this is explained there.
Bats put two and two together after the knightmare scene and then discovering the metahuman files.
WHAT'S WRONG WITH PRO WRESTLING DUCK *tips over small coffee table*
so are we allowed to talk about spoilers because I have a question holy shit.
Darkseid? Is he "coming"? If so, this means the good timeline is going to happen? Because Lois didn't die and make Superman go evil? In this movie, the flash comes back in time through the speedforce to tell bats that he was "always right about him" [Superman being bad news]. But that is the "bad timeline" right? Because Superman didn't go evil? The sequel (justice league movie) should be dope.
Also, at the end of the movie, bats tels wonder woman that he has a hunch thT the justice league will have to fight? Is he acknowledging that nightmare he had?
Sorry for so many questions, I don't read the comics. Was wondering if this is explained there.
Both Snyder's DC efforts have atleast good thematic ideas at their core that are worth exploring, and he himself atleast seems aware of them. On paper, the stuff that drives MoS and BvS are pretty solid.Just saw this on my newsfeed.
http://comicbook.com/dc/2016/07/31/why-batman-v-superman-is-smarter-than-you-think-/
Thoughts? Agree or disagree with some of the things brought up here?
...because "YOUR MOM'S NAME IS LIKE MY MOM'S NAME! WE SHOULD BE FRIENDS NOW!"
I'd be lying if I said that wasn't what I was thinking too.Is it bad I read this with the HISHE Batman voice? Lol
Just saw this on my newsfeed.
http://comicbook.com/dc/2016/07/31/why-batman-v-superman-is-smarter-than-you-think-/
Thoughts? Agree or disagree with some of the things brought up here?
It's sad that you don't mean this as a joke.Snyder can't be subtle. Subtlety is lost on a brain dead populace looking for only a popcorn film. Look how many theoretically intelligent people in this forum miss these seemingly obvious themes and allegories...
Snyder can't be subtle. Subtlety is lost on a brain dead populace looking for only a popcorn film. Look how many theoretically intelligent people in this forum miss these seemingly obvious themes and allegories...
The Superman arc is the primary content of the movie. Until that person's piece almost every review or comment or whatever I've read on the movie didn't mention it, and the few that did misunderstood it. I can not for the life of me understand why that is.
The Superman arc is the primary content of the movie. Until that person's piece almost every review or comment or whatever I've read on the movie didn't mention it, and the few that did misunderstood it. I can not for the life of me understand why that is.
It didn't feel that way at all in the TC, that's probably why. Superman got the shaft in the TC
It didn't feel that way at all in the TC, that's probably why. Superman got the shaft in the TC
Not the first to speak of similar ideasJust saw this on my newsfeed.
http://comicbook.com/dc/2016/07/31/why-batman-v-superman-is-smarter-than-you-think-/
Thoughts? Agree or disagree with some of the things brought up here?
While he was speaking then of the deconstruction of superhero in Watchmen, the insight is applicable to reading Batman v Superman. “The movie is a challenge—sort of like the book is a challenge—to your icons, your morality, how you perceive pop culture, how you perceive mythology, and for that matter, how you perceive God.” In Batman v Superman we are issued a challenge: What would it mean to think of our beloved superheroes (who are, after all, projections of the stories we like to tell about ourselves) as “beautiful lies” and “false gods”?
At the opening of Batman v Superman , we are brought once again into the childhood trauma that marks the origin of Batman. Fans of Batman know what’s going to happen. We know that it is a necessary part of the story. So we watch helplessly as Thomas and Martha Wayne are sacrificed again in a retelling of their senseless murder so that, narratively, the hero Batman can rise from the ashes of this primal wound and bring justice to Gotham. Ben Affleck’s voice-over narrative to these events points to their mythic significance, “There was a time above. A time before. There were perfect things, diamond absolutes. But things fall, things on earth. And what falls, is fallen.”
Right away we are told that this is not just the Wayne’s story. This is America’s story. A story where the idyllic is an act of imagination and never a perpetual state. Affleck’s ruminations on falling accompany the vision of a young, traumatized Bruce Wayne running aimlessly from his parent’s funeral through the fields until he falls headlong into an underground cave. Batman fans know that this is the bat cave and that the winged creatures young Bruce will inevitably encounter mark the beginning of his transformation into the Dark Knight. It’s a fall that is a new beginning, a story of origins. Like the biblical character of Jacob and his nighttime struggle with an anonymous stranger, young Bruce emerges from these events both wounded and with a new identity.
Snyder’s flourish to this familiar tale has young Bruce Wayne at the bottom of this cave surrounded by hundreds of bats whirling around him, creating a vortex that lifts him up out of the dark hole towards the sunny meadow. The voice-over frames the scene and the movie by hinting that this origin is perhaps less of a straightforward statement about “diamond absolutes” and more of a necessary questioning of identity of the hero and what he might represent. “In the dream,” Affleck comments on this lifting of the protagonist from traumatic darkness to new identity. “they took me to the light… a beautiful lie.”
Snyder’s Batman and Superman each embody a manifestation of American self-consciousness in the 21st century. In Batman we see our obsession with fear; an overconfidence in the power of striking fear as a deterrent along with the persistent fear of the threat of the other. In this movie as well as in the comics, Batman’s “cautiousness” borders on paranoid fear as he keeps a contingency plan on Superman and the other members of the Justice League because trust in the goodness of others is a sucker bet. Snyder’s Superman raises the questions of the morality of our worship of unfettered power. Superman’s cultural mythos has always coincided with the belief that such raw power exercised in the pursuit of justice is good. Batman v Superman asks us to consider the Man of Steel as a “weapon of mass destruction” whose intervention, even if benevolent in its intentions, creates destructive after effects.
While there are obvious issues with the film (its plot is bloated, it assumes depth knowledge of the “canon”, and it tries to tell a story while setting up a franchise), much of the negativity misses its importance. Snyder asks us to gaze at what we value and the objects we worship. American civil religion is a potent amalgam of the Christian narrative structure, a belief in the benevolence of America’s colonialist tendencies and unreflective worship of American power. Superman is our unquestioning faith in the goodness of America’s exercise of raw power with little awareness of the collateral damage. Batman embodies the perversion of justice into a brutish force that deems any means necessary if we decide the threat warrants the suspension of the rules. Ironically, it is Lex Luthor who declares himself a philanthropist, a lover of humanity. Is it love for the whole that drives his orchestration of this clash of titans? None of us is ever motivated by unmixed motives as his hatred of Superman reveals, not a critique of power, but a reaction to a threat to access to power.
The themes are there but I'll be honest and say that I haven't looked at it in this way. The allusions to 9/11 are there on the surface and the way Terrio and Snyder warped it and arrived at this story is a great feat. I think the article dwells too much on the surface though. There's other things in the movie that are ripe for analysis that the writer doesn't even try to dwell on which could have changed his opinion on how smart the film really is.Just saw this on my newsfeed.
http://comicbook.com/dc/2016/07/31/why-batman-v-superman-is-smarter-than-you-think-/
Thoughts? Agree or disagree with some of the things brought up here?
It's sad that you don't mean this as a joke.
Ah, the everyone who doesn't like what I like is dumb argument. Classic.
while most likely said opinion is simply based off of reading an interview where Snyder said he'd like to adapt the Fountainhead, never mind that the content of the film is seemingly at odds with this statement.
You tell me. Either the film is full of obvious themes and symbolism with absolutely no regard for subtlety, and those who don't pick up on those points are uncultured swine, or...what?
If your going to "troll", don't be this boring.You tell me. Either the film is full of obvious themes and symbolism with absolutely no regard for subtlety, and those who don't pick up on those points are uncultured swine, or...what?
or the supposed revelatory YouTube video about some guy going on about "scenes" and "moments," who is seemingly oblivious to the content of actual scenes in the film as he glosses over them, and how they connect and what they mean thematically to the narrative at large. (Ultimately just another meaningless YouTube video meant only for some people to repeat its buzzword criticisms ad nauseum as if they are gospel.)Like that video review that was posted here and met with great applause, the one that didn't bother to address Superman's arc but dedicated what felt like half of its fifteen minutes to discuss the use of symbolic imagery and why its bad in this film, to come to the grand conclusion that symbolic imagery in a good movie is good, but in a bad movie its bad. Then spent the last minute musing on what the film said personally about Snyder.
In execution? It's fucking laughable as Batman stops his crusade because "YOUR MOM'S NAME IS LIKE MY MOM'S NAME! WE SHOULD BE FRIENDS NOW!"
I'm surprised that's what you got out of that.
Batman came to a realization that this "false god" not only bleed, but he has family. This being who he barely knew anything about, just became more "human" to him. Supes was at risk of losing something Batman had already lost.
....and it just so happens that his mother had the same name. At that point, if I were in the same situation... I would find it hard to kill that person as well. He has family. Superman is now seen by bats as "vulnerable" in more ways than one. It is less about the name, and more about seeing the opponent as a mortal being with a relationship and situation similar to bats' own. (As much as you CAN see an alien as a human being anyway).
And guess what? Batman gets a chance to save someone named Martha. Two birds with one stone. (I'm being partially serious here).
Uh huh... Yeah I get it, as the rest of my post pretty blatantly indicates. It's also really really really dumb.
If her name was Cindy, would Superman have gotten that kryptonite spear through his face?
Uh huh... Yeah I get it, as the rest of my post pretty blatantly indicates. It's also really really really dumb.
If her name was Cindy, would Superman have gotten that kryptonite spear through his face?
Doomsday didn't activate until the counter was over and the final prods shoved into his birthsack.Yea, probably. Then enters Doomsday and Earth is fucked since Lex was wrong in his assumption that Doomsday would obey him.
Doomsday didn't activate until the counter was over and the final prods shoved into his birthsack.
More than likely he'd have been able to abort it ;P
Doomsday didn't activate until the counter was over and the final prods shoved into his birthsack.
More than likely he'd have been able to abort it ;P
Would he though?
Would he?
Snyder can't be subtle. Subtlety is lost on a brain dead populace looking for only a popcorn film. Look how many theoretically intelligent people in this forum miss these seemingly obvious themes and allegories...
I agree. Especially with the Martha scene. Another example is the Lois and the kryptonite spear where people argue that it's illogical for her to deduce kryptonite harmed Superman despite the fact you saw a damn near God weak underneath it, or the fact he had a scar from a cut he received most likely from something sharp possibly the suspicious looking spear. I am sorry but arguing how she deduced that will forever ok invite my ridicule. Also people ridiculing why Lois would throw the spear away, how she deduced Dooksday was kryptonite and why she went to retrieve the spear.
Other plot holes includes Lex's blood of my blood line which explains he thought he could control Doomsday, in the deleted scenes he literally says answers only to me.