In other news, same old same old. Chris Samnee is one of the best artists working today. The man has a nearly unparalleled sense of shadows and negative space.
This is a case of the work being better in black and white.
Color isn't adding anything.
I can see where you're coming from, but since The Phoenix is a character so closely associated with fire, it makes sense to add the red as a highlight to that fact. I think it adds a nice stark quality. Speaking of color, though, here's some full-color actually-from-comic-books Samnee art from his recent stint on Cap & Bucky:
First six issues of Kirby Kamandi run are supposed to be 99¢ on your fancy Internet comic shop today you dicks.
If you don't buy this you can be assured I hate you even more than I already did.
First six issues of Kirby Kamandi run are supposed to be 99¢ on your fancy Internet comic shop today you dicks.
If you don't buy this you can be assured I hate you even more than I already did.
Am I the only person that had a major problem with the art in X-Force 20? Everyone had ridiculous rubbernecks and it drove me crazy throughout the entire book. Also there was like no damned purple! I've been dying waiting for this book and I don't even recognize it anymore.
And for Satchwar:
dat bat
i kinda want him to illustrate a batwoman book
in other news...
So it's been five months now, and I've been faithfully reading Wonder Woman like I always do (Blood Contract, understand). Five issues is plenty of time for a story to like... go somewhere, right?
Another brilliant issue, BUT... I get what they were going for with the narrative layout, and Capullo handles it brilliantly, but theReading a couple of internet reviews it sounds like Batman #5 is really good. Anyone here had a chance to pick it up yet? Just started the series this week and so far I'm really enjoying it.
"I think this is my super villain origin." Poor, lonely Petey. :lol
Another brilliant issue, BUT... I get what they were going for with the narrative layout, and Capullo handles it brilliantly, but thewas... well, I'd say I ultimately found it just as annoying as I did clever.having to turn the comic first on its side and then upside down to read the story
"I think this is my super villain origin." Poor, lonely Petey. :lol
Would really hate it if Black Cat / Daredevil becomes a thing as I am big fan of her pairing with Spidey. Matt leave Felicia alone, I don't want to see her fridged.
Oh, she's totally playing them both. She was clearly eyeing Spidey as she was making out with DD, implying a show put on to his detriment, AND she just got offered a sh*tload of money to steal the Omegadrive from DD, a job made easier by getting close to him.
Jim Shooter's review of WW 4 did a pretty good job of articulating the good and bad of the writing.
But Matt told her about the importance of the omegadrive earlier in the issue and it would be unlike Felicia to hand over the drive to the Secret Empire which she knows is an organization up to no good. I am just worried Felicia will be written further out of character and OMD has really affected and regressed her character a lot.
Also hate the whole have to seduce to get object angle someone can easily resort to in the case of Felicia. She is a world class thief (with her own support group now thanks to Van Meter) who can easily get what she wants by just breaking in the old fashioned way. I know Waid is probably setting up the ADA as a long term love interest, but I hate still don't like this short term fling as it goes against my preferred pairing.
Nope! I love Tocchini but something was very wrong here.
... I like it :|
It's OK as a mid-tier cape book but it's not blowing my mind like Batman did
Oh, and Satchwar... you WILL want to pick up this issue of Tiny Titans. It's very heavy on Donna Troy Wonder Girl. And cute.
in other news...
So it's been five months now, and I've been faithfully reading Wonder Woman like I always do (Blood Contract, understand). Five issues is plenty of time for a story to like... go somewhere, right?
The Glory (Image / Extreme) Relaunch: an 80s Take on a 90s Book
In many ways, Rob Leifelds old Extreme line was the epitome of the Direct Market in the mid-90s. Imagine my surprise when Im reading the relaunch of one of those books at realize its very much a mid-80s comic.
As with the Prophet re-launch, the Glory re-launch is something a bit different. This time out writer Joe Keatinge and artist Ross Campbell channel Miracleman and Airboy for their new series, debuting with Glory #23. Miracleman and Airboy? Yes, I said it.
If you go back to the mid-80s, the post-modern era really started a little bit before Watchmen. Marvelman really started that movement back in 1982 over in Warrior magazine. Eclipse brought the re-christened Miracleman over to the US in 85, to reprint and then continue the story. Airboy added to the mix in 86, along with Millers Dark Knight and Moores Watchmen (Dark Knight and Watchmen are the two comics that really popularized the pos-tmodern movement).
To varying degrees, Marvel/Miracleman, Dark Knight, Airboy and Watchmen are spin out of trying to find out what happened to missing/retired heroes as a threat from the past emerges. (And yes, thats EXACTLY what happened in the first arc of Airboy Chuck Dixon was doing the action take on post-modernism before it was the fad.)
Glory #23 opens with a young woman who has dreams of the Glory heroine. Glory has disappeared, and shes made it her mission to find her. We see flashbacks to Glorys birth, the peace-brokered child of the leaders of war races, one god-like and the other demon-like. We see flashbacks to Glory (or perhaps Gory would be more apt she could teach the Savage Hawkman something about being Savage). We also see sinister things lurking in the shadows as the young lady quests.
Glory is an analogue to Wonder Woman, much the same way the better known Supreme is an analogue to Superman. The flashbacks reminded me of Alan Moores run on Supreme, where he was having fun playing with the tropes of Superman from specific time periods. This is a more violent take on Wonder Woman, more savage and aloof a warrior than DCs pushed the character towards, but still in the basic mold. This is still a little darker than the current Azzarello/Chiang edition of Wonder Woman.
All in all, this is a set-up issue. Wheres Glory gone to? Has something bad happened to her? Sinister forces are lurking. The transitions from past to present are smooth and the mood of impending doom is set up properly. This is _so_ an 80s post-modern comic. The ironic thing is, its post-modern on a heroine that really doesnt have all that deep a publishing history and wasnt published in the time period the flashbacks occur in.
The unusual thing about the Campbell art is that hes not drawing Glory as a swimsuit model. Shes a bruiser built more like a linebacker. While Im not blinking my eyes, muttering where did this come from, like I was with the Prophet relaunch, Glory is solid book that seems to know what it is. If the tropes I described are your cup o tea, its well worth your time. The Extreme relaunch is two-for-two and Im waiting to see what Erik Larsen is doing with those old Alan Moore scripts. And yes, it cracks me up how comfortably this comic would have sit in the Eclipse section in 1986, right between Airboy and Miracleman.
Glory #23 comes out on February 15th.
Did any of you all hear the story of Grant Morrison taking LSD(or was it acid?) on a plane and shitting his all white pant?
god damnit its not on comixology!!!
vaderNOOOOO.jpg
dsiugfkjhbd D:
i'll try your Baby Glory book but if it sucks i'm gonna... be mad or something i guess
Glory, best issue of the week
Glory, best issue of the week
Glory, best issue of the week
i'll try your Baby Glory book but if it sucks i'm gonna... be mad or something i guess
Oh, I guess it didn't come everywhere yet. Whoops!
Thanks for giving me that advanced preview copy then LCS lady!
Glory's look has changed over the years, too. In the past, she was drawn mostly athletic but also wispy-waisted and extremely curvy — it might not seem like she'd do much damage if she, say, punched a Nazi tank.
With Campbell's new rendering of her — built muscular and sturdy — if this Glory punches a tank, that thing is wrecked.
"Even though she looks completely different from past interpretations, the idea is that it'll make her true to the spirit of the character," Keatinge says. "She's a warrior on a level that's almost god-like, and she's been training her whole life to basically be a weapon. I don't buy that she'd look like a supermodel."
you should put Wonder Woman #8 as the magazine diana is holding up
prophet was so great
prophet was so great
Pfft all it will take is for wonder woman to point the guns of Hephaestus at glory's head and she'll be cryin like a little bitch. That's how we do
I read Batman #5 on this morning's commute and I've got to say as a lifelong Batman fan - that may be the best issue I've ever read.
Fucking Scott Snyder man, nobody does that slow buildup of dread and creeping horror as well as he does. From that page where you first see Batman in the dark I knew that I was in for something really special, this unravelling of the character until he's just this raving mess. And Capullo was sick as well, that bulging insane eye instead of Batman's usual sharp white slit was a great touch along with all the formal fuckery he was playing with. It made reading the book disoritenting as well as the actual content.
But just on a visceral enjoyment level, I loved this book. I was gripped, I didn't know where it was headed, and when we got there I actually yelped aloud on a packed commuter bus. Now that's a victory right there.
I really can't wait for the end, for that "FUCK YEAH BATMAN!!" moment (which Snyder nailed in his Tec run so well). It's gonna be so sweet.
Man, if Snyder keeps this up he'll have written two of my favourite Batman runs ever. The guy is a damn machine.
Couldn't agree more. Fantastic issue and Snyder really is the man. Based on his work in Batman and the praise on GAF, I recently picked up the first 5 issues of Swamp Thing, will start on after work today.