C'mon WB, give us that release date already damnit.
Surely it can't be later than early July, right?
July 19.
http://www.bestbuy.ca/en-CA/product...c6e3e047782b6f107818ce0en02&SearchPageIndex=1
couple weeks earlier for Digital HD.
LOOK AT ME!!!!
Is that date official? I remember reading when the blu ray was officially announced WB came out and said whatever date is floating about isn't real and no date is set.
That bestbuy page is the only thing I've seen with a date.
Accomplice? I'm going to tell them the whole thing was your idea.
I don't believe in a conspiracy but I do feel like a lot of people have very strong feelings towards him which I find a little odd. You read the reviews with a slant, and they start sounding a little personal or vindictive which is strange. We get tons of bad movies every year. Can anyone tell me the name of the dude who directed Battleship? How about Need for Speed? Those movies were bad but for whatever reason the people responsible for those movies go on forgotten while Zack Snyder sticks around.
Other than Michael Bay, I haven't seen a director garner so much attention releasing mediocre films. I've seen people who aren't movie heads dropping his name and having an opinion.
I'm guessing it's because Snyder is more visible than your average movie director and the films he makes tend to be memorable for a variety of reasons. Of course it helps that he has a very unique style that stands out among his peers.
When you're being compared to Lars Von Trier, you've clearly struck a nerve.
I’ve been a fan of Richard Cheese for a long time, so naturally he’s in my mental Rolodex when I started thinking about music for my movies. When I was looking for tracks for the “Dawn of the Dead” soundtrack, it was important to me that the music reinforce the film’s underlying desire to break conventions and not be limited by the expectations placed on the film because of its roots in the genre world. Too often I think studios and filmmakers have a preconceived notion of what audiences’ expectations will be based on a film’s genre. I believe this approach often sets a course that funnels many projects down a familiar pathway with comfortable choices and safe decisions. I’ll be the first to admit that sometimes this actually works, creating cinematic “comfort food” that delivers and satisfies. But more often than not, it leaves me as a viewer dissatisfied, wanting more and wishing I didn’t know what was waiting for me around every corner. That is why I like creating projects that are self-aware. In my opinion, the trick is being self-aware without becoming self-conscious, having an awareness of a project’s roots, but not being stifled by the typical genre pre-conceptions.
...
In many ways, this is what Richard Cheese is all about: Peeling away the tough, polished exterior of a song dressed in its most aggressive riff or eardrum-rattling bass and exposing it to its core. He has the ability to look in the pop-culture mirror and see both the good and the bad and, without discriminating, have fun dissecting both. After all, what’s not to like about a swanky lounge version of Slayer’s “War Ensemble”?
Snyder sounds like an awesome person to talk movies with. Thanks for sharing.Speaking of Snyder quotes, here's a quote from a piece he wrote in 2008 that basically 100% explains where he is coming from in how he approaches these movies that makes a little more sense than "rape batman lulz"
http://www.mtv.com/news/1580555/watchmen-director-zack-snyder-reaches-for-a-slice-of-cheese/
Wont see that parroted on blogs, but oh well.
Snyder seems to forget that every interview he does is going to be dissected and analyzed. Then you run into a split. The people who read and understood what he was saying - And the people who are going to take things he said as literal examples and use it against him.
Example #1:
Everyone says that about [Christopher Nolans] Batman Begins. Batmans dark. Im like, okay, No, Batmans cool. He gets to go to a Tibetan monastery and be trained by ninjas. Okay? I want to do that. But he doesnt, like, get raped in prison. That could happen in my movie. If you want to talk about dark, thats how that would go.
Normal level-headed people read that and understand he's saying Nolan's Batman isn't dark and uses an extreme example to point it out. Others use this snippet to forward the notion that Snyder wants to film Batman getting raped in prison so he must be out of his mind.
Example #2:
"But I feel like Batman and Superman are transcendent of superhero movies in a way, because theyre Batman and Superman. Theyre not just, like, the flavour of the week Ant-Man not to be mean, but whatever it is."
Normal level-headed people read that and understand he's saying that characters like Batman and Superman (and Spider-Man) exist beyond the comic book movie craze. When and if it dies out the big guns will still have movies made about them. Others use this to say Snyder thinks Ant-Man is a joke and shouldn't have movies made.
I could go on as there are plenty of examples but I think you all get the point. One could argue Snyder should better articulate his points but another could argue maybe the people listening could take an extra second to grasp what he means. It's not like he's speaking in riddles.
lol, if there's one thing Snyder doesn't need help with, it's action.
nope. He's not one of the old gods. He has room to improve, they all do.
I loved the batman warehouse scene. But civil war had like 10 sequences of that quality. And when it came to the heroes teaming up i gotta say this movie had BvS beat big time. Doomsday sequence was not nearly as good as the airport scene or iron man v bucky/cap imo.
So what you're saying is Spidey is worth the price of admission alone? I still need to watch WS and AoU but I really don't want to watch AoU. :lolGuys. Civil War was pretty dope. Felt long as fuck tbh and the plot bored me at times but good god is spiderman a behemoth of a character. he just eclipses an entire film series/universe. the only one who could step up to this would be bruce wayne somehow crossing over into the mcu. that's about it. i don't see anybody else stealing scenes like this.
when i left the theater everybody was talking about spiderman. 10-20 minutes total screentime and the film practically belonged to him.
Also the russos have a really good handle on superhero action. I thought the airport scene would be wack from the trailers but it was really fun from start to finish. tbh i think snyder should be looking at these guys for a reference point for the justice league action.
I thought this thread was about DC stuff.
I disagree. Some of the shots were amazingly well done. It could have been much better, but I put it on par with the Superman vs Zod fight in MoS. Some of the shots in that fight were amazing, but some of them were also laughably bad like Zod climbing a building.Doomsday sequence was just bad, visually and choreography wise too.
Sucker Punch cut an entire two minute action set piece from the theatrical cut. Watchmen had missing action as well.I find it hard to believe they would edit out action shots as they're usually the most expensive to produce. Does this have any precedence in Snyder's earlier director's cuts?
Really? Damn. So they've made that much of a jump from Winter Soldier? Because WS's fight scenes were pretty terrible compared to BvS.I loved the batman warehouse scene. But civil war had like 10 sequences of that quality. .
An Avengers movie staple.this film has the most interior shots (read: dull) of any comic book movie of recent memory..
what am i looking at?
An opportunity to copy Game of Thrones.what am i looking at?
nope. He's not one of the old gods. He has room to improve, they all do.
I loved the batman warehouse scene. But civil war had like 10 sequences of that quality. And when it came to the heroes teaming up i gotta say this movie had BvS beat big time. Doomsday sequence was not nearly as good as the airport scene or iron man v bucky/cap imo.
Yeah, no, sorry. Action sequences in Civil War didn't come close to BvS for me. If anything, they should be looking to him on how to shoot some of this stuff after all the quick edit, shaky cam nonsense action scenes in the first hour.
what am i looking at?
nope. He's not one of the old gods. He has room to improve, they all do.
I loved the batman warehouse scene. But civil war had like 10 sequences of that quality. And when it came to the heroes teaming up i gotta say this movie had BvS beat big time. Doomsday sequence was not nearly as good as the airport scene or iron man v bucky/cap imo.
If there's an area I'd knock Snyder's action, it's his vehicle stuff. Didn't care for the batmobile scene at all.
I'll make it super quick and I'll edit if people don't care to discuss it here any further. Civil War was alright, but I'm getting bored of the Marvel formula. A movie where I should've been ecstatic when the credits rolled, I was left with the feeling of "Yup, it was another Marvel movie." I know it's been a long running complaint, but could they finally hire some actual cinematographers? It was all so uninspired and generic.
Now...this is damn cool
Pete and Lana were at the funeral too, I couldn't spot them though
X-Men has terrible costume design though. Plus, I still haven't seen a Wolverine with claws that don't look like plastic.I'd put the Batman warehouse scene over some of the human scale action of Civil War, but as a whole CW delivers great action. Made me bummed Whedon did Quicksilver like that.
We're at a point where nobody on these comic films is a slouch. DoFP is rightly hyped for the Quicksilver scene but Singer's future war fights are killer. If there's an area I'd knock Snyder's action, it's his vehicle stuff. Didn't care for the batmobile scene at all.
Watched CW, a lot of similarities between the movies. I already compared both in the other thread. I liked it but I don't love it. I was never a big fan of hero v hero stuff but Marvel's take on it is better than their villains so far, the conflict in the movie felt real compared to throw away villainsso far.which Zemo mostly is