But it did. Not Yozakura level, obviously, but still solid, as always with the show, and using some dynamic camera angles and exciting visual tricks. Even the stills were exciting, thanks to smart choices about when to utilize them and how to make them look. (Thank you Dezaki.) That still when Onoda went over the peak was great stuff.'
Notice how it blurs the road, which threatens to dissolve into abstract lines, and how it depicts the wind current rushing around the wheel in several directions, curving around in dramatic spikes. These techniques create the sensation of motion even though nothing is actually moving.
onpo-worthy.
