Ok, I'll preface this post by saying a couple things. It's going to be long. I'm sorry. Also, spoilers for Cowboy Bebop within. Since this is a thematic analysis, it's far too difficult to try to weed them out or even black them. I know at least one of you is watching the show right now, so please just skip right over this post. Ok, onto the meat of the content.
Cowboy Bebop: Loneliness,Belonging and the Past
As everyone knows, Cowboy Bebop is one of, if not totally, my favorite TV series of all time. It's a show that I rewatch on a yearly basis. This year, I decided to pay attention. Really pay attention in a way I haven't since my first run through. That's what's spawned this post. It's such a thematically rich work. There are so many themes you could dig deep into and explore. Loyalty, Trust, Betrayal, Perception vs Reality, Revenge, etc. All of them play a major role here. For brevity's sake, I'm focusing on what I consider three of the show's most major themes. Loneliness, Belonging and the Past.
Loneliness plays a major role for the majority of the show's cast. We see it everywhere. Even in some of the most ridiculous side plots, we can trace back a thematic thread to this idea. In the main crew, this theme is embodied first and foremost by Spike and Faye, Faye being the most overt.
Faye's lost herself to time. Not only does she have no memories of the people she knew and loved, even if she did they are likely long gone. She claims to not like attachment, to prefer to be alone, yet we see her hang onto the crew of the Bebop even when she has the opportunity to leave. She's transposed out of her era, and she's woefully aware of it. It's why she was such an easy target for Whitney after she first awakes. To combat this, she tries to harden herself. She tries to shut out others, but as she herself said, humans are social creatures. She can't help but be drawn to people even if it leads to pain.
Spike's not a character you'd immediately describe as lonely. He hides it well. His carefree nature, though, seems not to be a sign of true freedom. No, it seems more a mask. Often times, especially near the end of the series, you catch him looking empty. While he's surrounded by people, he's still isolated and tormented. He can't move forward, yet he cannot help but gaze back. It's still much better an existence than what his actions seem to have brought upon Julia. When we see Julia in "Real Folk Blues (Part 1)", we don't see the same woman Spike constantly flashes back to. We see someone cold and distant from years of being on the run. Her demeanor gives us a possible glimpse into what may have become of Spike had he not joined the Bebop. Sure, she warms up when she finally meets Spike, but there is still plenty of loneliness there. Both these people have ended up being isolated from the world. The only one who can break through that barrier is the other, yet years of being on the run must keep them apart.
Vicious is a character built on the idea of loneliness, but it's not the same type of loneliness experienced by Faye or Spike. It's very different. For Vicious, loneliness is a way of life. He distances himself from humanity so he feels nothing when he betrays someone to get ahead. Even though we see him walk around with a pet bird, which we are to assume is for companionship, he has no trouble discarding it if it meets his goals. We see it in his interactions with another lost soul Gren. Gren is forced to live in solitude due to Vicious's actions, yet Vicious can't be bothered to care. He used Gren as he uses any other stepping stone. He discards the friendship of his comrade in use of gaining more power.
Another major theme of the show is Belonging. It's interesting, looking back it's a theme that pervades the whole series, yet it isn't until "Hard Luck Woman" that it really comes into focus. All the characters of the show are looking for where they belong. It's this that brings them together. Yet, sadly, this togetherness cannot substitute for the real attachments they seek. Ultimately, this alliance has to fall apart. Ed finds her true family and, spurred on by Faye's words of "truly belonging is the greatest thing", must leave the Bebop. Faye after her memories return tries to return home only to find it destroyed. The only place she can find true belonging is lost to time, like so many of her things. She returns to the Bebop in an attempt to preserve what she has, but it's too late. Ed is gone and Spike's past is about to catch up to him. The only other home she knew has already collapsed around her. Spike is trapped in the past. At this point, it's the only place he belongs. He's no longer a man of the present.
That brings around the final, and possibly most major theme Bebop offers us. The past. Cowboy Bebop is arguably more a show about the characters pasts than their present actions. Each one of the ragtag band of misfits is scarred and haunted. Some of them where their scars physically. Jet has his artificial arm, Spike his eye. Some just carry this burden invisibly. Faye is deeply scarred by her lack of a past. Edward is as well, though she never really shows it. Edward wants the attachment of the family, that's why she jumps at the chance of living with her long lost father, even if it means ditching the closest thing to a family she's know thus far.
Faye's relationship to the past is by far the most complicated. She's running from her recent past, her debts and bad relationships. On the other hand, she's desperately seeking her far past. More than anything, she wants to uncover who she was. She hopes finding that will make her whole. Yet when she gets an opportunity to really find out, to talk to her former classmate, she runs again. Ultimately her past still catches her. It doesn't maker her whole as she'd hoped. Ultimately, it probably leaves her more broken. When she didn't have a past, she never felt regret or anger at being displaced from it. Yet now she does have it, all she can feel is sadness for how it's gone and never returning.
Taken as a whole, Bebop is a show about Spike's past. As has been mentioned, he lives more in it than the present. He's chasing Julia, the ideal woman he had to leave behind. He's chasing Vicious, the ex-comrade who betrayed him. When he finally catches his past, it's ultimately the destruction of everything he loves. His woman is taken from him again, his friends are broken apart, and all that's left is revenge. He must seek out Vicious. He must complete his story. It's all he has left. It's no coincidence that the last shot of him, as seen above, has his left eye closed. Even at the very end, all he can see is the past. Even though it's finally done, it still haunts him.