Oh my Walter, guys.
Fucking great, all of it.
I loved how swiftly it dealt with Sam Weiss. I had been theorizing that he was something more, but this was still a good answer. And I preferred it this way for now, because when the secrets of the First People finally do get revealed, it will be epic. The heist scene was fun, the bowling vase was crazy/cool. :lol
It felt so final. Wonderful moments for Broyles, Walter, Astrid, Olivia. And of course, Peter. Loved it, and I would have been happy with any outcome from there, really. The outcome we got...
A;LKEWNRJAL;DKFN;ALWJEJR
That fucking twist. That fucking twist.
Fringe does these so well. I couldn't believe that happened, and yet it made total sense for the show to move there. Excellent plotting. I can't wait to see where it goes. My personal theory: it will just be a warning for him, and he'll be sent back with the knowledge/ability necessary to save both universes. However, if that happens I wonder what the twist will be. I'd also enjoy if, even beyond that happening, time travel was used more. It's too exciting of a device to just not use after teasing us with it.
What do you guys think Fringe will use as its set of time travel rules? For example, it's clear our current Peter is in the future, but he's aged. Did just his conscience travel? If it did, what happened to his current body? We know he's still alive because he's a Fringe Agent in the future, but does the timeline he's in assume that he will eventually return to the exact point he left and live his life? Or does it put him on "autopilot"?
I could never love this show like I love(d) Lost. But Fringe is such a tight and efficient show. It's developed its identity and moved it to higher and higher levels of quality over time. It's smart but not confusing, has strong continuity but never uses little throwaway lines/events to fuel entire twists, and is technically cool.
The way I think of it, us Lost+Fringe Gaffers are LOST FINALE SPOILERS BEING USED FOR A LAME JOKE, WATCH OUT
Fucking great, all of it.
I loved how swiftly it dealt with Sam Weiss. I had been theorizing that he was something more, but this was still a good answer. And I preferred it this way for now, because when the secrets of the First People finally do get revealed, it will be epic. The heist scene was fun, the bowling vase was crazy/cool. :lol
It felt so final. Wonderful moments for Broyles, Walter, Astrid, Olivia. And of course, Peter. Loved it, and I would have been happy with any outcome from there, really. The outcome we got...
A;LKEWNRJAL;DKFN;ALWJEJR
That fucking twist. That fucking twist.
Fringe does these so well. I couldn't believe that happened, and yet it made total sense for the show to move there. Excellent plotting. I can't wait to see where it goes. My personal theory: it will just be a warning for him, and he'll be sent back with the knowledge/ability necessary to save both universes. However, if that happens I wonder what the twist will be. I'd also enjoy if, even beyond that happening, time travel was used more. It's too exciting of a device to just not use after teasing us with it.
What do you guys think Fringe will use as its set of time travel rules? For example, it's clear our current Peter is in the future, but he's aged. Did just his conscience travel? If it did, what happened to his current body? We know he's still alive because he's a Fringe Agent in the future, but does the timeline he's in assume that he will eventually return to the exact point he left and live his life? Or does it put him on "autopilot"?
I almost love that you're coming in on the show now, because your fresh perspective on the show is how I feel about it but haven't been able to explain.Catalix said:It's... different. Honestly, I don't think anything on network TV can top the deep-seated affection I had for LOST at the time.
But I appreciate Fringe on a different level. The more technical aspects of the show feel tighter, particularly when it comes to character dialogue from scene-to-scene, and overall mythological consistency and payoffs. I love how the writers are able to take seemingly innocuous things from earlier episodes and inject them with greater significance later on. I guess the "amber" is a great example. It's also incredible how they were able to effortlessly tie all 3 main characters directly into the mythology's main conflict in very meaningful ways. The fact that Walter's selfish abduction of Peter was the catalyst for a potentially universe-ending conflict? Brilliant.
The way Fringe delves so deeply into its pseudo-science just resonates with me. The writers never shy away from that aspect of the show, always providing intricate, creative, and internally plausible explanations for weird phenomena. And they hardly ever undermine my intelligence when exploring all these things. The characters are just as inquisitive as the audience about the crazy world they inhabit, and address issues in logical ways. It's pretty refreshing.
I wish I had believed you ;_;
I could never love this show like I love(d) Lost. But Fringe is such a tight and efficient show. It's developed its identity and moved it to higher and higher levels of quality over time. It's smart but not confusing, has strong continuity but never uses little throwaway lines/events to fuel entire twists, and is technically cool.
The way I think of it, us Lost+Fringe Gaffers are LOST FINALE SPOILERS BEING USED FOR A LAME JOKE, WATCH OUT
the ones who made it on to Ajira and left the island to live full and happy post-island lives.