Focus on Chapter 1 and Chapter 2 and it's on.
You know me.. I got to bounce around everywhere.. Project Pat and Juicy J so on and so on..
...and Lord Infamous and Koopsta Knicca. You probably just forgot to type that. S'all good. A little Indo G and Killa Klan Kaze wouldn't hurt either.
it's crazy to me there (was) this huge scene in memphis with this fully developed style that is so unique that is so unknown to most hip-hop listeners. there's a huge catalog of music that came out of memphis in the 90's... it was a huge ass movement back then. i wish some magazine or something would write an editorial on how vastly unappreciated it is.
paul and juicy were doing some amazing things with their style back then. paul was a mixing genius and his ability to sample even his own work is crazy. to have that much music with the style the same all throughout and still have original sounding beats is a feat in itself.
it's crazy to me there (was) this huge scene in memphis with this fully developed style that is so unique that is so unknown to most hip-hop listeners. there's a huge catalog of music that came out of memphis in the 90's... it was a huge ass movement back then. i wish some magazine or something would write an editorial on how vastly unappreciated it is.
paul and juicy were doing some amazing things with their style back then. paul was a mixing genius and his ability to sample even his own work is crazy. too have that much music and to keep the style the same all throughout and still have original sounding beats is a feat in itself.
I have to re listen to the stuff I have on the DJ pc.. but I am doing studio works.. not their early 4 track works.. I am pumped.. lol
A lot of that in certain places. There are scenes in DC and Baltimore (mainly dance/party oriented) that just never get any exposure outside those areas. They don't care either. The bay can be a bit like that too but with a bit more national exposure. Local scenes are important.
I can help. I'll PM ya.
3-6 is the real blueprint for the Lex Luger sound imo. Also, Lord Infamous was really the "voice" of classic 3-6 for me. 100%. Love em all, but when I think 3-6 I think Chapter 1 era beats and Lord Infamous (aka Scarecrow) blacking out on em.
Feeling this, electro/house remixes of the weeknd
http://club.livemixtapes.com/mixtapes/16312/balloons_of_haus.html
All that Pitbull, DJ Klass/Class and whatever else that is bopping in Europe now could be found in DC/NJ back in the day....
One thing I love, since exploring the Triple Six shit, is sometimes on the albums, they just let the instrumental ride. My favorite track on Da Devils Playground is basically just a six minute instrumental:
http://youtu.be/Eice3UrW-Kw
Or like on Prophet Posse. Vocals don't even come in until well over a minute into the track:
http://youtu.be/T1XLNKElphE
That fucking beat. Listen to those claps. They broke that beat down, and then busted it wide open.
It's mafia time/ Lord infamous' mind, it just ain't stable
So these are their two best albums?
So these are their two best albums?
Also, this is random as fuck, but in my head I've always pronounced your sn kamPSY :lol just noticed this. Now I realize you are a spy...
Also, public service announcement time GAF, read up.
One of the last "good" 3-6 albums. Technically not a 3-6 album but it might as well be with how loose the group members were over the years.
Worth tracking down. On Amazon.
what a horrible cover shot
Damn, that track is too nice. It screams Bone Thugz to me. Nothing how I remember the shit songs that got top40 from them when I was in middle school like mid 2000s
Then Bone Thugs made an entire album about dudes stealing their style.
they had a beef cus bone mentioned them in a '95 vibe mag calling them bustas basically. everyone in memphis took it personal and there's probably 10 different bone disses by different people. TW III did one too: http://www.youtube.com/watch?v=i_sTvbpEZ0A
the tonque twisting style came out of memphis though fersure. i think bone totally bit the whole style and i've never listened them because of the shit haha
You missing out man. Bone's got some great shit. You'd probably like Creepin On A Come Up the most. 8 tracks and it's the most memphis like shit they ever did. Just more melodic?
I really need to get some tommy wright shit. Pretty fun how his tapes go for literally hundreds of dollars.
Then Bone Thugs made an entire album about dudes stealing their style.
they had a beef cus bone mentioned them in a '95 vibe mag calling them bustas basically. everyone in memphis took it personal and there's probably 10 different bone disses by different people. TW III did one too: http://www.youtube.com/watch?v=i_sTvbpEZ0A
the tonque twisting style came out of memphis though fersure. i think bone totally bit the whole style and i've never listened them because of the shit haha
they had a beef cus bone mentioned them in a '95 vibe mag calling them bustas basically. everyone in memphis took it personal and there's probably 10 different bone disses by different people. TW III did one too: http://www.youtube.com/watch?v=i_sTvbpEZ0A
the tonque twisting style came out of memphis though fersure. i think bone totally bit the whole style and i've never listened them because of the shit haha
Then Bone Thugs made an entire album about dudes stealing their style.