Empire gives it 4 stars.
I re-read the book recently, and it's not that great. In the first book, all of the build-up to the island is much more gripping and every little sequence happens for a reason - the girl in Costa Rica getting bitten by a compy; the hospital that deals with a raptor attack victim; and the company investigating inGen by interviewing Grant. There's a logical sequence of events leading up to the crew arriving on Nublar, and the pace at which everything turns to shit constantly escalates.
In the Lost World, there is a bunch of exposition and the reasons for getting to the island (rescuing Levine) is completely nullified, as they simply go about studying the dinosaurs as they always intended. None of the deaths are meaningful - the two guys accompanying Dodgson were simply written in to be killed off and add nothing else to the story, and the 'good guy' death is mentioned almost off-handedly.
In the first book, Ian Malcolm's ramblings had direct reference to the events happening around them. In the second book, he is just a mouthpiece for Crichton, and just speaks very politically about the role of science in society - it's handled very roughly and just shoe-horned into the story and has nothing to do with what's happening around them. The Lost World also takes forever to get going. The trailer attack is essentially the start of the climax of the story, and the big finale is Dodgson getting kicked out from beneath a car and fed to baby T-Rexes. The climax in the first book has Grant and Gennaro hunting down the raptor nest. It's a much better as it carries genuine suspense whilst also addressing the key issue of dinosaurs breeding on the island.
I level a lot of the weaknesses of the Lost World film at the feet of the novel - there really wasn't a lot of material to work with.
10/16 critics liked it on RT so right now about 63% and rising.
When it keeps moving, it works wonderfully. Trevorrow shows a gift for crafting setpieces and staging action scenes never suggested by his feature debut, the slight science-fiction-themed comedy Safety Not Guaranteed. Its the best imitation of Spielberg since Gareth Edwards Godzilla last year (which was itself the best in a long while). Its when the movie stops and opens its mouth that things get stupid.
Do you recall the eventual look of guilt and horror on Richard Attenborough's face? In one look, the late great actor conveyed the weight of the guilt that John Hammondthe genius scientist, entrepreneur, and impresario at the center of 1993's Jurassic Parkwould feel when he finally saw the result of his hubris. He should have left the dino DNA in amber; unleashing it into the world, even if his intentions were mostly benign, was a grave error.
A similar expression will reflect in the mirrors of the execs who green-lit Jurassic World. Oh, why didn't we just leave the past alone? They may not come to regret the decision for box office or licensing reasons. It's quite possible this third return to the island will be a profitable one. But from an artistic and entertainment point of view, this can only be called a disappointment. There are a few nifty moments (three at the most) and Chris Pratt remains our most likable new Hollywood star. But this does not make up for the idiotic plot, flat characters, ill-defined conflict, and rote action scenes. Jurassic World is a triceratops-sized dud.
If the script for Jurassic World wasnt so terrible the movie itself might be a fascinating failure, as the films themes keep it in constant conflict with itself. Jurassic World is a movie that is kind of disgusted with its own existence, a blockbuster reboot that finds the whole concept of blockbuster reboots distasteful. But the intriguing push and pull of the films thematics are undercut by a script that is devoid of real characters and by set pieces that have the slack aimlessness of pre-viz allowed to run amok.
No ones impressed by a dinosaur anymore, notes one character early on in Jurassic World, and its easy to imagine the same words having passed through the lips of more than one Universal Studios executive in the years since Michael Crichton and Steven Spielbergs 1993 Jurassic Park shattered box-office records, along with the glass ceiling for computer-generated visual effects. Two decades and two lackluster sequels later, producer and studio have spared few expenses in crafting a bigger, faster, noisier dinosaur opus, designed to reclaim their place at the top of the blockbuster food chain. What theyve engineered is an undeniably vigorous assault of jaw-chomping jolts and Spielbergian family bonding that nevertheless captures only a fraction of the original films overflowing awe and wonderment.
Intensely self-conscious of its status as a cultural commodity even as it devotedly follows the requisite playbook for mass-audience blockbuster fare, Jurassic World can reasonably lay claim to the number two position among the four series entries, as it goes down quite a bit easier than the previous two sequels. The 14-year layoff since the last one may well have helped, in that the new film's perspective on antiseptic, theme park-style tourism and relentless commercialization, while hardly radical, plainly announces its makers' sense of humor about their own project's multi-faceted mercantile motives. Although not terribly scary, and closer to PG than R in its frights and gore, Universal's big summer action release is sufficiently toothsome to make audiences everywhere happy for a return visit to a once-wild world that superficially looks as safe and domesticated as a Universal Studios tour.
Jurassic World can't tell whether it wants to be junk food or not, lovingly poking fun at some Hollywood tropes while shamelessly indulging others. Claire's compassion and pluck come to the fore in a series of close shaves that see her saving her nephews' lives (if barely), while also losing more and more of her heretofore wardrobe. At a budget of 260 times that of Trevorrow's debut (Safety Not Guaranteed), Jurassic World's aspirations to cautionary cynicism are bound from both sides by its franchise prerogatives; the end result can't satisfy either sensibility in full. For the umpteenth time, moviegoers will be left with that magical Spielbergian appreciation for a fear of death strong enough that it can keep a family togetherbut that won't stop them from also wishing the kids had gotten eaten.
Trevorrows blockbuster, despite flirting with 22 Jump Street levels of winking self-reflexivity, lacks the vision or ambition to do anything more than diagnose a sickness that its powerless to cure. Its action sequences are bloodless and unexciting, and the theme parks attractions like the gyroscopes tourists use to roam the grounds, the most implausible thing in a movie that features Vincent DOnofrio plotting to use Velociraptors to hunt ISIS are transparently reverse engineered for their ability to motivate a set piece. As Jurassic World gets bigger, it only gets worse. Not since Spike Jonzes Adaptation has a movie so gleefully become the thing it resents most.
Much better: Any time the movie let the dinosaurs cut loose, be it in a tense scene in which the Indominus Rex (I-Rex?) menaces Claires nephews while theyre trapped in a gyroscope, or a chaotic stretch that finds the park terrorized by flying lizards, or a finale that only needs ineffective Japanese soldiers to be a kaiju battle. The effects havent really improved that much since Jurassic Parkin fact, in some scenes theyre less impressive than those of that 1993 filmbut everyone involved has clearly had fun dreaming of new ways for dinosaurs to terrify humans. And for all Jurassic Worlds attempts to go bigger, thats essentially the best those first sequels could manage, too. Its fun, but its ultimately more of the same in brand-new packaging.
For a few scenes in Colin Trevorrows Jurassic World, I was transported back to 1993. I was 13 years old, sitting with huge popcorn on my lap, watching Steven Spielbergs original Jurassic Park for the very first time. Unlike the last two sequels in the series, Jurassic World has a handful of those wondrous moments in it and, for that reason alone, I found more to like than dislike about the movie. But there are things to dislike about the movie and some are pretty damning.
What surprises me is how much of the film is not shown or hinted at in the trailers. There are whole action sequences omitted and protected from any of the marketing Ive seen thus far. This movie has had many leaks, with a lot of information making its way online during production, yet there are a couple unanticipated major plot turns which I did not expect and thoroughly enjoyed.
From Slashfilm:
RT now at 70%!
I definitely agree although the tomato meter is what most people take to be the score of the film so for it to be a solid 70% will bode well for the film.
From Slashfilm:
Lucky! There's no IMAX theatres near me so I'll just be seeing it in good ol' 2D.
57% right now
Only 20 reviews right now but I honestly think it's going to end up around this :/
The percentage hasn't updated for a half hour. Right now it should be at 67% but the metre doesn't updated automatically.
57% right now
Only 20 reviews right now but I honestly think it's going to end up around this :/
I don't think you'll be missing much without the 3D, doesn't sound like it's too mindblowing in this one.
I do wish IMAX theatres offered 2D films as well, they are always 3D now which is fine for me since I don't mind but some of my friends can't watch 3D
If you end up enjoying it, who gives a shit?
I don't give a shit, but I still want it to be critically acclaimed, because then there would be a higher chance I'll enjoy it when I watch it.
Although there have been movies with really high RT ratings that I hated(looking at you Boyhood).
Good review. It's pretty much what I expected.Our review, which I mostly agree with. It's very entertaining (especially the second half), but not a great movie.
[Review] Jurassic World
So you do give a shit.]I don't give a shit, but I still want it to be critically acclaimed, because then there would be a higher chance I'll enjoy it when I watch it.[/B]
Although there have been movies with really high RT ratings that I hated(looking at you Boyhood).
Why would a movie's high rating make it any more enjoyable?
I hate watching movies based on reviews. I absolutely despise The Dark Knight and I'm surprised by the amount of praise it gets yet LOVE Batman Forever and (gasp) Batman and Robin.
Just go into the theater and enjoy the movie man.
I mean, it never could achieve that sense of wonder. Literally impossible. Jurassic Park was a first in cinematic history, nothing like that had ever been seen before. No CGI effects or animatronics today could match thatIt's really interesting how much of the reviews are caught up in comments about wonder and nostalgia and pining for the good old days. Makes me think that The Force Awakens reviews will be pretty wacked out.
Jurassic World is the "Man of Steel" of Jurassic Park movies.
I wasn't really expecting it to be bad. I just wanted a fun popcorn flick and this seems to deliver in that regard.
The Telegraph: 4/5
http://www.telegraph.co.uk/film/jurassic-world/review/
Entertainment Weekly: B+
http://www.ew.com/article/2015/06/10/jurassic-world-review
The Guardian: 4/5
http://www.theguardian.com/film/201...w-chris-pratt-steven-spielberg-dinosaur-movie
Why would a movie's high rating make it any more enjoyable?
I hate watching movies based on reviews. I absolutely despise The Dark Knight and I'm surprised by the amount of praise it gets yet LOVE Batman Forever and (gasp) Batman and Robin.
Just go into the theater and enjoy the movie man.
It's really interesting how much of the reviews are caught up in comments about wonder and nostalgia and pining for the good old days. Makes me think that The Force Awakens reviews will be pretty wacked out.
http://comicbook.com/2015/06/10/review-jurassic-world-is-the-man-of-steel-of-jurassic-park-movie/
Man, the title of this article makes me want to stay FAR FAR AWAY.
Viewtiful, did you see JW yet? Because that's probably the best primer anyone could ever have going into seeing this.I think the biggest thing going against any Jurassic Park sequel is that the franchise is just not something conductive to sequels. It doesn't have an iconic character that will regularly get into exciting danger like Indiana Jones or James Bond or any other superhero. It doesn't have villains that appear anywhere like Mike Myers or in your dreams like Freddie Kruegar. It not something you can replicate anywhere like the thousand and one horror franchises like Final Destination and Insidious, cuz the dinosaurs are mostly confined to one island that requires untold amounts of money and brainpower to engineer. It doesn't have this big, fascinating world and lore to explored like Middle Earth or Star Wars.
Its really just that one story. They tried to get dinosaurs going on an island, it went tits up, and everybody said, "Yep, bad idea. Lets never do that again." And that should have been the end of it. BUT Jurassic Park made more money than God, so for financial reasons it couldn't be the end of it, so we got a squadron of lesser sequels with some contrived reason to go back to the island with thin characters and sequences that are never gonna match the awe and wonder of the original. I mean, the sequel lost before it even really began.
JW might be the best JP sequel, but its not exactly illustrious company. There's only so many ways you can retread the original film. Dinosaurs eat people for two hours to Michael Giacchino music, go in expecting that, probably have an enjoyable enough time.