There's something off about this. I can't quite put my finger on it. Maybe the cg wasn't finished, or it won't make the film, or maybe it's the focus, I don't know, but it sort of has that green screen effect.
I know what you're talking about and it's most definitely the screengrab quality rather than the effects.
Giaccino makes a lot of sense, and I like his music. I just hope he experiments beyond his comfort zone for Jurassic World. A lot of his music is too evenly mixed, smooth and perfect for my liking (when pertaining to JP).. I hope we just get something a little more Williams esque with the contrasting yet complimenting sounds.
Most of all, I hope he does a TON more with percussion. Because, honestly, it just feels like background noise and never does too much interesting.
Your opinion is fine, I think you're just sort of glossing over certain things.
For starters, too evenly mixed? This is not a bad thing. JW's music is also evenly mixed. I think I know what you're talking about, I just disagree that this is a bad thing. If anything it just reinforces that the composer knows exactly what they're doing in terms of writing. It takes a unorthodox amount of skill and experience to be able to come close to how brilliantly these guys write scores, so yeah, I don't see it as being a bad thing. Again I think I know what you're talking about, but I'll just have to chalk this one up to the agree to disagree category.
I also think Giacchino is a master at contrasting and complimenting sounds. Unless I'm misconstruing your definition of course. Giacchino's trademark is slightly more whimsical, off-beat compositions, but that's not all he does. I feel like Super 8's score is proof of this. He's very flexible, like Desplat, who also writes whimsical stuff a lot of the time, but again, that's not all he does.
What has me the most excited about Giacchino doing this are two things: themes and action, and these two aspects are the major two reasons I'm a John Williams fan. They're both excellent at themes and action cues. Both Giacchino and Williams are theme factories. But the best thing about Giacchino is that he doesn't rely on old themes. He instead does his own thing while weaving in pre-existing themes where necessary, and when he implements older themes, it's always very beautiful and tasteful.
It's important for each composer to have their own trademark. There's only one John Williams and, frankly, the guy is in his twilight years and I'm just not sure how much he's got left in him, and I think it's important for other composers to come into their own light and define film scores in their own way as John has. I think artists like Michael Giacchino and Alexandre Desplat are incredibly quality successors to John Williams and the industry is a better place with them. Giving them the work and experience they need to keep maturing and improving as artists is incredibly paramount to this environment.
We're not going to have Williams scoring films for too much longer; frankly I'm surprised that he's doing The Force Awakens, and I would be further surprised if he does VIII or IX. It's not out of the realm of possibility, but I would still be impressed. The thing is, I don't want another John Williams. I want other composers that can define movies in their own ways just as he did. I don't want composers that are going to try and rip the guy off and I think these composers would agree with me. There's nothing worse than not having your own signature. When I listen to a soundtrack, I can usually tell after just a bit who possibly did it because I'm very familiar with their unique sounds. John Williams is easy to place, so is Hans Zimmer, James Netwon Howard, and so on.
Going on kind of a tangent here, but yeah, I firmly believe that we shouldn't necessarily be comparing composers, but rather respecting their individual sounds and what they personally bring to a film's soundscape. I wish John Williams could live forever (and he might) and score every movie like this, but the reality is that we need this younger blood that can carry this type of film score for the next 4-5 decades. In terms of "replacing" John Williams, I think Michael Giacchino and Alexandre Desplat have come into their own quite nicely and have proven their mettle. I am beyond ecstatic for this soundtrack.
In regards to percussion, Giacchino just did the Apes score,
which is pretty percussion-heavy.
Other specific tracks I find relevant to what he could bring to Jurassic World:
San Fran Hustle (Star Trek Into Darkness, extended action cue)
World's Worst Field Trip (Super 8, extended action cue)
The Second Biggest Apes I've Seen This Month (John Carter, extended action cue)
Letting Go (Super 8, thematic)
Sab Pursues The Princess (John Carter, extended action cue)
Cloverfield Suite (Cloverfield, only piece of music in the movie and one of my favorite things he's yet done)
Also, the Tomorrowland soundtrack is gradually being uploaded
here.
I'm not here to slight your opinion, just providing my perspective, and I do think too many people either need John Williams or just won't be satisfied regardless of the quality they may get instead. Not accusing you of that specifically, but I've seen it too often.