petethepanda
Member
That was underwhelming.
2 > 1 > 3
2 > 1 > 3
I haven't seen one yet. Should be a nice one tomorrow morning as usual.How is there not a GIF of the disarm scene yet?
Well said.I just love this show so much. I get the sense more than a few people will say S3 was lesser than S2, I dunno, you can argue that. But for me, I'd say it's just as great. Hardly a single moment, a single scene, I didn't totally love. This show is always crackling with spirit and wit and warmth for the characters. Some may say this season didn't have the emotional impact, (I can agree that it didn't have a Dickie in the woods or Coover in the mines or Helen getting shot) I barely ever felt the show wasn't staying true to it's characters. And when that's the case, for me atleast, there's always gonna be an emotional throughline to hang my hat on. And every character really had it this season - Quarles' deterioration of calculated self delusion into raw id who literally has his skinned burned off and blood pouring out by the end was so enthralling to watch. The coy Limehouse finally having to expose his security to finally tighten the knot he created, Boyd & Ava having to descend to dark places to satisfy the necessary order in Harlan, Arlo's senility ending with the truest gut punch he could give Raylan...this show has so many superlatives, I can't do anything but love it as a whole. I've pretty much watched every episode this season 2-4 times thanks to FX's wonderful 4 hour block scheduling. Loved it all.
Bring on Season 4, 5, 6, 7...til the wheels fall off.
- Sepinwall's review
* I liked that so many pieces of the season came back into play, whether the gun that killed Gary (which Yost had to explain to me was the backup gun that Quarles took off of Raylan, and which Raylan told him he could keep) or even a standalone bit like Pruitt Taylor Vince's Russian Roulette game inspiring Raylan's interview with Wynn.
Arlo thought it was Raylan, didn't he. :-/
*And many more awesome gifs*
I was hoping for this one. Funny and kind of sad.
The Wynn Duffy Russian roulette scene was awesome. Great frantic acting.
Love that ending. Just a downer.
"He saw a man in a hat pointing a gun at Boyd."
Then the look on Winona's face when she realized why Art thought Raylan would be upset as she connects the dots and sees how jacked the whole situation is.
Ugh. Kinda heartbreaking when you think about it.
- Living with or marrying a guy who gets shot or shoots someone every other day can't be an easy thing. But I am sick of Winona and her moodiness and the ways she jerks Raylan around. I hope he moves on from her somehow next season. (Oh god, the baby's going to be born in season 4 :/ )
The actress got cast in a pilot, so she might be busy. But I think I heard her deal would allow her to show up for a couple episodes if needed, unless I'm thinking of another actress/show combo.
Yeah, I figured it was something like that. Either she has another show or she's pregnant IRL and they had to write her out of the show.
And Natalie Zea is doing a network pilot.
She's doing a pilot, and I believe we've carved out three episodes subject to availability that we can use her in if her pilot goes to series. I would foresee seeing Winona in some way for the life of the series. It was fun for us to get to that last scene: to restore her to the position she's in in the pilot, which is despite all their problems, she's the one person Raylan can go to to really open up a little bit, and that would be fun to keep on using her in that way. We'll see where Winona's life goes: is she going to meet someone else, where is the baby going to live, is Raylan going to meet other people? Exactly what the path is, I don't know, but they are fun to have together, and I'm happy to have gotten to a point where we can use her in that way.
Natalie has said in interviews that there are times when she got frustrated with the amount she got to do. Is her leaving the result of all of you recognizing that there's only so far you can take Winona as an ongoing, every episode kind of character?
There was that feeling at the end of the second season, which is why she only appeared in the number she did this year. We worked out a different feeling for the third year. We love her, and we love Winona, but at the same time, you can even sense in the character, she doesn't want to be the person who says, "Don't go save the 14-year-old girl." And yet she felt compelled to say it, and that makes her unsympathetic. We really felt it was our goal in the third season to rehabilitate her character in the eyes of the audience, so they could see how Raylan and Winona could be in happier times and get along if she's not riding him, not upset that he's not coming home, and she's just accepting of him. And then the kicker is that she's accepting because shes' already made the decision to leave. But she still was accepting, and she enjoyed that time with him. That was a goal for the season.
- So Johnny has had it out for Boyd since he was paralyzed? Makes sense, but... have we seen any evidence of that beforehand? Anything that didn't add up that could be attribute to Johnny's turncoat nature? (Aside from his clearly expressed interest in Ava--and the implication they should run things together--when Boyd was in jail.) It makes me question everything Johnny has had his hands in from the beginning. Though I doubt the writers had Limehouse in mind during seasons 1 and 2.
Here's Graham Yost talking about it in the finale post-mortem:
The turn had to be setup in the scene where Devil convinces Johnny to confront Boyd. To prove his impeccable loyalty, Johnny sells out Devil and he ended up dead over it.
- After that rescue, Errol is most likely back in Limehouse's good graces, wouldn't you say? Limehouse is right to distrust him and to consider him a liability after his hit on the Oxy clinic, but Errol has for sure earned himself some sort of debt now...
Love that ending. Just a downer.
"He saw a man in a hat pointing a gun at Boyd."
Then the look on Winona's face when she realized why Art thought Raylan would be upset as she connects the dots and sees how jacked the whole situation is.
Ugh. Kinda heartbreaking when you think about it.
But....
Arlo shot the man in the hat (who he sees as present day Raylan) because he was pointing a gun at Boyd (who he sees as young Raylan). An interestingly complex dynamic.