When did it become clear to you and the writers that Ellen May was going to play such an important role in this current season?
That was such an organic and evolving discussion that I cant actually remember. I recall early on we were discussing Ellen Mays death, but all of us were hesitant to pull that trigger, which was significant it reflected a deeper, perhaps even unconscious, understanding of her role in Boyd and especially Avas lives, so we trusted our instincts. Then each writer who wrote about Ellen May kept digging deeper, and in 408 Ben Cavell and Keith Schreier revealed Shelby and Ellen May in a quiet, reflective moment that crystallized her importance. She was an innocent victim that catalyzed the characters in different ways. Taylor and I were given the privilege of closing her chapter, and we were honored.
An episode like Peace of Mind highlights how the writers find ways to involve a variety of different characters. What are some of the difficulties in pulling that off?
We had an hour to thread quite a few stories that everyone had been working hard on all season, so it was definitely a challenge. This was a difficult story to break for that reason: we had to do justice to the characters and their journeys. Not only is it an intricate puzzle, but we could never forget that everyone is the hero of their own stories, so even though Ellen May was a pawn for powerful forces she had an arduous awakening that was tied into Avas journey as well. They all had to connect and play off each other seamlessly. Yes, it was very, very hard.
Giving Limehouse a moment of conscience and releasing Ellen May has deepened what is already a fascinating, complex character. Is he prepared to face the ramifications of further angering Boyd and also losing out on the $300,000 that Ava offered?
Absolutely. Dave Andron and VJ Boyd did a wonderful job of reintroducing Limehouse in 410, and they set up his journey, one of a leader burdened with responsibilities that kept him up at night, and his actions grew from that, but so did his reappraisals thus, when faced with the visceral consequences of his choices the fate of peoples lives in his hands he had to reevaluate why he was doing what he was doing, and if it was it for the greater good. He is definitely prepared for what may come in the wake if his actions. Why? Because he answered his conscience.
Every episodes script goes through a lot of changes before arriving at whats ultimately filmed. Can you tell us about any alternate versions of certain scenes or sequences?
So many. The Assistant Director Robert Scott jokingly called Taylor and I the head members of the Rewriters Guild of America. We actually put out a full new second draft that had the production team scrambling. We were terribly apologetic but as I mentioned earlier, this was a hard script to write, making sure all the stories and characters were coming together. One example of a big change? Boyd and Jimmy were going to rob a bank. For various reasons we found a different way into the story.
Is there a moment that youre most proud of in this episode?
I guess the moments when we see into the hearts of the characters, whether its the big church scene or the quiet scenes with Boyd and Ava. Even the scene with Raylan in the office during the Shelby/Ellen May reunion: if you watch closely were glimpsing into Raylan at that moment, a sense of his being cut off from that kind of intimacy going on right next to him, and hes burying himself in paperwork for the same reason he chose to take this assignment when he didnt have to, when Art didnt want him to. Raylan is grappling with quite a few demons this season, but refusing to look at them.