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Manga News/Discussion |OT~| How can I Ignore Such a Magnificent...THREAD!

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Rhapsody

Banned
Domestic na Kanojo 61

Is this a fake cliffhanger again or foreshadowing something really happening. I can never tell in this manga.
 

Zweizer

Banned
Youkai Shoujo - Monsuga ch49

Hopefully it means that she'll join the main team and get regular screentime.

Today's thighhighlight is Hime's~
 

bobohoro

Member
Boku Girl 54

Manga should really start moving forward again. It's been stalling for a couple of weeks now with rather trite comedy/ecchi situations.

Youkai Shoujo 49

Hime-chan needs to be added to the daily harem.
 

Shengar

Member
Butcha-U's books are out. Gotta wait for a translation now~

chairman_01.png
 

Jintor

Member
Hinamatsuri 10-31

I know the yakuza + kid thing is the focus but I am way more interested in how middle-schooler hitori has inexplicably ended up working 5 part-time jobs with her own flat
 

Jintor

Member
Hinamatsuri 41

Holy shit

i mean the other parts of the manga are great but Hitomi just getting into increasingly more bizarre situations is goddamn amazing

how the fuck do you accidentally enroll in the US military when you're a Japanese citizen?!?!?

/edit oh i see there was a accidental ticket exchange
 

Jintor

Member
You're welcome.

i'm glad to have read it but now i'm feeling post manga-blitz depression. Goddamnit no more chapters!

I like that the author appears to have realised that Hina is the least interesting (still interesting) character but who is a pretty great catalyst for other characters to be hilarious.

Hitomi inexplicably being an expert marksman is just freaking hilarious though.
 

dramatis

Member
Fuck, why can't there be at least be one decent Doujin for Tokyo Ghoul.

I guess fujoshis really do run the market.
Who said fujoshi couldn't make decent doujin?

Who said BL doujin couldn't possibly be decent?



The demographic for Tokyo Ghoul is probably tilted in favor of females, so it's not unusual for majority of its fan material to be fujoshi-oriented.

Also, the female characters of Tokyo Ghoul are generally lacking. There's no strong female presence that stands out in particular to attract a male audience like say Esdese in Akame ga Kill, or an overwhelmingly tropey design that hits all the notes like Erina in Shokugeki. I'm not surprised that there's limited interest in the females of Tokyo Ghoul.
 

Envelope

sealed with a kiss
i'm glad to have read it but now i'm feeling post manga-blitz depression. Goddamnit no more chapters!

I like that the author appears to have realised that Hina is the least interesting (still interesting) character but who is a pretty great catalyst for other characters to be hilarious.

Hitomi inexplicably being an expert marksman is just freaking hilarious though.

Hitomi is inexplicably an expert at everything tho!
 

Jintor

Member
that's true i guess the moment she was randomly a god-tier bartender was when I should've picked up on that

now that I think about it the series this reminds me of most is if Angel Densetsu was a pure comedy instead of a shonen comedy

/edit I laughed so hard though when they had the entire chapter where Hina though she had to go, and they had this incredible focus on Niita really thinking about what she'd brought into his life, and then he just totally blows it in the last two pages
 

Usobuko

Banned
/edit I laughed so hard though when they had the entire chapter where Hina though she had to go, and they had this incredible focus on Niita really thinking about what she'd brought into his life, and then he just totally blows it in the last two pages

Yes, and Nitta mentioning things are going to be awkward in their future daily lives.
 

Jintor

Member
I also like the running thread with the homeroom teacher being kind of competent and a nice dude, but also kinda really thirsting after that promotion
 
ReAca 24

CMnk9XkUYAEYbQp.png


What a rude ex girlfriend, glad Yuuma moved on his poem was really good.

I thought this would have been a short game considering the weak reveals but should have known Marble wouldnt have made it that easy.
 

Zweizer

Banned
Boku Girl ch17.5

Amazing face.

Boku Girl ch54

C'mon Loki. You can do better than that.

Shokugeki no Soma - Etoile ch5.5

Why can't Hinako be the protagonist instead?
 

Usobuko

Banned
I also like the running thread with the homeroom teacher being kind of competent and a nice dude, but also kinda really thirsting after that promotion

There was a scene during the stage play arc where things aren't going well and he panicked call the female student in charge, only saying 2 key words to get his msg across to her.
 

Jintor

Member
There was a scene during the stage play arc where things aren't going well and he panicked call the female student in charge, only saying 2 key words to get his msg across to her.

I really liked the joke in the very first school chapter where given the opportunity he turned the class into a discussion on hostage-taking and yakuza

real first year middle schoolers do not have the attention span for that kind of thing. second years maybe
 

Mandelbo

Member
Umwelt

A few pages into this I started wondering if this was done by the same guy who made Witches, and it was! Igarashi Daisuke's art style is definitely unique - it's quite rough and harsh, while still managing to maintain a high level of detail. As for the manga itself, I found it very interesting although owing to its length I think there's lots that could be expanded upon. For instance, it's clear that the escapee is not the only modified human, as shown when Yui says that "they modified [the escapee] bad", so it would've been interesting to see some other, less extreme examples of human modification (I'm not counting the electric larynx, since that's not technically a modification, more an augmentation.) I really liked the idea and imagery of plants in space growing to such sizes that humans could live on them. Pretty good.
 

Zweizer

Banned
Umwelt

A few pages into this I started wondering if this was done by the same guy who made Witches, and it was! Igarashi Daisuke's art style is definitely unique - it's quite rough and harsh, while still managing to maintain a high level of detail. As for the manga itself, I found it very interesting although owing to its length I think there's lots that could be expanded upon. For instance, it's clear that the escapee is not the only modified human, as shown when Yui says that "they modified [the escapee] bad", so it would've been interesting to see some other, less extreme examples of human modification (I'm not counting the electric larynx, since that's not technically a modification, more an augmentation.) I really liked the idea and imagery of plants in space growing to such sizes that humans could live on them. Pretty good.

It's been a while since I read this, but yeah, I still remember the art being a standout.

I don't know how complex it can get from here but I'm excited to find out

Oh, you're in for a treat~
 

FlowersisBritish

fleurs n'est pas britannique
Nantsue no Taizo 136- Last chapter the train started to move again, and this chapter I really like where the train is heading. There's a lot of dumb unanswered questions, but in general I really like the shit out of these demons. Their cool designs and continuously probe to be pretty interesting characters.

Fairy Tail 118- Haha in real terms Fairy Tail is fucked. I know this was once a combat guild, but most of it's members are weak as shit.
 
Filament

From Yuki Urushibara, the author of Mushishi, we have the typical single volume that it really is a compilation of short stories done in her earlier years, unpublished before, and edited now thanks to her bigger notoriety.


Almost all of them have the ephemeral, mono no aware feeling that her style is so known for, of course. Several of them have ghosts or spirits themes, there is a pair of romantic ones, and it's finalized with two chapters that were the prototype for Mushishi. Curiously Ginko isn't the mc, but two other mushishis, one a kid, the other an older guy, and here the mushis are more literal insects, not insect-spirit things. And the setting is modern instead of feudal.

The older stories can be noticed by a less polished and more common drawing style. Apart from that, we can distinguish the longer, more worked on stories from the others, as several are very short, being just 3-7 pages, sometimes with an almost experimental tone.

Overall, I recommend it, even if it's a bit below Mushishi's level.
 
Who said fujoshi couldn't make decent doujin?

Who said BL doujin couldn't possibly be decent?



The demographic for Tokyo Ghoul is probably tilted in favor of females, so it's not unusual for majority of its fan material to be fujoshi-oriented.

Also, the female characters of Tokyo Ghoul are generally lacking. There's no strong female presence that stands out in particular to attract a male audience like say Esdese in Akame ga Kill, or an overwhelmingly tropey design that hits all the notes like Erina in Shokugeki. I'm not surprised that there's limited interest in the females of Tokyo Ghoul.

I wouldn't say there's limited interest in females in TG. I mean Touka herself placed first on the popularity poll. Plus there's Akira, Eto, and Rize but that was in the beginning till she got screwed over by the Clowns.

Then again I shouldn't be surprised that the female fanbase is big.
 

Mandelbo

Member
Getenrou

Well that ending was just plain depressing, which I wasn't really expecting coming from the author of And Yet the Town Moves. I mean really, that was genuinely dark and morbid -
the motivation for advancing robot technology being that of a purely sexual nature is really unsettling, not to mention that the reason the factory murderer got pushed over the edge in the first place was because he wasn't able to have sex with a child robot. The robots essentially exist to accommodate the objectification of women, allowing those who see women that way to get away with it because "they're just robots," so it doesn't matter how cruelly they're treated.
Even ignoring the author's other works I still wasn't prepared for that because the first few chapters, while definitely retaining the same focus on sexuality and lust that the later ones do, were far more comical; Saeko completely overthinking the cause of Shitai's death, her and the others trying to work out what Douge's dying message says and arbitrarily assigning points to people she thinks are guilty, as well as the subject of chapter one being a group of pre-pubescent kids trying to steal some porn mags. The transition to the later darker section doesn't feel mishandled, though, and nothing seemed to come out of the blue, so I really appreciated the direction it took.

Man, this just gets more twisted the more I think about it.
 
Have read a bit more hikaru no go and I feel the series has this growing problem that nobody is even close to Sai's level and the only drama comes from Hikaru being impulsive and fucking up when Sai tells him where to place a piece. Also for a game about playing Go I still have no idea how the game is supposed to work and actually playing the game is a fairly minor part of the series even though that's all that seems to happen in the series if that makes any sense.
 
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