Well I mean, I don't think there are any real OP fans that don't acknowledge that there is a problem in the evolution of the female characters in the series or how they're portrayed. Hell the way I showed the switch in art to my friends is "just look at Nami's boobs" to show how little attention has been paid to character or body consistency. Nobody denies that it happens.
This goes back to the notion that I'm just talking about the same thing, or that the discussion can't evolve past "sexism is bad, mmkay?"
When I first discussed the topic, I was talking about female character's place in power dynamics. Why was it that there were so fewer female pirates, why did every crew have just one or two, etc. Now, from there, we could have taken the discussion to specifically how a character gains power in OP, not just through the mechanisms like DF and Haki, but Narratively. Is a character who is weak (usopp, for example) powerful in the minds of readers for other traits, like courage, etc. Where the discussion could have begun at addressing the power discrepancy, it could have continued to be about power and types of power.
Another example. I tried to discuss the topic of fanservice. This actually came from trying to discern what qualifies as male fanservice. Well, to figure that out, I think it's kind of necessary to consider the contrast of it: female fanservice. While I was doing that, I tried to explore the cultural and social implications of the OP world for having so many women dress scantily. Why does Nami seem to enjoy enticing males with her body, but seem to have no sexual desires of her own? Was there a cultural shift, since even characters that dressed reasonably now show ample cleavage in the time skip (Hina, for example)? This could have been discussion of world building. I wouldn't consider OP's sexual fanservice as skeevy if any of these questions were actually explored.
And so on. But everyone tries to murder the conversation before it gets started. So yeah, this is worth discussing, because simply saying "yeah, we get it, OP is sexist, lets move on" undermines the idea of sexism. There are so many ways sexism is portrayed that it's sometimes difficult where know where to even draw the line between 'sexual freedom' and 'sexual exploitation'. But no, posters like you do everything you can to kill the discussion before it starts. So I have no sympathy.
To see if i enjoy it .
I don't read , watch or play something and then say to my self i wonder what effect this would have on society .
Or how the author dealing with certain subjective matter would effect people who can easily be effect by certain topics.
I would do that depending certain works but most of them i don't .
So why do you enjoy it? It's not about having an effect on society, it's about what affect it has on YOU. And how it would affect someone who isn't you in some particular way. And someone who isn't you or the other person in another way. And so on. Thinking about things from multiple angles. Thinking critically.
Simply watching/reading something and seeing if it stimulates the pleasure center of your brain, without comprehending what the work is saying (not in some high concept abstract way, but just simple stuff like why do you enjoy seeing Doflamingo get defeated), is like eating without tasting, sex without passion. It gets you through the day, but dear god, you're missing out.
If you think critically you would know that certain things are done because the author thinks it going to appease the fanbase and for money .
At the end of the day you can't disconnect the story from the demographic it is targeting .
OP has it's problems but i know the reason why it doing certain things and i don't expect a shonen battle manga to get away from certain stereotypes and tropes .
Even more so when it 800 chapters and counting .
A business is run for money. What a revelation. What a reduction of what Oda does. Truly, OP is a purely by the books story that is calculated to make as much money as possible. There is no integrity to the story at all.
This is such a cop out answer. Other than Oda having more money than god at this point, (and yes, believe it or not, there are artists who don't really care about the money they made once they passed the threshold of when they have "enough". Or even when they don't, that doesn't mean they can't care about the meaning their work imparts and will gladly drop any principles they have to make more money), it's not like he doesn't challenge stereotypes. Gender fluidity, as someone else mentioned. If your theory were true, he'd have never touched that shit in fear of turning off some of his fanbase.
You're basically saying Oda is a hack. A sharp hack, but a hack.