Hey, Disgust is awesome, don't put that sad face thereAnger and Disgust took control
Hey, Disgust is awesome, don't put that sad face thereAnger and Disgust took control
Triple dent gum, it makes you SMILE
I've noticed the people most affect by the film are parents with young children. I have two and it haunts me two weeks later.
I've heard it put that it's not a kids' movie, it's not an adults' movie - it's a PARENTS'movie
Cars and A Bug's Life are easily better. Never seen Cars 2, but it'd have likeable characters.Worst Pixar movie ever? Have you ever watched Cars, Cars 2 or A Bug's Life? You must be a fun guy to hang out with if you thought this one was absolute dog shit .
Sorry for not liking it?Why do you say sorry at the end? Weird.
Cars and A Bug's Life are easily better. Never seen Cars 2, but it'd have likeable characters.
Sorry for not liking it?
I've noticed the people most affect by the film are parents with young children. I have two and it haunts me two weeks later.
I was the only one in the theater who got the Chinatown reference.
Sadness definitely felt like she had been written by someone who has experienced depression.
When he was walking around at night, thinking about getting fired from Pixar, he realised what he would missed most was his colleagues and friends there; that got him thinking about how it's all about connections with others and the purpose of sadness in bring people closer together.
Pete Doctor, the Director has suffered with depression on and off throughout his life, as he's talked about in several interviews and commentaries over his history with the studio, including during the production of this movie. In fact, as he almost quit Pixar at one point because the story wasn't meshing well (at the time it was Joy and Fear who were lost in Riley's mind. He and the rest of the story crew knew something wasn't working, and he isolated himself at home to try and figure it out.
His depression had been creeping back, and that combined with some severe anxietal stress led him to believe that even if he figured out the problem, Pixar was probably going to fire him because of all the trouble the production was having. He was contemplating leaving the studio before it could come to that before he realized his depression was getting the better of him, and that realization made him think about how necessary Sadness can be. He thought of his daughter, and how she was starting to deal with the stress and emotion that come with growing up, remembered how he was at her age, and how his depression was, and knew that the movie needed to be about Sadness and Joy.
He returned to the studio and pitched the changes to the story team, nervous, knowing it would mean some work, but they all agreed it was great and needed to happen.
Pete Doctor, the Director has suffered with depression on and off throughout his life, as he's talked about in several interviews and commentaries over his history with the studio, including during the production of this movie. In fact, as he almost quit Pixar at one point because the story wasn't meshing well (at the time it was Joy and Fear who were lost in Riley's mind. He and the rest of the story crew knew something wasn't working, and he isolated himself at home to try and figure it out.
His depression had been creeping back, and that combined with some severe anxietal stress led him to believe that even if he figured out the problem, Pixar was probably going to fire him because of all the trouble the production was having. He was contemplating leaving the studio before it could come to that before he realized his depression was getting the better of him, and that realization made him think about how necessary Sadness can be. He thought of his daughter, and how she was starting to deal with the stress and emotion that come with growing up, remembered how he was at her age, and how his depression was, and knew that the movie needed to be about Sadness and Joy.
He returned to the studio and pitched the changes to the story team, nervous, knowing it would mean some work, but they all agreed it was great and needed to happen.
Where do you get this sort of info from? I'd love so follow a good Pixar/Animation blog of some sort.
Where do you get this sort of info from? I'd love so follow a good Pixar/Animation blog of some sort.
I was the only one in the theater who got the Chinatown reference.
Would you say the point flew abova heads?If you go back and read Ami's entire rant on the last page and DON'T think "that's not even how volcanoes work!! HURRR" the entire time then you've failed a major internet test.
He talked about it on the Fresh Air interview. Although what he said brought about changing from fear to sadness was slightly different. When he was walking around at night, thinking about getting fired from Pixar, he realised what he would missed most was his colleagues and friends there; that got him thinking about how it's all about connections with others and the purpose of sadness in bring people closer together.
Facts and opinions are interpretations at best.Did you miss half the movie? Because your opinions are based on something that is factually not true.
The movie lives in the little touches. Riley's HQ control board being smaller than her parents stuck out at me immediately, and then they paid it off really well.
The hype really let me down on this one. Multiple friends were claiming to have left their seats bawling, and that just seems bizarre to me.
All the brain mechanics were ingenious and well-thought, but the overarching conflict didn't do anything for me, and in the end the world wasn't as interesting as it seemed to be.Besides, any impact Bing Bong's death could've had was basically ruined by how fucking telegraphed it was.
It was a fun popcorn flick at most. Not even close to being one of Pixar's best works. I don't see myself ever watching it again, which is kinda off for a Pixar film.
Yes, that scene is so, SO powerful, and really tells you how much Riley's emotions love her and care for her.Aside from how good the message, story and jokes of the movie are it has to be noted just how good the visuals were in the movie. They were insanely good looking with the highlight being.Joy skating in front of the screen with Riley
Oh and the soundtrack is whimsical and this track was easily the most heartfelt and powerful in the film: https://www.youtube.com/watch?v=AHArCl_fPm0
I was the only one in the theater who got the Chinatown reference.
I really liked the movie and I enjoyed LAVA too.
Same.Finally out in the UK, loved it
Saw this movie today, IO sits firmly in the middle for my Pixar movie ranking. It was enjoyable, if a little telegraphed but I wish there was more time spent looking at the minds of other people since those scenes were by far the most enjoyable.
Spoiler time
The real biggest problem is that Joy is totally unlikeable and I waited the whole film for her to get called out by the other emotions. Joy is a bully and her attempts to stunt Riley's emotionalnal growth and expression go unpunished to the film's detriment.