Ollie Pooch
In a perfect world, we'd all be homersexual
I don't really get the Artpop title track. Some cool spacey production but the song doesn't speak to me at all.
the snippet is too short i need more
Stefan;86945596 said:She left out the better half of the song. ch...
I'm perched to see this movie spill the scalding chai on Clive Davis
Oh? Me too then! Wow, Chile got pregnant fast.
Stefan;86945596 said:She left out the better half of the song. ch...
Lana Del Rey is the rarest of pop stars; few musicians have been talked about as much as she has in the past two years, and yet still remain an enigma. But this much is clear: With her breakthrough album Born To Die on heavy rotation all of these months later, "Summertime Sadness" (and its remixed iterations) positioned high on the pop charts, her upcoming short film Tropico (featuring three songs from Born To Die: Paradise) garnering major Internet buzz, and her follow-up album so eagerly anticipated that people have resorted to email hacking to have a first listen, she's got no plans to go quiet just yet.
So she was an obvious choice for NYLON's annual America issue. Senior Editor Melissa Giannini spent an afternoon with Del Rey at her L.A. home and quickly learned that the recently emerged American icon is very much in control of everything, from how she finds song-writing inspiration to making music videos. You'll have to wait for the November issue to officially hit newsstands, but in the meantime we've got a sneak peek at our cover story, along with exclusive outtakes of Del Rey, below. And then go ahead, tell her she's your national anthem.
On her writing process, post-stardom:
"It's harder to be an observer when people are watching you. You have to go further inside because the outside world becomes a harder place to draw from."
On drinking--and then stopping before she even turned 21:
"Sometimes when I write about my feelings, about what sounds like a person, I'm actually writing about the way I felt when I was completely inebriated, which was really good--until it wasn't working for me anymore[...] Thinking about not drinking forever was very scary, but once I did it wasn't hard anymore because I had all of these miracles happen that let me know I was on exactly the right path."
On how she bonded with boyfriend Barrie-James O'Neill:
"[Kurt Cobain is] a big part of our daily conversation. Jeff Buckley is another big inspiration. And Jim Morrison--I mean, we talk about these people like we know them. They're a part of our relationship. We always say, 'All of our friends are dead, and they never knew us.' I'm lucky to have met someone who feels that way, too."
On Tropico, the short film the Internet has been buzzing about:
"It's Elvira and Jesus and Marilyn and extraterrestrials all in one."
On not listening to the haters:
"It's important to have a good relationship with yourself when you become well known[...] People will say a lot of things, and you'll start to wonder if they're true. But then you have to go back to all of those little truths and kernels you found along the way that remind you: You are where you're supposed to be."
On the next Lana Del Rey album:
"When people ask me about it, I just have to be honest--I really don't know[...] I don't want to say, 'Yeah, definitely--the next one's better than this one,' because I don't really hear a next one. My muse is very fickle. She only comes to me sometimes, which is annoying."
"[Kurt Cobain is] a big part of our daily conversation. Jeff Buckley is another big inspiration. And Jim Morrison--I mean, we talk about these people like we know them. They're a part of our relationship. We always say, 'All of our friends are dead, and they never knew us.' I'm lucky to have met someone who feels that way, too."
"When people ask me about it, I just have to be honest--I really don't know[...] I don't want to say, 'Yeah, definitely--the next one's better than this one,' because I don't really hear a next one. My muse is very fickle. She only comes to me sometimes, which is annoying."
On Tropico, the short film the Internet has been buzzing about:
"It's Elvira and Jesus and Marilyn and extraterrestrials all in one."
Katy delivering her packs of PRISM to Wal*Mart tonight: http://www.youtube.com/watch?v=NLhAbkcpXO4
Katy is so hot
Stefan;86950750 said:Listening to the snippet through headphones is completely riveting. The production is mesmerizing. *.*
... You mean people actually listen to music sans headphones? Mine are practically glued to my head.
Um
Ok?
I don't know why people make fun of Katy Perry's vocals...well, in-studio.We don't need to rehash her live chops.
lmao, payola even for news articles.
sis, was this necessary?I don't know why people make fun of Katy Perry's vocals...well, in-studio.Things do tend to fall apart in her upper register, but I don't think any pop girl can really touch Katy in her lower/mid register right now. I'm not the biggest fan of her music, but even I have to admit that she's got a gorgeous tone in her low notes. Very smoky and sultry. Her phrasing ability is surprisingly advanced. I'm also routinely impressed with how creative she is when it comes to transitioning into her falsetto, and she's not afraid to rely on her falsetto...something I wish more pop singers did.We don't need to rehash her live chops.
I dunno, I never paid much attention to Katy's vocal ability until I listened to "Not Like The Movies" and was just mesmerized by how beautifully she sings it. Everything from the first verse to the chorus is incredibly nuanced, tender, and just exquisitely sung. Especially this part and going into the bridge. Just one of those moments where I have to admit that Katy has something to bring to the table, vocally. No girl could sing this song quite like her.
Katy's not a bad singer. She's actually pretty good...in-studio.
Old bop of the day: "what would you do" by city high. What an unexpected slayage so many years ago.
There's no soul in her voice...
So here's my confession
This time, this time
Don't just want you to love me
I want to be your obsession
This time, this time
Want my name on the marquee
I want you to want me
I want you to need me
I want you to hear my confession
I want to be your obsession
Are you implying there was before...?
You really don't think these have a particular emotive quality to them compared to the album version?
Especially when she sings, "Come to me."