http://www.rottentomatoes.com/m/creed_2015/
EW: A-
Indiewire: A-
HitFix
Variety
THR
ComingSoon.net: 8.5/10
The Wrap
EW: A-
Creed is as formulaic and sentimental as you’d expect any Rocky movie to be, but Jordan and Stallone (looser and more vulnerable than he’s been in 30 years) give the film an undeniable, lump-in-the-throat poignancy. In the end it’s a movie about legacy, and it more than preserves the Rocky franchise’s. It reminds you why it was great in the first place.
Indiewire: A-
It ups the ante for "Rocky" fight scenes while doing them proud. As Rocky encourages his disciple to "use the name," Coogler follows the suit by using the tropes. The entire "Rocky" franchise is better for it.
HitFix
If there's any justice, "Creed" is going to be a monster hit for Warner Bros., and I wouldn't be shocked to see the Academy invite Stallone to the big show this spring. It's an irresistible narrative... Now, all these years later, this film has totally different DNA, but it takes its lessons from "Rocky" in all the right ways, and it feels like the best case scenario for this kind of return to a franchise. It laid me out, and I wasn't expecting that. "Creed" is, simply put, a winner.
Variety
With his “Rocky” spinoff, “Creed,” writer-director Ryan Coogler confirms every bit of promise he displayed in his 2013 debut, “Fruitvale Station,” offering a smart, kinetic, exhilaratingly well-crafted piece of mainstream filmmaking, and providing actor Michael B. Jordan with yet another substantial stepping stone on his climb to stardom. Yet the biggest surprise may be Sylvester Stallone: Appearing in the first “Rocky” film that he didn’t also write — and the first in which he takes on a supporting role — the veteran channels all his obvious love for the character into his performance, digging deeper as an actor than he has in years.
THR
Coogler makes the transition from the indie world to big-budget studio filmmaking with a result that's sturdy and smooth. Buffed into ring-ready shape, Jordan acquits himself well both in and out of the ring, even if the innermost aspects of Adonis' insecurities and issues aren't as extensively explored as they might have been.
ComingSoon.net: 8.5/10
More than just an obvious corporate money grab, Creed is a darn fine boxing movie that’s able to create something new that stands alone, while at the same time paying tribute to the “Rocky” legacy in a way that fans of those movies should thoroughly enjoy.
The Wrap
If 2006’s correctively quieter, old-school charming “Rocky Balboa” felt like a fitting close to an invariably overextended series, you can see why this entry — the first one not written by Stallone — suggested a reason to continue. But instead of playing like the first of a series of Adonis Creed movies, “Creed” never rises above being one more by-the-numbers “Rocky” retread.
