ResilientBanana
Member
I didn't like it. I like a lot of things. But not this.
Are people on this board actually upset about "Social Justice Garbage" in this movie? I literally don't see it. "Holyshit there's more than two black people in this one? Now that's what I call a sequel!"
Preach!
The hubris from these cunts is just oh so delicious now, innit?
Now that RJ is gone it's back to normal basically with everyone hating the movie but without the RJ fans trying to tell everyone how they just don't get it.
What really amazes me is that this has the same score as Solo? Solo is both a better movie and a better Star Wars story than this by an order of magnitude.. Amazing, really.Very nice ...
65% gave it 7 or+, gotta love the 9% who gave it 1% though
The hatred is strong in this fanbase.
Ill have to see it for myself. I enjoyed solo, it was a good popcorn flick but I wasnt amazed by it either.What really amazes me is that this has the same score as Solo? Solo is both a better movie and a better Star Wars story than this by an order of magnitude.. Amazing, really.
It's not as bad as you think it is if you watch the whole scene. I'd say this and the other scene we saw from fortnite at the only "out of place" or over the top comedy scenes in this movie. The rest of the humor actually works quite good and cp3po has some good linesIs the "They fly now?" still in the movie? How does the audience react to it?![]()
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Stuff like this makes me question if the people who really loved TLJ actually understood much about Star Wars to begin with.
Spoilers obviously: https://www.vox.com/platform/amp/cu...-of-skywalker-spoilers-episode-9-reys-parents
"That’s one of the reasons I was so affected back in 2017 when Rey, the hero of the latest Star Wars trilogy, discovered in The Last Jedi that her parents were just junk traders. In director Rian Johnson’s vision of the character’s origin — and his vision of the Star Wars saga as a whole — the Force isn’t linked to a lineage of particular characters. Anyone could have it."
It's the fact that TLJ was raised up on the basis of this kind of fundamental misunderstanding that makes me just not trust media opinions on movies like this at all.
The prequel trilogy has so many force users and Jedi running around in them it's incredible. Expand that out into novels and videogames etc and the Star Wars universe has been full of all kinds of force users for a long long time. Most coming without any kind of backstory or even any kind of exploration into their family background or lineage. Add to that the fact that Jedi seem to not produce offspring themselves (Padme even thinks they are not allowed to even love) and so the only way new Jedi are recruited is by applying for training or being discovered on an obscure planet etc etc.
In fact, within the PT and OT, Luke and Leia are the only force sensitive people we see that have their lineage as an explanation.
Yoda, Obi-Wan, Mace Windu, Darth Maul, Palpatine, Count Dooku are never given backstories that explore their lineage and there are tons of other characters kicking about that are in the same spot.
I don't get how Rian Johnson invented the idea that Rey is special in this regard?
Wasn't Anakin a nobody also? It's hinted that Darth Plageius or Darth Sidious may have used some dark side power to create him but for sure he wasn't some kid with famous force using parents.
It's fuckin weird that someone can display such total lack of knowledge while also trying to act like they are an expert on the subject.
this right here. into my veins.it has tons of heart, and it's earnest about being stupid
Just watched it and came home.. I went into this movie expecting to hate it, after the sad shit hole that was TLJ.
But...
I LOVED IT.. IT'S DAMN AWESOME!
This movie gave so much love an respect to the fans, and a nice sendoff to the old characters.
It's an incredible stupid movie, and it's much too fast paced in the beginning, but it has tons of heart, and it's earnest about being stupid.
While TLJ was a pretentious pile of bullshit that thought it was clever while being as stupid as this movie, just for the sake of being direspectful to the fandom and all the Star Wars movies that came before it. And accomplishing nothing.
Really, if you can manage to shut off your brain for a while, this is really it..
As a life long Star Wars fan who has seen the OG movies in Cinema when they released, I give this a 5/5 score.
It gave me the closure I needed, and which I thought wouldn't be possible after TLJ.
Now fight me, I don't give a shit.
(and for those "oh, it's so woke because Rey is so OP"-people here: Kylo beats the shit out of Rey on the Death Star remains. So shut the fuck up.)
You also love to fuck that finch guy, not really the most trust worthy person in this forum...Just watched it and came home.. I went into this movie expecting to hate it, after the sad shit hole that was TLJ.
But...
I LOVED IT.. IT'S DAMN AWESOME!
This movie gave so much love an respect to the fans, and a nice sendoff to the old characters.
It's an incredible stupid movie, and it's much too fast paced in the beginning, but it has tons of heart, and it's earnest about being stupid.
While TLJ was a pretentious pile of bullshit that thought it was clever while being as stupid as this movie, just for the sake of being direspectful to the fandom and all the Star Wars movies that came before it. And accomplishing nothing.
Really, if you can manage to shut off your brain for a while, this is really it..
As a life long Star Wars fan who has seen the OG movies in Cinema when they released, I give this a 5/5 score.
It gave me the closure I needed, and which I thought wouldn't be possible after TLJ.
Now fight me, I don't give a shit.
(and for those "oh, it's so woke because Rey is so OP"-people here: Kylo beats the shit out of Rey on the Death Star remains. So shut the fuck up.)
Just watched it and came home.. I went into this movie expecting to hate it, after the sad shit hole that was TLJ.
But...
I LOVED IT.. IT'S DAMN AWESOME!
This movie gave so much love an respect to the fans, and a nice sendoff to the old characters.
It's an incredible stupid movie, and it's much too fast paced in the beginning, but it has tons of heart, and it's earnest about being stupid.
While TLJ was a pretentious pile of bullshit that thought it was clever while being as stupid as this movie, just for the sake of being direspectful to the fandom and all the Star Wars movies that came before it. And accomplishing nothing.
Really, if you can manage to shut off your brain for a while, this is really it..
As a life long Star Wars fan who has seen the OG movies in Cinema when they released, I give this a 5/5 score.
It gave me the closure I needed, and which I thought wouldn't be possible after TLJ.
Now fight me, I don't give a shit.
(and for those "oh, it's so woke because Rey is so OP"-people here: Kylo beats the shit out of Rey on the Death Star remains. So shut the fuck up.)
I get what you're saying but to me it felt like there was way too many things going in the movie, I would of liked a slower pace with a little bit more development but hey, it didn't make me hate the movie, I still enjoyed itI think people are really overstating the cramming two movies in the one idea. Avengers Endgame felt the same way but for some reason got a total pass it also arguably did certain things with certain characters that's more sacrilegious than things The l
Last Jedi did and it sometimes literally used a span of time you don't see to have the character change. Maybe I'm the crazy one and Star Wars just gets scrutinized more because it's supposed to be better but to me they're both space operas and one of them is the highest grossing film ever made. Like I'm trying to imagine someone seeing the plot leaks for Endgame prior to it having released would they sound better out of context than what we got here? Is the fanservice any less on the nose in that film? Is the sjw pandering any last with that scene with all the women coming together or the much bigger role given to a gay character? Was the ending for Captain America not a bigger misunderstanding of that character than anything Rian Johnson did with Luke?
I think people are really overstating the cramming two movies in the one idea. Avengers Endgame felt the same way but for some reason got a total pass it also arguably did certain things with certain characters that's more sacrilegious than things The l
Last Jedi did and it sometimes literally used a span of time you don't see to have the character change. Maybe I'm the crazy one and Star Wars just gets scrutinized more because it's supposed to be better but to me they're both space operas and one of them is the highest grossing film ever made. Like I'm trying to imagine someone seeing the plot leaks for Endgame prior to it having released would they sound better out of context than what we got here? Is the fanservice any less on the nose in that film? Is the sjw pandering any last with that scene with all the women coming together or the much bigger role given to a gay character? Was the ending for Captain America not a bigger misunderstanding of that character than anything Rian Johnson did with Luke?
AJ take on it.
5/10
Most people gave the retread of VII a pass for the hope it set up fresh stories in VIII and IX.And Joe is WAAAAY too much easy to please, usually.
I mean, he liked VII.
They fucked up bad.
You can't really compare those two franchises with each other even when MCU is bigger than SW right Now. Star Wars is still the bigger franchise which influenced pop culture since over 40 years already.I think people are really overstating the cramming two movies in the one idea. Avengers Endgame felt the same way but for some reason got a total pass it also arguably did certain things with certain characters that's more sacrilegious than things The l
Last Jedi did and it sometimes literally used a span of time you don't see to have the character change. Maybe I'm the crazy one and Star Wars just gets scrutinized more because it's supposed to be better but to me they're both space operas and one of them is the highest grossing film ever made. Like I'm trying to imagine someone seeing the plot leaks for Endgame prior to it having released would they sound better out of context than what we got here? Is the fanservice any less on the nose in that film? Is the sjw pandering any last with that scene with all the women coming together or the much bigger role given to a gay character? Was the ending for Captain America not a bigger misunderstanding of that character than anything Rian Johnson did with Luke?
I wasn't expecting that high of an audience score tbh. I guess JJ "Explosion" Abrams delivered the goods.Update, holding steady. Ideologue critics am cry.
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People are angry about TLJ. They will give this one a much higher score just for the purpose of sending a message to disneyI wasn't expecting that high of an audience score tbh. I guess JJ "Explosion" Abrams delivered the goods.
If anyone knows this channel, been following him since he had 90K followers. This guy is far from shill and had his share of copyright strikes he had to work out with Disney over his content and Vader fan film.
***CONTAINS SPOILERS***
Update, holding steady. Ideologue critics am cry.
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Saw it 2 hours ago. And to be honest for me it wasn't THAT SUPER BAD what people make it out to be, but there's nothing extraordinary about it either. Pacing is way too fast. Everything just happens at once, 0 room for scenes to breathe a little. Rey being so overpowered as fuck is just ridiculous (scene with force pulling that ship was awkward as hell imo + those circus jumps). I've started to like Poe in this movie? Him and Ren/Kylo were for me two of the better characters in this (from the start of the trilogy I've liked Kylo Ren, you can spare me rants about him being a hurr durr murderer and rest of this bullshit lol).Couldn't care less about Finn. Fights were boring as hell. Knights of Ren wasted.(I hoped Ben would survive at the end but whatever). Leia dying felt way too sudden.
yeah overall I don't see myself ever watching this again lmao
oh and fucking jar jar abrams and his lens flares - I get that it's his shtick but he uses them so much it became infuriating at one point
The Robotic Familiarity of “Star Wars: The Rise of Skywalker”
By Richard Brody
December 19, 2019
8-10 minutes
The faults of “Star Wars: The Rise of Skywalker” are those of the franchise over all, distilled and magnified because the film’s director, J. J. Abrams, is mainly a distiller and a magnifier, and brings virtually no originality to it. His earnest and righteously grandiose direction evokes, as few movies do, a craving for Michael Bay at the controls. Since the prospect of a refined stylist such as Wes Anderson or Sofia Coppola—who’d likely chafe at the narrow limits imposed by such a franchise film—is too much to ask for, a boldly imaginative vulgarian such as Bay would be a welcome substitute. See the opening chase scene of Bay’s “6 Underground,” currently on Netflix, for a sense of what can be done with an emotionally stultified and dramatically trivial script. It’s not good, but it’s at least full of surprises and provides a baseline astonishment. It would be fascinating to see the colossally derisive wreckage that Bay could make of the rigidities and pieties of “Star Wars.”
There are no such surprises, let alone audacities, in “Star Wars: The Rise of Skywalker,” yet I confess that it’s nonetheless engaging to see how the movie’s ponderous banalities reveal the essence of the cycle’s four-decade slog. (I’ll do my best to describe it while avoiding spoilers, but beware nonetheless.) This installment also repudiates what’s best in Star Wars, namely the idiosyncrasies and complexities of George Lucas’s last two prequels, where he flaunted the purpose and the playfulness, the intricate political intrigue and the high-style flourishes, that he had sublimated in decades of cultivating industrial-strength success. Lucas sold the Star Wars franchise to Disney, in 2012; now whatever’s left of his world view has been mined and refined into narrow and simplistic norms. The dyad of Disney (with its sanitized and sanctimonious simplicities) and Abrams (with his scrawnily derivative sensibility, an echo of an echo) has become a Death Star.
As for the story of “The Rise of Skywalker,” it’s centered on its two protagonists’ struggles with their civic duties and their personal identities. Rey (Daisy Ridley) is being trained by Leia Organa (Carrie Fisher) to continue the Resistance, but she herself is pulled between her blood legacy and her allegiances—she learns that she is a granddaughter of the late Emperor Palpatine (Ian McDiarmid), who here makes a posthumous return as more than an illusion and less than flesh. Kylo Ren (Adam Driver), a.k.a. Ben Solo—who has repudiated his father, Han Solo, and gone over to the dark side—gets an offer from Palpatine to take his place, together with Rey, and continue the reign of the Sith.
The drama gathers members of the Resistance who survived the catastrophe of “The Last Jedi”: primarily, Poe Dameron (Oscar Isaac), whom Leia designates as her successor; Finn (John Boyega), whom Poe names as his coequal; Chewbacca; and the droids BB-8 and C-3PO. These five, led by Rey, plan to pursue the revived Palpatine on the planet of Exigol, but they can’t find it without a gizmo known as a wayfinder, and they cannot get the wayfinder without deciphering an inscription that can’t be translated except, et cetera. The hermetic logic of the plot is as impeccable as it is ridiculous. It’s a drama crafted with robotic insularity for the consumption of viewers being rendered robotic at each moment of the soullessly uniform spectacle.
The bulk of “The Rise of Skywalker” involves characters in closeup expelling greeting-card-like slogans with vehemence and dour conviction, punctuated by lumpishly unchoreographed biff-bash-and-blam fight scenes. Abrams doesn’t offer any original, significant, or memorable images, not a glimmer of action that’s staged with a sense even of mere physical connection, let alone balletic grace or athletic splendor. The closest thing to inspiration comes in the form of an occasional touch of design, in the gigantic shiny basalt blackness of Sith void spaces and the overwhelming waves separating Rey from the wreckage of the Death Star. Instead of drama and imagination, the movie depends on a relentless blare of music, by John Williams, which takes the place of any emotional complexity that might dare to sneak through the interstices. The movie’s few infinitesimal touches of what might be called character—such as Rey substituting compassion for violence when she heals a deadly serpent—tick off a few ready-made socio-boxes. There is a quick moment of feminine solidarity, a carefully focus-grouped lesbian kiss. What’s more, it’s dispiriting to see the differences in how Ridley and Driver are directed. Ridley is called upon to express and overexpress, at each given moment, one given emotion, while Driver underexpresses, suggesting competing emotions. This isn’t a judgment on the skills of the two actors but, rather, what they reflect in the Star Wars universe and its creative conception: there, women, however heroic, are simple, and men are complex. It’s a reminder that the director and the four credited writers of “The Rise of Skywalker” are all male—and that the entire franchise, including the past half decade’s trio of sequels, has had no female director (and only one female screenwriter, Leigh Brackett, on “The Empire Strikes Back,” from 1980).
From the start, the series has exhibited a combination of grandiosity and cuteness, keeping its emotions in the narrow range between the irreproachable and the irresistible. “The Rise of Skywalker” amps up the cuteness factor with a new little creature, an impish one-wheeled stray droid with a conical head like that of the Pixar logo—as if recalling that franchise’s roots in Lucas’s stable. And one waits, in quiet terror, for the thudding delivery of the word that Steven Soderbergh has identified as Hollywood’s baseline weasel idea: “Hope.” There is a lot of hope, but, above all, it’s a movie that pushes the cycle’s own baseline idea, of family and return, to newly neurotic extremes. It’s a movie of grownups desperately tangled up in mommy and daddy issues a long time ago, before psychologists, artists, and even personality were invented.
In this regard, the movie harks back to the roots of the cycle, to Lucas’s peculiar place as the neediest and most throwback modernist. The greatness of the film that Lucas made prior to “Star Wars,” “American Graffiti,” was its conjoined source as personal recollection and historical horror show. Lucas filmed a coming-of-age story that’s really a compulsive return to catastrophe and entropy, a nostalgia for calamitous loss and a desperate search for where it all went off the rails. The Star Wars cycle is the answer—a quest for the primal structure of society and family and identity that, in the process, would also gratify those in desperate need of such answers. Lucas’s vision was huge, his emotional range truncated. He created a mighty, faux-Wagnerian fantasy that offered the petty and sanctimonious palliatives of “Leave It to Beaver” in a vast mythology, uniting past and future. And he created immense, vast, inhuman, impersonal cinematic machinery to embody the tiny but mighty flame of his personal obsession. In the best films of the cycle, “Attack of the Clones” and, above all, “Revenge of the Sith,” Lucas commandeers that machine with the force of his own inner resistance.
That flame has long been extinguished. The negative reviews that “The Rise of Skywalker” is getting seem to me like the reverberations of Martin Scorsese’s recent anti-franchise discourse—like a critical community doing public penance for its decades of fealty to imposters and fabrications and mercantile simulacra of art, a long-overdue recognition of the distinction between corporate content and personal creation. Despite the round of art-house verities that often get ballyhooed in their stead, this is a development that nonetheless fills one, dare I say it, with a new hope for the cinema.
I’ve heard it described as “as good as it could be, following what was a very poor movie in TLJ”.I just saw it. OMG! It was good! I wasn't sure what to expect... But man... The theater was packed and there was applause at certain points. The jokes landed... The action was frenetic... It hit the highs and lows perfectly!
I was actually surprised at how much applause there was in the audience I'm with. I'm still sitting here through the credits.
Man... I'm.taken aback!
I’ve heard it described as “as good as it could be, following what was a very poor movie in TLJ”.
You can't really compare those two franchises with each other even when MCU is bigger than SW right Now. Star Wars is still the bigger franchise which influenced pop culture since over 40 years already.
It was so much better than TLJ! FRAK TLJ!
This was better than TFA and Solo! Can't wait til the spoiler thread gets made!
This movie will make you forget about TLJ!