As much as I personally want to see Napoleon Dynamite, what good do you think you're doing by suggesting a movie like that in a thread about a sci-fi movie starring Vin Diesel? Are you retarded? If so, I apologize.Trevelyon said:Don't waste your money, go see Napoleon Dynamite.
kaching said:Just saw Below and enjoyed it and I can say the same for The Arrival and Pitch Black, overall.
But one thing that simply didn't work for me in Pitch Black and which I'm still not buying in the previews of Riddick is the characterization of the Riddick character as the worst psychotic evildoer in the known galaxy, aka more evil than Evil itself, and yet is portrayed on screen as merely a gruff loner who's just a big softy inside.
Taking PB on its own, I can see how that would work. But I still think the idea was overplayed. When they're still playing this angle up for Chronicles, with the tagline that Shadow paraphrased, it just begins to seem even more tenuous.Vlad said:I always took that part of Pitch Black to be one of those "make your own judgements about the character" type of things. The only person who even knew Riddick before the crash was Johns, and he obviously didn't like him that much, and he still wants the bounty for returning him, so he's going to make damn sure that the other survivors are less sympathetic to him.
ManaByte said:Just finished watching Pitch Black again. It's been a while since I've seen it. DAMN Twohy rules. Can't wait to see Chronicles of Riddick in the morning.
NLB2 said:What are you talking about? Twohy is one of the worst American directors I've seen in a long time. The crash sequence in PB was one of the most horendously lit scenes I've ever seen. And Twohy somehow managed to make all inside shots look as if they cam from a BBC movie.
SteveMeister said:Pitch Black was made for $23 million. Total production costs. I thought the ship crash was very well done, and I liked Twohy's use of different colors of light in the movie's scenes.