Lots of praise for the OST...hmm, might have to pick it up, although I can't recall any of the themes for the life of me. For some odd reason I feel like the OST sounds similar to the music from Gladiator, but that's probably only because I just watched the Gladiator extended cut the other day in all its oversharpened, digital noise reduced form.
mrkgoo said:
Out of curiosity, do you think you need to appreciate Japan to enjoy Lost in Translation? Like either have been there or otherwise understand the idiosyncrasies to being a foreigner there? It doesn't mean you have to have been there, or be a diehard Japanophile, just have an appreciation for the interactions.
I liked Lost in Translation, but I would probably care less if I hadn't ever been there.
Can't speak for the others, but the only reason I saw Lost in Translation as soon as I did was because it was set in Japan. It was extra enjoyable because I could relate to a lot of the things the main character went through, as well as get a lot of the more culturally relative jokes. Understanding the language helps with enjoying the movie more, as I'm sure those viewers who understand French, German, and Italian got a lot more enjoyment out of Inglourious Basterds.
Aselith said:
So, maybe the Earth government doesn't allow them to carry design data for non-defensive weaponry? I know machine guns and missiles can technically be used for offense but stuff that is offense only like bombs were restricted. If they had access to bombs, they would have made them before they attacked Hometree. They had months in which they knew war with the Na'vi would be a possibility. Therefore, they had no access to bombs.
Maybe. I'd argue that there's not much difference between bombs and missiles. I mean, just fire a missile downwards instead of forwards and it's essentially a bomb. I kind of accept the premise that the humans didn't have anything better since anything and everything they use is from carefully restricted and approved designs from Earth. There wasn't anyone among them who could have cooked up something more useful (barring some kind of physical or DRM restriction on lithographic design templates or something)? I guess they're
all idiots, then.
They didn't bomb Hometree because Quaritch didn't think he needed to and because they were still operating under the pretense of minimal casualties, which is why they fired gas rounds first. He was proved right, because his plan worked.
For his attack on the Tree of Souls, it was basically the same plan as always with the addition of duct taping a bunch of little bombs together to make a big bomb (you know, the Tim "The Toolman" Taylor approach to offensive campaigns).
Like I said before, the downfall of the villains in this movie is due to the classical hubris and idiocy like it is so in many other great films. That's fine. I've accepted stupider premises before, although I draw the line at Shia going to Robot Valhalla.
The reason the little implausibilities in the this film bother me so is because the rest of the film get things so right, and the little things are a bit more noticeable.