Haruhi is one of the few shows I truly despise. One of the most unfunny, unwatchable things I've ever tried to watch.
I never did see Haruhi as a comedy.
Haruhi is one of the few shows I truly despise. One of the most unfunny, unwatchable things I've ever tried to watch.
It's a more cynical version of Community/Spaced. You make the same nerd references, but make the entire cast female so that guys are bound to like it.Lucky☆Star is alright.
It kept me entertained enough to watch the whole thing anyway.
Has some amusing "we've all been there" everyday-humor in it, like the Windows file copy bar. And I sympathize with Konata being annoyed at voice cast changes between drama CDs and anime. I hate it when they change eroge voice casts for anime, too.
If we talk only about the first season then is Haruhi a top tier anime.
Because I admit most of my laughs and chuckles can from the characters just being adorable. Like, Tsukasa having trouble working out how to use her cellphone isn't a joke or a gag, per say. It's funny though because it's just cute and adorable watching her changing expression as she tries to figure out what she's doing.
Because I admit most of my laughs and chuckles can from the characters just being adorable. Like, Tsukasa having trouble working out how to use her cellphone isn't a joke or a gag, per say. It's funny though because it's just cute and adorable watching her changing expression as she tries to figure out what she's doing.
I never did see Haruhi as a comedy.
It's not.
I don't know what it is. Kyon's monologue adventures perhaps.
Whatever it is, I got Disappearance out of it, so it's alright in my books.
Whatever it is, I got Disappearance out of it, so it's alright in my books.
I have to say the absolute best thing I got out of it is actually a doujin work about Kyon-ko co-existing with Kyon and the nature of reality when you live with a reality-warper. It's really goddamn weird.
I enjoyed Haruhi, but then again I had no expectation of what it was supposed to be. All my previous knowledge had pretty much been gained through osmosis, sort of what it'd be like if I now decided to watch My Little Pony.
Hmm. I recently bought Disappearance. I should probably watch it.
Does it take place before or after season 2 (which I havent watched)
Yeah, I believe it is set after S2. I don't think it matters much either way.Hmm. I recently bought Disappearance. I should probably watch it.
Does it take place before or after season 2 (which I havent watched)
Whatever it is, I got Disappearance out of it, so it's alright in my books.
I have to say the absolute best thing I got out of it is actually a doujin work about Kyon-ko co-existing with Kyon and the nature of reality when you live with a reality-warper. It's really goddamn weird.
Hmm. I recently bought Disappearance. I should probably watch it.
Does it take place before or after season 2 (which I havent watched)
I haven't watched Haruhi but looking at the episodes list on Wikipedia is hilarious. There is a broadcast order, chronological order, and DVD order.
Just why would they do that?
Isn't the DVD in chronological order?
Part of it is Nozomi's rather boring character design.
Catgirls typically don't have boring designs. Her personality also doesn't seem to fit a catgirl at all.
I haven't watched Haruhi but looking at the episodes list on Wikipedia is hilarious. There is a broadcast order, chronological order, and DVD order.
Just why would they do that?
I suppose the next question is whether Haruhi Season 2 is worth buying/watching.
I know about Endless 8 but I mean overall.
I don't think anyone can answer that for you, at least without a guilty conscience. It was certainly interesting, but more for the ways in which it specatucarly manages to implode on itself. I still maintain that the concept is interesting, and I still wonder how they covered it in the novels.
Endless Eight isn't the only thing wrong with S2. Those episodes about filming that movie are tedious as hell, well except for that part where Kyon goes off on Haruhi.
It's an artificial way of making the pacing work out, basically. If you don't watch it chronologically it kind of splutters to a halt (though you still get the music festival to liven things up)
E8 is a single fucking short story chapter.
This happens? AWESOME.
The story only describes the final iteration of the loop. There's really no sense of triumph to it because there's no sense of effort, but still, KyoAni really went overboard with it.
Yep, that is the impression it gives me, and sometimes I wonder if that is one of the reasons why even today Lupin the Third is regarded as such a popular and iconic character in Italy.Looking back, I wouldn't be surprised if you were right about the exploitation film angle. Sort of like those low-budget Italian crime movies, maybe?
Even if I prefer Mr. Ōsumi's episodes (as I said at other times, like here http://www.neogaf.com/forum/showpost.php?p=33672787&postcount=3255 or here http://www.neogaf.com/forum/showpost.php?p=36575428&postcount=5308), I respect the task that Mr. Miyazaki & Mr. Takahata made possible taking over the reigns of the production after all. I've thought that the difficult position in which they affronted such a work didn't leave them time to develop their ideas further and adapt them into each episode's time, and I always excused them because of that even if I think it was a very good work all things considered.Also I have to say that you can sometimes feel that Miyazaki Touch™ on the series. The bad one. That episode where Lupinwas just ugh. I can understand why some Lupin fans complain about how his Lupin is a corny white knight character because that episode is pretty bad in that aspect, it's just kinda obnoxious. I'll still defend Cagliostro for doing kinda but not really the same thing because in Cagliostro it feels a lot more like a natural development happening rather than a in-your-face Miyazakism.un-kidnaps that girl who is the daughter of one of his father's thief comrades
Ah, I guessed as much. It could have worked if they had repeated it twice, and maybe with an episode apart, but the execution absolutely killed it.
Wasn't season 2 initially just dropped into the Japanese re-broadcast of season 1? It honestly reads like one big troll of its fan-base.
Lucky Star was a pedestrain show that reached superstardom because of horny businessmen.
Haruhi had a fantastic start for a first season, but what is that phrase - "dont touch a good thing" or something of that nature? Season two sucked and hurt the franchise - that and Aya's antics.
KyoAni gets a bad rap - there good animators who shows are blamed for the destruction of the genre - which turns out it was the fucking businessman fucking up everything. Ninchou proved it. Couldnt sell a lick, but the best work they have ever done by far. (Outside of Fullmetal Panic, which great in its own right)
It was a grand broadcast TV experiment, which is why it was amazing. I don't think even Lost, at the height of its popularity, could have done something as wacky as that.Ah, I guessed as much. It could have worked if they had repeated it twice, and maybe with an episode apart, but the execution absolutely killed it.
Wasn't season 2 initially just dropped into the Japanese re-broadcast of season 1? It honestly reads like one big troll of its fan-base.
The ones who watched the show, presumably.What businessmen?
The story only describes the final iteration of the loop. There's really no sense of triumph to it because there's no sense of effort, but still, KyoAni really went overboard with it.
Yep.Damn Koizumi from depriving us of that slap.
It was a grand broadcast TV experiment, which is why it was amazing. I don't think even Lost, at the height of its popularity, could have done something as wacky as that.
This just reminds me of how insufferable I found Haruhi. Seriously my least favorite character in the TV series, even compared toin Disappearance. At least in the novels, Tanigawa has one-upped Haruhi in the unlikable department.herself
Also, Kore wa Zombie is only 10 episodes this season? What happened? Is this some money saving trend, or just an aberration? What's supposed to fill the next two weeks in that time slot?
It's part of the reason I can't outright hate it, as easy as that is. As its core, its remains a fascinating idea.
No clue? The episode just ended with aArent they doing a surprise announcement today or tomorrow?
Yep. I mean, I have no reason to ever watch it again, especially since on home video it entirely loses any impact it might have had (like watching a sports match even a day after it happens, I suppose), but it really was an audacious television moment.It's part of the reason I can't outright hate it, as easy as that is. As its core, its remains a fascinating idea.
Given the shit I assume they still get, don't you think they took a risk?Really, it was just Kyoani dicking around because they knew they could get away with it. It would impress me more if they actually took a risk with that idea.
This just reminds me of how insufferable I found Haruhi. Seriously my least favorite character in the TV series, even compared toin Disappearance. At least in the novels, Tanigawa has one-upped Haruhi in the unlikable department.herself
No clue? The episode just ended with a, so I dunno.goodbye
Yep. I mean, I have no reason to ever watch it again, especially since on home video it entirely loses any impact it might have had (like watching a sports match even a day after it happens, I suppose), but it really was an audacious television moment.
The best American TV can do now is "live" episodes or "musical" episodes. In the case of Amerime, it's down to Family Guy doing "hilarious" Star Wars episodes. It's kind of hard not to be impressed with what KyoAni did or tried to do.
Given the shit I assume they still get, don't you think they took a risk?
Haruhi is indeed pretty insufferable, but I always figured that was the point.
The show isn't about Haruhi, it's about Kyon dealing with her bullshit. Actually, the show is more The Monologuing of Kyon than anything else, and I'm totally okay with that because Kyon is awesome.