You'll recall the note that the first season ends on. It's our hero's darkest hour. A character we (are supposed to?) care about is turned over to the dark side against her will. What better way to demonstrate all that drama with an unnecessary, degrading, and flat-out exploitative scene where Medea molests Saber (stuck in a fuck me bondage pose and dressed in a fetishistic wedding dresss) while she rants about how she'll break her spirit, not her body and feels up Saber's ass. At this point, Saber is just a fucking joke. She is a barely developed character with what little agency she has wihin the narrative actively being poisoned.
But hey, that was hamhanded and gross, but their hearts were probably in the right place. Surely, it's setting up to continue the dramatic tension involving Saber's capture. I mean, Shirou seemed pretty broken up about it, didn't he? Well, if he does, it was pretty fucking hard to tell because he never mentions Saber once. With her a room across from him, he barely even pays attention. Rin has more to day about her. When Shirou shows up to intervene, he explains it's because he didn't want Rin to get hurt or something. Fuck Saber, am I right?
No one behaves like an actual human being in this show. Archer straight up betrays Rin, who doesn't appear to act paticularly shocked by this development. He explains that he 'only works for the strongest' (to which Rin solmenly confirms) and I felt like I had actually missed something. When did he estsblish that policy? Where? I have no goddamn clue, and consequently I have no idea if Rin was just calling his bluff or something, because in spite of her muted response, she declares that she will take him back and 'never forgive him'.
Not that Archer seems to be on her mind much afterwards, anyways. We segue into Rin and Shirou's romantic tsuntsun adventures, seguing into a romantic confession scene. Another point where I was straight up left baffled. Not just at how tone-deaf it was to the stakes attempting to be established at the same time, but how we even got here so fast? Their relationship has progressed in huge, jerky strides with little regard for any sort of connecting tissue. The last two things memorable interactions that 'happened' between Rin and Shirou was the time she tried to kill him, and the date. Am I supposed to believe a date where nothing happened some magic turning point? Well, maybe not, because Shirou explains how he's 'always' been in love with her.
But I digress. This is emblematic of the problem this show consistently has: it's lazy. It expects you to care about these characters or accept jumps to designated points on a progression map without doing any of the work. This is a show built for an echo chamber.
It almost seems to realize this, though, which is why it uses so much of my favourite narrative tools in an attempt to make up the difference. The last minute flashback. We start the second episode straight up wasting half of it on this vaguely racist Arabic loser who I have neither seen or have any reason to care about, seeing as his only involvement in the actual plot was a passing mention of some loser who died before the story even started. I am being a bit disingenuous, to be fair, the intention of this flashback is clearly to humanize Medea, but it's too little, too late given that they decided the best place to talk about her soft side is shorly after she molests someone.
It's use of flashbacks as a crutch is absolutely ruinous to any sense of tonal or dramatic continuity, in any case. It breaks up all of the actual progression and there's just complete thoughtlessness to where they go. We see Ilya again, and everything I've said can be felt even more profoundly with her. After being absent from however many episodes up until this point, she reappears as a completely different character from the one we saw last time. She seems for all the world, an innocent enough girl happily and amicably allowing two people she tried to murder a while ago in because they want to 'talk'. I'm sorry, what the fuck? Isn't Ilya supposed to be some deranged child android with no moral compass? What the hell happened? Nothing the show remembered to tell us.
And it's when Gilgamesh is introduced and Berserker (previously characterized as nothing but a rabid beast guy) reappears that UBW's dreadfully clumsy use of flashbacks is at its' ugliest. But before I talk about that, I'd like to mention that the show's utter failure to be remotely consistent in terms of tone is at its' worst. Shinji is literally ejected into the scene (for no reason given other than that he remembered to be relevant, I guess), we descend into a big comedic scene where Shinji is threatened by the two maids attending to Ilya, which jumps almost directly into said maids being butchered by Gilgamesh. Yet in spite of what the show was trying to tell me, I couldn't care. These two characters were literally introduced five minutes before they got stabbed, and their only character trait was 'loyal to Ilya'. When Ilya arrives and grieves their loss, there's literally no sympathy becsuse there's simply nothing about their relationship we've seen to care about what's now lost.
UBW tries to solve this problem and many others by breaking up the fight between Hercules and Gilgamesh with one long, poorly edited flashback of Ilya's life and her meeting with Berserker, as if they just remembered that Berserker wasn't actually a character up until this point and had to scramble to retroactively make him more than the grey angry guy. Of course it did give me one of the most uninte tionslly hilarious scenes I've seen recently, wherein Ilya wakes up in the middle of the forest for no reason and is nearly eaten by fucking wolves. Which is of course used as the pretext that Hercules really cares about Ilya for... some reason. They don't even actually explain why Hercules cares for whatever Ilya does for him.
And of course, that lengthy, sudden flashback basically dooms him, and he dies shortly after he is retroactively characterized. My time definitely wasn't wasted at all. I sure cared a whole lot about this guy who was characterized specifically because he had to die. Ilya was stspabbed too, and hopes are high she's actually dead, but I'm not optimistic.
Were the fights good, at least? Not particularly. Gilgamesh is an utter snore to watch because there's absolutely nothing dynamic about his fight scenes. It's just a bunch of repeated and slightly different cuts where he shoots swords around and Hercules bats them away. Medes just stands around and shoots lasers, and there's nothing particularly interesting choreogeaphy-wise anywhere.
The OP is good, I guess.