Turin Turambar
Member
I'm not sure about that. Inside Out was pretty damn blunt. Modern Pixar is a different beast.
I will confess that maybe my mind was thinking on "classic" Pixar, not modern.
I'm not sure about that. Inside Out was pretty damn blunt. Modern Pixar is a different beast.
Have there been any anime writers who have grown up and worked on big people films/tv?To be honest, any writer with writing ability, personal drive, without a high expectation for their career, would be fine as an anime writer. The medium has tons of range, almost no topic is taboo, the fanbase has low standards, and even when you fail spectacularly, no one will remember because the core audience is tiny. Great place for writers to experiment and get experience.
There's been a lot of great animation made for pachinko machines!
Have there been any anime writers who have grown up and worked on big people films/tv?
Hideaki Anno... maybeHave there been any anime writers who have grown up and worked on big people films/tv?
I decided to look into what Okada has done so far since people seem to be saying a lot about her here,
Seems like I've liked quite a few things she's done as Series composition
But in stuff she's written scripts for, its been super inconsistent
Theres stuff I liked(Despite their flaws, of which I am fully aware) like: Anohana, Gosick, Hanasaku Iroha, and Toradora!
But then there's stuff like Wixoss (there are others on the list like Fate/Stay night(deen) and Kodomo no Jikan that I assume are bad, but I haven't actually watched) that had bad writing put into its characters and scenarios. I don't think it was phoned in either because Wixoss is a pretty big series and I don't think anyone'd phone it in that much.
I've been liking the writing in Kiznaiver, but I'm a bit worried now...
should I be worried, or am I over reacting here?
not a writer, but this reminded meHave there been any anime writers who have grown up and worked on big people films/tv?
not a writer, but this reminded me
The guy who voiced Domon in the English dub of G Gundam retired, and became a dentist.
Oshii?!
You know, I didn't even know they had a live action filmography. lolHideaki Anno... maybe
You know, I imagine most voice actors in America and Japan end up doing something else after their careers fizzle out.not a writer, but this reminded me
The guy who voiced Domon in the English dub of G Gundam retired, and became a dentist.
The overly melodramatic Okada stuff does nothing to me.
There is a fine line when self-reflection gets silly. Hidamari did it fine while Koufuku Graffiti was unbelievable silly in that regard.
Have there been any anime writers who have grown up and worked on big people films/tv?
Shounen Maid 02
Another great episode. Combines the humorous bits with the cute, warm and fuzzy bites as well. Also still waiting to find out what's up with those cool guys in the ED.
Sousei no Onmyouji 02
Looks like this might be my battle anime of the season. Was happy to see the girl wasn't using her full strength during the fight in the previous episode.
Haifuri performs quite well on Amazon. Took the Japanese anime industry long enough to embrace the military otaku demographics.
I'm kind surprised how isolated all the specific groups are.
Well, you just said that it's a place for writers to get experience... but to what end? Without Ghibli, there isn't really a brass ring to try to reach anymore. Okada is basically the anime equivalent of Vince Gilligan or Damon Lindeloff... which I don't know is a good thing or a bad thing for the medium.I think it's pretty rare (or it just doesn't happen) that someone starts out writing anime and then "graduates" to better stuff later. But it is not that rare for people to establish themselves as writers elsewhere (books, live action, plays, etc) and then dabble in anime from time to time while also writing for the other stuff they do.
Well, you just said that it's a place for writers to get experience... but to what end? Without Ghibli, there isn't really a brass ring to try to reach anymore. Okada is basically the anime equivalent of Vince Gilligan or Damon Lindeloff... which I don't know is a good thing or a bad thing for the medium.
You know, it's funny. Joss Whedon wrote as a staff writer on Roseanne and basically graduated to being King Marvel over the course of 2 decades. But I guess anime really isn't a writer's medium. lol
I think it's pretty rare (or it just doesn't happen) that someone starts out writing anime and then "graduates" to better stuff later. But it is not that rare for people to establish themselves as writers elsewhere (books, live action, plays, etc) and then dabble in anime from time to time while also writing for the other stuff they do.
I know Shuji Iwai did this for The Case of Hana and Alice (which I really enjoyed) and a short web series called Town Workers. Any other predominately live-action directors end up doing an anime or two?
I haven't actually seen any of Anno's live action work. I feel like I should at least give it a try. For Oshii's live action output, all I've seen is The Red Spectacles. Found it a bit strange... I'll probably give some of his other live action works a look later. At least the live action Patabor films.
Well, you just said that it's a place for writers to get experience... but to what end? Without Ghibli, there isn't really a brass ring to try to reach anymore.
Koufuku Graffiti isn't particularly melodramatic, certainly no more than your average slice-of-life show. I feel it's more effective than Hidamari Sketch, though a lot of that is due to the stronger visual direction.
Huh, Strike Witches, Girls und Panzer, Arpeggio and Kancolle(even with that crappy plot) all did very well in sales, especially GuP OVA still in the oricon top 100 weekly ranking after almost 2 years.
The fact that this show clearly shows Aniplex just want to eat the pie too lol.
You know, I didn't even know they had a live action filmography. lol
Anno is co-directing the new Godzilla movie.
Checked out the HxH dub. Kurapika's voice is beyond perfect.
Actually he's the chief/executive director and the writer. Higuchi is the one directing the film under Anno.
Episodes like the second one or about the grandmother were pretty over the top melodramatic.
Koufuku was the best when the amount of monologues was reduced to a minimum like in episode 3 and 7 - when character developement like Siina and Ryou becoming friends was told in a more natural way.
The important thing is it's yet another job keeping Anno from ever finishing Rebuild 4.0, LOL.
Katsuyuki Motohiro is a pretty well known live-action director in Japan who crossed over to anime with Psycho-Pass and now the upcoming FLCL sequels.
I guess there isn't much to say beyond I can't see what you're talking about. (I'm not even sure what you mean by the episode "about the grandmother" considering Ryou's deceased grandmother was a constant presence in the show from beginning to end.) If you want to see a cute girl show that is truly over-the-top melodramatic, you should watch Hanayamata.
I hope it's just 2 hours of clapping followed by a live action scene featuring the voice actors in a completely out of context story segment.No actually I believe he specifically said he took on the Godzilla gig because he had writer's block for Eva 4.0 or something. LOL!
But can you even get prolific when Okada is already writing half of the shows airing every season? Where's the room for someone else to get some of that pie?Did you miss the part about having low expectations for their career? Lol. It's a good place to just write if you like writing I feel, but yeah nothing seems to come out of it. If you're okay with that, you still get paid doing it, and you can get pretty prolific within the industry even if no one cares!
Rip Yoshida.But can you even get prolific is Okada is already writing half of the shows airing every season? Where's the room for someone else!
Rip Yoshida.