<Harmony/>
Oof. Where do I start.
Harmony is about a society that sees the elimination of death, pain, and suffering as the highest good, and it's about someone who seeks to shake the foundations of that system, to expose the human rot underneath, barely contained by nanomachines, rules, and overwhelming social pressure. Its so-called utopia, and the presentation of its gradual unraveling, show mankind at its worst: scared, violent, hypocritical, and false. It's an unrelentingly bleak movie.
The movie works because of its commitment to presenting the harshness of this supposedly kind world, through the lens of its rebellious protagonist, Tuan. The setting is one of washed-out colors and harsh sounds. Japan, the center of this new world order, feels almost claustrophobic at times, the camera taking full advantage of the freedom of CG to constantly hover and rotate, never at ease. The white skyscrapers of this sterile metropolis are covered with a spiderweb of sickly pinkish-red lines. The visual parallels to human biology couldn't be clearer. Her nostalgic memories of her school days, learning about suicide and destruction at the feet of the charismatic, brilliant Mihie, come in somewhat out of focus, like through a poorly calibrated CRT. Nothing is right.
As her search for the truth takes her further away from Japan, the palette opens up a little and the camera stabilizes, but the mood never lightens for a moment. It only probes deeper into questions of what it means to be human, to attempt to grapple with man's enormous capacity for evil and for stupidity, to make your own decisions, as the body count mounts and the blood flows. Painfully long sections are devoted to the demonstration of human misery.
It's a powerful work, consistent, confident, and crushing in its vision. The writing also impresses. Loaded as it is with long passages of exposition or philosophizing, it never loses sight of its characters or their perspectives. None of these questions feel empty. Mihie is a strongly-presented intelligent character. She's well-read, but that shows through her understanding and synthesis of the ideas underneath what she reads, not her ability to recall quotations.
(One could say that this movie is what Psycho-Pass should have been, if it were both well-written and actually interested in being speculative science fiction instead of some sort of empty pulp thriller. But then again, at that point you're comparing it with an entirely different experience.)
I'd recommend it, but know what you're getting into. I don't know what I'd have done with the rest of my evening if I didn't have access to ice cream.
Just avoid the English dub if you can. Monica Rial's voice doesn't fit right for Mihie. It doesn't ruin the movie, but it was noticeably distracting.