Rozen Maiden Zurückspulen
Episode 1
(Also known as probably the only anime where someone uses a magically imbued watering can as their main weapon.)
Despite some of the problems the series may have had I personally am a fan of the first
Rozen Maiden anime. I can't remember which thread it was but about early last year or even during 2011 at the start of the OT when people usually just joke with "anime is doomed" etc. someone wrote something like "Rozen Maiden Season 3. Believe." Honestly I thought it was one of those things like a third season of
Spice & Wolf but even less likely to happen. I was surprised and pleased then when it was announced that more Rozen Maiden anime would indeed be made.
I looked at some of the promotional material and was somewhat disappointed to find out
Studio DEEN would be working on this adaptation given some of their current history. Not all hope was lost however as the early episodes of
Sankarea proved to be well done for example and the artwork looked rather ornate and detailed. Naturally the detailing made me wonder about the animation quality. In the end I think I was just happy to get more Rozen Maiden even if it turned out potentially disappointing or of lower quality.
Personally I love the designs of the Rozen dolls in this adaptation and how they're so ornate and varied from one another. You can see that Suiseiseki's hair band is insanely detailed and would be probably impossible to animate traditionally. A better look can be found in
this image. I can't remember the name of the technique but it's where the object itself isn't actually moving but the pattern on said object is moving to give the look of animation. In this case I really don't mind it just because I like the design of it so much.
This first episode turned out rather well I think aside from maybe trying to condense so much story into one episode. I haven't read the manga so I wasn't sure initially where things would be going post this first episode. It also might not be as much material as it seems as I seem to recall the second half of the anime veered away from the manga and kind of went it's own anime original route regarding the story. That and the first half had some filler material such as the episode revolving around the kind of play "battle" at the households stairwell.
Unfortunately some of the characterization does suffer a bit as Jun and Shinku's introductions don't carry the weight they did in the original and you don't really get the same sense of Jun's hikkomori type lifestyle. You get hints towards Suiseiseki and Souseiseki being close but it again doesn't carry the same impact for first time watchers. I saw some comments about the original anime maybe being somewhat convoluted and perhaps it's because it's been a few years since I've seen the first anime series but I don't really recall it being that complex. Not really any more so than it has been up to this point in this current adaptation anyway.
The first episode more or less sets the stage with all the major elements anyway introducing the audience to the seven Rozen Maiden dolls and the idea of the Alice game and trying to acquire the Rosa Mystica to become "Alice" or what Rozen believes to be the perfect girl.
"Rozen Maiden no daiichi doru. Suigintou."
The Rose bordering used during when the dolls introduce themselves reminded me somewhat of
Utena and how it did things similarly with its character introductions.
I also always
LOVE Rie Tanaka's voice work for Suigintou. She's the first character I heard her voice or at least certainly take notice of her voice work.
As has been mentioned, the direction in this first episode was really well done and even despite the rushed story elements it should help those still hopefully to understand what is going on. I really liked the use of similarity in the visuals as a transfer from one scene into the next. Right at the beginning you have the
rabbit fellow with the letter which transfers into the
exterior of the house. Just the way the window is center framed and being vertically rectangular and bisected in the middle reminded me of the letter just previous. The next scene is inside said house where you again see the letter
fluttering to the ground. That then is followed by the clock
changing time.
This might be over analyzing things and it's just one of those "the blue curtain is just a blue curtain" things but I thought it was interesting how it worked out with the clock and the visual flow just described. The clock could have been a face clock or a digital clock but instead it's an older flip style. The tiles reminded me of the letter in that they are square with a line bisecting the middle, only this time now horizontal to show the letters position on the ground and the number flipped down almost echoing the falling down of the letter.
After seeing the later episodes it's also kind of interesting to look at how one of the first things you see is this clock and how important the idea of time becomes in the story. You could see it as young Jun becoming the older Jun and the idea of only having so much time to deal with Kirakishou. The tiles also remind me of where you have something that's the same but the top and bottom are also different as well. It seems to be a reflection of some of the characters such as Jun. Jun is still Jun and that he knows how to sew for example but they're different in that one is younger and lives in the "wind" world and the other older living in the "unwind" world. This could also be applied somewhat to Shinku. Again, not saying that was all intentional by the direction but these are some of the thoughts I was left with.
Another quick scene I liked was that pictured above. For those that don't know, the character pictured in the poster in the back is Dectective Kun-Kun from the first series. Shinku would become a fan of his by watching his television show and obtaining some merchandising. The scene pictured above is Shinku inquiring Suiseiseki to explain about what is going on. With the two sitting there as they are and with what was going on it reminded me of a detective questioning a witness about an event, just like Kun-Kun! It's a pretty quick scene and the poster could have been more of a quick cameo for previous fans but I was again left with these thoughts.
While there's many more examples of nice visual flow or symbolism in this episode, I think my favorite is right near the end with Kirakishou standing on her web transitioning into the moon behind the power lines. Again, it not only presents a nice visual flow but the context makes sense as well where you have these material lines that are ever reaching carrying something which is immaterial.
There's other details present in the show which people might not initially pick up on. Looking at the Rosa Mystica which Shinku is holding you see it emanating out lines of energy. This is a pretty standard thing which many works have done before and people might not pay attention to but if you look at how the rings of energy are presented you can see they're done in a style to reflect that of a rose.
I did notice one error in regards to Suiseiseki and Souseiseki and their heterochromia when the two are looking at each other and the screen transitions. You first see Suiseiseki's teary eyes and the face switches eye colours and the hair spins a different way with the tears removed to show you're now looking at Souseiseki. The hair reverts back as well as the tears reappearing but the eye colour remains the same. I think this was an error in that they should have changed to transition back to Suiseiseki.
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Haha, this post "winds" up looking much longer than I originally intended. Whenever I get around to next episode comments they won't be anywhere near this long. Maybe just a paragraph, possibly two...probably,haha. Anyway, thanks to those who actually end up reading this whole post (possibly only
Branduil and
hosannainexcelsis). I'm actually caught up with the show but seeing as there is some support from it I thought I might post some comments now.