Aoi Bungaku - In the Woods Beneath the Cherry Blossoms in Full Bloom 2
Well, that was definitely
something.
The narration tidbit for this episode is that Ango Sakaguchi formed his dark conception of cherry blossoms during the firebombing of Tokyo. At the time, the trees were in full bloom, and from under those trees he watched the city go up in flames, rooted to the spot by fear. Not sure if that's the fault of the trees.
Araki continues to direct this episode by veering wildly between slapstick comedy and melodramatic blood-soaked tragedy. There was a clearer arc to the last episode, but this one makes it seem like he's not really sure what he wants to aim for. There's definitely a version of this story that works as a black farce, as Shigemaru tries to keep his crazy city woman happy through more and more killing, but that would ignore the serious, moralistic elements of this tale. But the straighter retelling runs the risk of being too grim to entertain, and Araki would never want that. He constantly works to keep the viewer's attention. This story was, if nothing else, arresting.
You can tell this is set in the distant past by the fact that they're still using flip-phones.
This slapstick gag comes sandwiched inside a significant emotional turning point for Shigemaru.
So the violence is turned into elaborate theater, dramatic to the point of nonsense at the end, and everything else is played as comedy. In the end, it all comes across fairly muddled. It's hard to tell if this is supposed to be a kind of 'man-led-astray' Japanese ghost story, or whether there's something more nuanced that Araki can't be bothered to portray. As attractive as this woman is, Araki skips over what makes Shigemaru so attracted to her, and so willing to sacrifice on her behalf. It's odd that a director as passionate as he is so reluctant to show infatuation.
The musical returns.
Fear and anger, however, are emotions that Araki understands how to portray onscreen perfectly.
So it doesn't all make sense in the end, but I was still treated to some really intense anime film-making, and I feel like I saw something unique. I could never be sure what I'd be shown next. I definitely had a much better time with it than the first story.
It seems that the next story is Japan's number-one best-seller, Natsume Soseki's "Kokoro". These last two tales don't give me much of a pattern to go with, except for a lot of tragedy.