Was a good ending for such a series, this episode did have a few dull moments but I think the actual mech action stayed pretty exciting all throughout. I kind of wouldnt mind seeing a bit more of it in the future as sometimes, when they get really upclose with them and show the moving parts its quite pleasing. Plotwise
so much stuff was left open and I really dont think he ought to have die in such a manner. Regardless the way they had the OP1 playing as they search for Izuru made it really emotional and quite intense there. PROMPT and it are truly quite memorable
.
Suruga still remained the best, but I had to like Izuru and Asagi
Onii-chan moments really took things to the next level making everyone feel closer and like a family of fail six
I will most definitely buy it when Sentai releases it here in the US in 2014 sometime. 8/10.
Im gonna keep watching this till Liz shows up, which hasnt happened yet!
ALthough Im starting to warm to it.. Really interesting visual style at times. Fuyumi is pretty cute. Theres also a new girl. But she's not Liz!
There's a lot of clever staging here. Parts of this episode play with our sense of reality, and one of the things that makes it so insidious is the attention to detail paid in scenes like these.
I love how the second half complicates this tale. As the MC of this series tells us, Dazai Osamu wrote this in a stable, happy period of his life (I guess the part in No Longer Human where the protagonist is making cute cartoons), where he wanted to make the world brighter with his stories. On the page, that tale is simple. Melos faces hardship and has doubts, but he overcomes them and succeeds. His friend always believes in him. The evil king is proven wrong. And that's why friendship is awesome.
The feverish crescendo of the first half of this episode brings together some of the most fearless mixing of the various realities of this story. As Takada's writing grows more intense, the stage bleeds onto his desk, and his memories creep into the play. It gathered so much momentum before I even realized what was happening, despite having my finger on the screenshot key. Some amazing storyboard work here.
Nakamura isn't content to retell something so dry, as much as a chase to save an innocent life could come alive in moving pictures. By complicating it as he does with this parallel narrative, it achieves a number of things. The unfamiliarity of the narrative makes it interesting for experienced audiences, and setting it in 20th century Japan brings it closer to modern viewers. But this version of "Run, Melos" makes two other important contributions to the original.
Speaking of attention to detail, I'm so glad they used this gesture. Despite its comic use, it also made the scene it was used in much more powerful. I'm still not sure whether or not it actually occurred.
One is how symmetrical the relationship is between he who waits and he who is awaited.
In the original story, the only doubt lies on Melos's end, and that's a doubt he overcomes. What makes this interesting is that Takada and Joshima play both roles at different times. Takada thinks that he is Serinentius betrayed. But, so quickly injured, he's the one who ultimately leaves Joshima waiting on the platform. He was so concerned with his own wounds that he stopped thinking of his friend. It's significant that Joshima gives Takada the watch that parallels Serinentius's medal, which Melos wears around his neck.
The other thing that I loved in this, as part of the ending, is that the story affirms the power that these fables can possess, the qualities that make them so enduring. As a tale from ancient times with obvious heroes, villains, and morals, it's tempting to throw it out in favor of a grayer, "modern" conception of reality. But this story is so powerful because, beneath everything else, it's about experiences we all face. Even if they tell us things we already know, sometimes those are things we need to hear.
On the subject of blurring the lines between realities, the lighting here, at Takada's desk, reminded me a lot of the stage lighting. The sun streaming through his window is kind of a natural parallel to the light rigging coming from above the audience. I'm not sure what the significance is.
There's nothing inherently wrong with that concept; just see Gankutsuou, or indeed Run Melos from this same anthology. Just because you're an anime director (or a film director or whatever) and will never have the same stature as the author of the writing you are adapting doesn't mean you're not allowed to mess with it, it just means you have to be talented and thoughtful enough to be able to give an enlightening perspective on it. What both Gankutsuou and Nakamura's Run Melos do is to recontextualize the original in a way that respects in and makes the audience take a fresh look at it and reconsider what it means. That's what makes them successful as literary adaptations.
Yeah, and didn't Jexhius watch that sci-fi adaptation of Moby Dick?
I agree with you. As Nakamura shows with "Run, Melos", it is possible for an anime director to reinterpret a classic story in a way that both respects the original and provides fresh insight into its content. Kokoro just... fails to do that. As much as I normally love alternate perspective stuff, I was kind of worried when Episode 2 started, because the act of attempting that exercise itself seemed like a way of making already-implicit material way too explicit, which I normally hate. Since I already wasn't in a charitable mood from the start, I just got madder when the other problems arose. With the parallel story in Melos, Nakamura doesn't have to think too much about the characters as long as the themes hold true. By situating Kokoro's alternate story inside the actual tale, it (to me) suggested a standard of faithfulness that the director didn't reach.
Also, I didn't mention this in the original review, but the song at the end of Episode 1 of Kokoro has to be one of the most ill-fitting pieces of music I've heard in an anime in a long time.
From research she shows up in episode 4. I can make it!
Fuyumi is pretty adorable too. Its a weird show. Im pretty much staying home most of the day doing nothing so I guess Ill keep going with this.
From research she shows up in episode 4. I can make it!
Fuyumi is pretty adorable too. Its a weird show. Im pretty much staying home most of the day doing nothing so I guess Ill keep going with this.
It was a good episode overall to end the season, kinda think the twist at the end was not needed but it wasn't all that bad. The credit reel was really nice. I'd have preferred that we got more of that instead and more insight on what the rest of the witches were up to besides Miyafuji.
Now for the series overall, it was better in several ways to the first season, what was interesting to note was the entirely different approach to CG between AIC and Gonzo. The former made more use of it overall and with some very dubious cases where they even used it in closeups that looked rather bad. But AIC's CG was better overall. Gonzo on the other hand used CG a lot even on the witches but more as a sort of LOD measure. ie witches turn CG when far enough from the camera etc. Their CG looked worse overall though with some very bad cases where they even used it on backgrounds. That post credit tease. Motherfuckers.
An adequate amount of [REDACTED], overall season 2 had less [REDACTED] Than season 1 I felt but I haven't run the numbers yet. Will depend on whether I feel like wasting investing more time than I already have on this.
Yes, but I mean I didn't think much of Liz until said episode where she shot up to being my favorite character in the show. That's just how adorbs she is in that episode
It was a good episode overall to end the season, kinda think the twist at the end was not needed but it wasn't all that bad. The credit reel was really nice. I'd have preferred that we got more of that instead and more insight on what the rest of the witches were up to besides Miyafuji.
Now for the series overall, it was better in several ways to the first season, what was interesting to note was the entirely different approach to CG between AIC and Gonzo. The former made more use of it overall and with some very dubious cases where they even used it in closeups that looked rather bad. But AIC's CG was better overall. Gonzo on the other hand used CG a lot even on the witches but more as a sort of LOD measure. ie witches turn CG when far enough from the camera etc. Their CG looked worse overall though with some very bad cases where they even used it on backgrounds. That post credit tease. Motherfuckers.
An adequate amount of [REDACTED], overall season 2 had less [REDACTED] Than season 1 I felt but I haven't run the numbers yet. Will depend on whether I feel like wasting investing more time than I already have on this.
Now all you have left is the movie and then you can eagerly await next month's announcement like me and Pdot. The One Winged Witches manga is also pretty hefty in butts so you should give that a read some time.
Now all you have left is the movie and then you can eagerly await next month's announcement like me and Pdot. The One Winged Witches manga is also pretty hefty in butts so you should give that a read some time.
Aniplex doesn't believe in HD butts because they're awful people.
Now all you have left is the movie and then you can eagerly await next month's announcement like me and Pdot. The One Winged Witches manga is also pretty hefty in butts so you should give that a read some time.
Movie is ETA later tonight unless my dinner arrangements come before I can get to it. Will note the manga down. Remember you posted it here before being smitten by dresden.
Yurumates 3-dei Plus 1-13 (or Yurumates 3-dei 14-26?)
Fun little show. Kinda like a NEET version of Hidamari. I wonder if there's any other "weird people living in the same apartment complex" shows out there...
Yurumates 3-dei Plus 1-13 (or Yurumates 3-dei 14-26?)
Fun little show. Kinda like a NEET version of Hidamari. I wonder if there's any other "weird people living in the same apartment complex" shows out there...
They aren't even trying to hide a fact there will be a second season. With only 5 episodes left there are a ton of unresolved plot threads with no conclusion in sight. Gammon truly has gone down the Vader root and I like him far better for it. Honestly the last few episodes feel like they're just padding out as they knew S2 was going to happen and they don't want to resolve things too quickly. Hopefully Ana (and Cube I guess) return by the end of the season.
Its about a kind of schizo girl with 4 or 5 different personalities that change when she gets embarassed or scared or whatever. Its pretty ridiculously cute. Youll probably enjoy it.
Kaito and Nonoha hugged twice in this episode and she saved him from his own insanity, DTL am cry. Other then bringing Cube back (yay...) this episode didn't add much other then Kaito and Nonoha's closeness.
I've seen this anime before, it was one of the few anime I remember I watched back then. I can't remember specifics because I saw this years back but I do remember that
the main girl has many personalities, and the puppet guy talks with the dog only.
Aaaaand here comes the conflict. Of course things couldn't stay happy forever.
Rec 7
Wait...things were resolved that quickly (well, it wasn't quick in in-show time, but still)? That doesn't bode well for the remainder of the show...kinda points to things getting even more depressing before it finishes on a high note (if other romance shows I've seen are any indication, at least).
I've seen this anime before, it was one of the few anime I remember I watched back then. I can't remember specifics because I saw this years back but I do remember that
the main girl has many personalities, and the puppet guy talks with the dog only.
Also you knew that Hasbe news was coming. It was pretty obvious once Hasbe talked about his family history. The evolution in the romance between Chihaya and Ichimaya was good to see.
Also you knew that Hasbe news was coming. It was pretty obvious once Hasbe talked about his family history. The evolution in the romance between Chihaya and Ichimaya was good to see.