Draugoth
Gold Member
The Crow (2024) - Review Thread
- Rotten Tomatoes: 13% (24 Reviews)
- Metacritic: 27 (11 Reviews)
Hollywood Reporter:
Rolling Stone:The Crow is a sluggish, overly self-serious gloomfest that never takes wing. Given the long string of directors and lead actors attached to the project over its 16 years of on-off development, the overworked, lifeless result should be no surprise. I suppose at least we were spared the Mark Wahlberg version.
The Guardian (20):It doesn’t take long to realize that what was meant to be a franchise-starter is, unlike its hero, permanently DOA.
The Wrap:It’s genuinely startling just how utterly wretched the finished product is and how unfit it is for a wide release. Filmed two years ago and dumped on a low-expectation late summer weekend, The Crow 2.0 is a total, head-in-hands disaster, incoherently plotted and sloppily made, destined to join the annals of the very worst and most pointless remakes ever made.
SlashFilm (35):When you stifle the emotional simplicity of a story like “The Crow” to emphasize the plot, the plot had better make sense. And it doesn’t. It’s got perplexing rules and a vague chronology and nothing seems like it matters anymore. This remake understands the basic thrust of the original story but not what made it function, and while it’s sometimes goofy enough to be entertaining, in the end it’s for the birds.
Collider (50):Sanders' The Crow has nothing on its mind, and forgets why we should be sad and frustrated at the death and meaningless violence in the world.
IndieWire (C):Struggling through an identity crisis, The Crow is doing too much and, as a result, doesn't do enough to serve its core narrative.
Looper (30):Despite moody, doomy set design and Skarsgård’s ominous silhouette as a very tall and beautiful walking corpse, Sanders’ “The Crow” is less giving with plot, hampered by an unfleshed and often confusing mythology that leaves the unsettling particulars of O’Barr’s source material for dead.
Directed by Rupert Sanders:The '94 film's characters were more vehicles upon which to project outside feelings about grief rather than individuals one could actively grieve for, so that is an area with room for improvement. Alas, almost every other decision made in this remake actively works against the principles of good drama, good entertainment, and good messaging.
Soulmates Eric and Shelly are brutally murdered when the demons of her dark past catch up with them. Given the chance to save his true love by sacrificing himself, Eric sets out to seek merciless revenge on their killers, traversing the worlds of the living and the dead to put the wrong things right.
- Bill Skarsgård as Eric Draven / The Crow, an undead revived musician
- FKA Twigs as Shelly Webster, Eric's fiancée
- Danny Huston as Vincent Roeg, a demonic crime lord
- Josette Simon as Sophia Webster, Shelly's mother
- Laura Birn as Marian, Roeg's right-hand woman
- Sami Bouajila as Kronos, a spirit that guides Eric in his mission
- Isabella Wei as Zadie
- Jordan Bolger as Chance, a tattoo artist and friend of Eric and Shelly