I like how theres the one normal looking dude at the top looking totally out of place
Oh come on, don't be ridicu-
- oh.
That would be Bombur
Which one is the one with the food in his mouth? favorite confirmed.
*sigh* they look so cartoony. It's like a Dreamworks animated film or something
Not in Tolkien's mind it wasn't.Reminder that
1. The Hobbit is a children's story.
2. A dozen+ dwarves as your main characters is already inherently cartoony.
"The Hobbit" wasn't written for children, and it certainly wasn't done just for the amusement of Tolkien's three sons and one daughter, as is generally reported. "That's all sob stuff. No, of course, I didn't. If you're a youngish man and you don't want to be made fun of, you say you're writing for children. At any rate, children are your immediate audience and you write or tell them stories, for which they are mildly grateful: long rambling stories at bedtime.
"'The Hobbit' was written in what I should now regard as bad style, as if one were talking to children. There's nothing my children loathed more. They taught me a lesson. Anything that in any way marked out 'The Hobbit' as for children instead of just for people, they disliked-instinctively. I did too, now that I think about it. All this 'I won't tell you any more, you think about it' stuff. Oh no, they loathe it; it's awful.
Oh come on, don't be ridicu-
- oh.
Not any closer I'm afraid. We should know in November.So are we any closer to knowing how and where we can see this in 48fps/3D when it releases?
Edmond Dantès;42503188 said:Empire have something in store for their October cover.
I have a digital sub to Empire, so I'll try and transcribe what's in there when it unlocks on Thursday.
No sign of the new Empire issue yet.
Empire sub has finally landed, downloading now. Way too much Arnie on the cover!
Still reading The Silmarillion.
Yeah, my mistake as well.So...
... just realised that image is for NEXT month.
Not yet, I've just passed the part where Eol is executed in Gondolin (Kindle says I'm about a third of the way through). I'm enjoying it, although I have to admit that I glaze over when it starts to get geographical (so many names of places) - I wonder if anyone has ever tried to map based on the book?Edmond Dantès;42661270 said:Yeah, my mistake as well.
On the topic of The Silmarillion. Have you reached Tolkien's beloved Beren and Luthien tale?
If so, you may remember this part:
That was a different Minas Tirith. Ungoliant is the Mother of all spiders in Arda.Not yet, I've just passed the part where Eol is executed in Gondolin (Kindle says I'm about a third of the way through). I'm enjoying it, although I have to admit that I glaze over when it starts to get geographical (so many names of places) - I wonder if anyone has ever tried to map based on the book?
I do get a little thrill when I see things mentioned from LOTR though. Minas Tirith (although it seems to be in the north here, and I thought it was in the south? Probably my memory... which is bad since I only re-read LOTR a few months back), Sauron, Elrond and Galadriel are the only things that really spring to mind at the moment. I had assumed Ungoliant was Shelob, but I assume that she's one of her descendants.
Dwarves stay remarkably well-groomed considering they are on the road for weeks and weeks on end
Edmond Dantès;42669206 said:Tauriel review.
http://www.preternia.com/2012/09/25...[url][/QUOTE] The dorf is a little tall, no?
I'd bet on Oin too but I'll pick Nori.Bets on the least memorable/least emphasized Dwarf in the trilogy?
I reckon Oin.
Edmond Dantès;42661430 said:That was a different Minas Tirith. Ungoliant is the Mother of all spiders in Arda.
This map may be useful.
The Book of Lost Tales is also worth reading before The Silmarillion and the Athrabeth Finrod ah Andreth.You know what.
I'm up for a complete Middle-Earth read through at some point after the Hobbit film comes out.
We already have a Hobbit re-read thread I believe, but after the film and book I think we could continue on through LOTR. Or do Sil, Hobbit, and LOTR for those who are willing.
I myself am getting more and more excited for a ME re-read at some point. I think I might do this around December:
1) Silmarillion up until the birth of Turin
2) Turin and Hurin
3) finish Sil
4) Hobbit
5) LOTR
I really dislike these. I find them pretty distracting in any movie that they show up in.Edmond Dantès;42648445 said:Old, but still amusing.
The Lord of the Wilhelm Screams
You'll never be able to view the Fellowship prologue in the same way again.
I wonder how many we'll hear in The Hobbit trilogy.
I really dislike these. I find them pretty distracting in any movie that they show up in.
Every character looks great, except for Kili, who appears to be a close relative of Aragorn. Very incongruous next to the rest of the cast.Edmond Dantès;42660189 said:Not any closer I'm afraid. We should know in November.
New scroll:
Plastic knees.
Would not smang.
http://www.telegraph.co.uk/culture/books/9575599/The-Hobbit-unearths-a-hoard-of-myths.html'The Hobbit' provides England with the mythology it has lost. Always, even in Tolkiens most trivial tales, there are hints of forgotten roots
The tale of The Hobbit will survive the film (with Billy Connolly as a dwarf warrior and Stephen Fry as the mayor of Lake-town) in the same way that the Iliad survived the film Troy (with Brad Pitt as Achilles). For The Hobbit, published 75 years ago, is not a fantasy-adventure as it is being described, but a myth, or part of a mythology.
J R R Tolkiens telling of The Hobbit in 1937 was just one way that the story could have been told. Its narration is quite different from that of The Lord of the Rings. The Hobbit is joky, domestic and aimed at children. Tolkien happily illustrated it himself, unlike his more serious work, and the mysterious runes on the dustjacket are simply a transliteration of the English: The Hobbit or There and Back Again, being the record of a years journey made by Bilbo Baggins
Peter Jacksons film trilogy of The Hobbit the first a royal performance in December will iron out some of these differences. Film is only another form of story-telling. If you dont like Tolkiens prose (as many do not), then rewrite it in Latin hexameters if you wish. Someone once did that to Miltons Paradise Lost in the vain hope of improving it.
People such as Billy Connolly find Tolkien unreadable, as he says, because they suppose it to be a fantasy of the dungeons and dragons genre. Tolkiens aim was immeasurably higher to provide England with the mythology it had lost. He may have been no great stylist (though his high, biblical register in The Lord of the Rings is often inattentively read, as attempts to parody it demonstrate). But he was an astonishing mythopoeist.
Tolkiens starting point was the same as that of the Grimm brothers, whose work is in vogue once more: language. The Hobbit falls in the genre called Märchen, house-tales, or, in the misleading English translation, fairy tales. But it began with a word, Hobbit, for which Tolkien had to find an origin. For him, origins of words went to the mythic roots of the people who used them, even when those people were imaginary.
As the most learned of Tolkien critics, the Anglo-Saxonist Tom Shippey, has argued, Tolkien, knowing that English mythology had soaked into the earth without trace after the Norman conquest, sought to make one from scratch. He would dignify his ancestors from the West Midlands with as proud a mythology as the Greeks had in Homer and Hesiod.
Always, even in Tolkiens most trivial tales, there are hints of forgotten roots. So, for those in the know, Benedict Cumberbatch as Smaug in the new film will be a cousin of Andy Serkis as Gollum. Let me explain.
Smaug is the dragon, guarding a hoard of treasure, whose defeat is the quest of the Hobbit, Bilbo Baggins, and his 13 dwarf companions. His name is the past tense of an Old Norse word smjúga meaning to creep through an opening. Gollums real name had been Smeagol (a word that might have existed in Old English), meaning apt to creep into a hole.
This is to simplify matters, for Tolkien declared that the English spoken by Hobbits and Men in his tales, and the Old English spoken in them by the men of Rohan, are mere translations of variants of the Common Speech of Middle Earth. This entertains only those who enjoy dictionaries, so Ill say no more about it, except to note that Smeagol (Gollum) was in the Common Speech actually Trahand and Smaug was the related word Trägu.
Such philological complication comes from Tolkiens attempt to construct a complete alternative world, his lifes work. This myth-making, he described by a technical term: sub-creation. Normally, sub-creation of myths is an anonymous task achieved by a culture with a shared language. Yet elements in some myths made Tolkien uneasy.
One was a tendency in heroic tales of the Germanic family of languages (English, German, Norse) to prize unhappy endings. So in the poem celebrating the Battle of Maldon in 991, the goodies, their hearts growing stouter as their bodies weaken, die at the hands of the pagan Vikings. They were morally laudable, but in the Norse myths to which Wagner looked, the outlook for men and gods was universal final defeat. That contradicted Tolkiens underlying Christian optimism.
Tolkien invented another term to express an element opposed to Norse pessimism eucatastrophe, the sudden happy turn in a story which pierces you with a joy that brings tears. The joy was from beyond the walls of the world. It is not exactly a happy ending, for Tolkiens myths never end. Bilbo, like Frodo in The Lord of the Rings, is saved by an unlooked-for eucatastrophe just as he faces the end of all things. But he does not live happily ever after. The elves too pass away from the world, and the Hobbits Shire will dwindle into the unlovable West Midlands.
But in his essay On Fairy Stories, published just after The Hobbit, Tolkien declared: The Birth of Christ is the eucatastrophe of Mans history. The Resurrection is the eucatastrophe of the story of the Incarnation. That was a myth which, in Tolkiens eyes, had become historical reality.
His own myths belonged only to a sub-created world, but The Hobbit is as thoroughly part of that world as Tolkien could make it. It is not merely dressed up as myth like Harry Potter, a school story with mythic elements bolted on. No, the world of The Hobbit will endure long after Stephen Fry has ceased to be a national treasure guarded by the dragon of celebrity.
http://www.vandersteltstudio.com/Hello fellow Middle Earth fans, Jerry VanderStelt here. As some of you know, I am a Licensed artist with New Line Cinema and Warner Brothers studios in the creation of the Lord of the Rings art reproductions. Now, I have expanded my fine art program to include The Hobbit!
My first Hobbit art piece is a montage that encapsulates key moments, characters and locations seen in the first film. After that, I plan to continue exploring new pieces that focus on either beautiful landscape scenery, character-centric pieces, or specific characters or groups of characters in various environments.
I hope to have my first Hobbit piece out of the gate by the Dec.14 in time for the films release. Soon, Ill be announcing the pricing and sizing as well as the different edition options I plan to offer here in this thread. Feel free to ask any questions that may come up as we go along!
You know what.
I'm up for a complete Middle-Earth read through at some point after the Hobbit film comes out.
We already have a Hobbit re-read thread I believe, but after the film and book I think we could continue on through LOTR. Or do Sil, Hobbit, and LOTR for those who are willing.
I myself am getting more and more excited for a ME re-read at some point. I think I might do this around December:
1) Silmarillion up until the birth of Turin
2) Turin and Hurin
3) finish Sil
4) Hobbit
5) LOTR
That would be an epic read indeed. The whole history of Arda right there, give or take.Oh yeah I'm fucking down with that. I own Hobbit, LOTR and Sil. I'll tackle all three if the Gaf re-read happens.
You know what.
I'm up for a complete Middle-Earth read through at some point after the Hobbit film comes out.
We already have a Hobbit re-read thread I believe, but after the film and book I think we could continue on through LOTR. Or do Sil, Hobbit, and LOTR for those who are willing.
I myself am getting more and more excited for a ME re-read at some point. I think I might do this around December:
1) Silmarillion up until the birth of Turin
2) Turin and Hurin
3) finish Sil
4) Hobbit
5) LOTR
I'd add the Parma Eldalamberon to that.Why not make it a real challenge and add...
The parody generally follows the outline of The Lord of the Rings, including the preface, the prologue, poetry, and songs, while making light of what Tolkien made serious (e.g., "He would have finished him off then and there, but pity stayed his hand. It's a pity I've run out of bullets, he thought, as he went back up the tunnel..."). Names and words in the various languages are parodied with brand names which mimic their sounds (for example, Moxie and Pepsi replace Merry and Pippin). There are many topical references, including once-popular brand names. It has the distinction for a parody of having been continuously in print since it was first published.