Really want to see that last Blade Runner. Kinda sick of the umbrella's and glad to see him do something different. I'd assume this is the one that has the blimp shining the light into the apartment building.
I have a feeling at least one of the last two Bladerunner prints is gonna have umbrellas. Seems like the other might be the interior of the Bradbury Building.
Going off of the teasers shown, I assume it's this:
I'm still on the hunt for the perfect Blade Runner print. I'm afraid it will never happen
Olly or Ansin....or both. I'm sure Mondo will get the license eventually and will then make prints for it until we're sick of them.
I like Raid's stuff, especially "Mead Street". Olly had a good idea, as usual, but I'm not sure if I want a Bladerunner in his style if we are talking "perfect" prints for this. Ansin, in his old style, would be good.
Olly or Ansin....or both. I'm sure Mondo will get the license eventually and will then make prints for it until we're sick of them.
Forgot to post this: American Psycho by Tim Pittides on sale on Grey Matter tomorrow, Thursday, May 7th at 1pm ET:
18" x 24" 4 color screenprint on 100lb French Speckletone Kraft. Signed and numbered edition of 60. $35.00.
I like Raid's stuff, especially "Mead Street". Olly had a good idea, as usual, but I'm not sure if I want a Bladerunner in his style if we are talking "perfect" prints for this. Ansin, in his old style, would be good.
The problem with doing pieces with actors on it is that you have to NAIL the face. This looks NOTHING like Bale. Love the idea, not a fan of the execution.
Why does that poster have all the wrong info on it? Copyright reasons or something?
You never know. His Star Wars prints are pretty much perfect. At this point I haven't had one I've considered owning or keeping once I did get it. Even the Stout looks weird and off to me, especially compared to his more recent stuff. I'm sure once the new film comes out, we may hopefully see something from Mondo.
If I'm honest, the "perfect" Bladerunner is the original poster, drawn by someone who does better likenesses. Boring, I know.
Stout's version is terrible.
Good grief, how many adjectives do they really need at the top?!
This is just a sketch Olly was working on and he uses titles cut and pasted from another poster just to see how it would look.
If I'm honest, the "perfect" Bladerunner is the original poster, drawn by someone who does better likenesses. Boring, I know.
Stout's version is terrible.
Struzan is the perfect print for BR the Stout is to melty face/chopped up for me I'm sure its very nice with all the metallics etc. But would never pay 2k for a print to find out how it looks in person.
I forgot about Durieux and I even posted that sketch in this thread. Yes, Durieux would be good.
Sorta dislike that weird ass looking tree in that Tomorrowland poster. It doesn't even appear to match the shadows. Let's ignore the fact that the movie could be a stinker. Who buys posters for movies that aren't even out yet?
Even tho it'll make me sad seeing it, I have to:OOoooooooo Ansin. Hope he tackles it, he owes us after that Ghibli...
Martin Ansin x Studio Ghibli for Mondo
@martinansin: @starkdesign Um, thanks, internet? Ghibli wont be. Blade Runner will, even if it takes brain cryo-preservation.
From Martin via tweets:
Hope, that is what that is. HOPE.
The visual balance of that one is my favorite part. LOVE LOVE LOVE the negative space at the bottom, not to mention the title layout. And that pink.
Ansin FTW.
Yep. It's something I wish more Mondo artists or maybe just artists in general would use. Not every print needs to be some huge busy scene. It's funny you mention Ansin as this is really the only thing he's done that does use that negative space, though that could do with the very 60's / 70's style of the design. I think one person who uses negative space very effectively is Olly Moss. I guess you could say it's indicative of his style, but I've always appreciated an artist who can show a good deal of restraint and knows that sometimes less is more.
Yep. It's something I wish more Mondo artists or maybe just artists in general would use. Not every print needs to be some huge busy scene. It's funny you mention Ansin as this is really the only thing he's done that does use that negative space, though that could do with the very 60's / 70's style of the design. I think one person who uses negative space very effectively is Olly Moss. I guess you could say it's indicative of his style, but I've always appreciated an artist who can show a good deal of restraint and knows that sometimes less is more.
Not really feeling that very much.
Feel like it would have made much more sense had Durieux done it.
Agreed, just because of the aesthetic, but I think Tong made a nice looking piece, and his prints always look much better in personFeel like it would have made much more sense had Durieux done it.
Feel like it would have made much more sense had Durieux done it.
LD has one already for Tomorrowland. I don't like either of these.
I think his was just for the park attraction, not the movie.I realize "Tomorrowland" appears in the print, but Durieux's feels unrelated to the Disney movie. No idea if that's the case or not.