final-ish thoughts on Black Lagoon (the "ish" is because i haven't really bothered to organize this or make much of an effort to write it very well):
Black Lagoon is about juxtaposition. You have all these depressing philosophies and dark concepts, but it’s all wrapped up in extravagant Hong Kong-style action to create contrast and heighten the impact. The best example of this is the Japan arc, where Revy and Ginji assault the bowling alley complete with the requisite bullet-cutting and leaping-through-the-air-while-firing-two-guns. But then the show, again, takes a U-turn. Yukio isn’t the damsel in distress, she chose to be where she is, and she thinks Rock is full of shit. It’s a surprising combination that works almost every time; the Vampire Twins arc falters a bit, but it’s still effective. The show is like a Trojan horse, using its popcorn action to communicate these ideas, and even if things get a little talky at times those ideas never feel like they’re bring drilled into your face, as can be common in anime. The moments of introspection all feel completely warranted and don’t talk down to the audience.
While the handling of that sort of thing is what makes Black Lagoon truly special, the rest of the show is no slouch. Action scenes are well-choreographed and occasionally quite creative, tense confrontations abound, and the direction is certainly high-quality. The characters, however, are the highlight. Their interactions lead to a variety of hilarious situations and arguments, complemented by the strong dub.
However, the characters are one source of the problem as Dutch and Benny are marginalized to the point where they don’t even play a part in the final arc of this series. It’s forgivable when you realize that this is an adaptation of ongoing material and even Rock hasn’t quite finished his character development (and he’s gone through a decent amount already). That being said, anime should be able to stand alone, and it’s not really incorrect to call it a missed opportunity. The trajectory of Rock’s character development also feels a little bit off; he takes a more active role early on before becoming a more passive participant who has moral ideas and bloody lessons handed to him, and it feels like it should be the other way around.
The show peaks a little bit early because of this. The character interactions never quite top Calm Down, Two Men, where Rock stands up to Revy after a bizarre day of running errands. And I don’t think the action or suspense manages to surpass the moment when Rock puts a plan into motion to kill that one guy in the helicopter in the second episode.
It’s a unique show to say the least, exceedingly well-made and indisputably one of the best to air on the block. While I’m not a huge fan of the ending episode, it’s nice to see a show that remained more or less consistently great. We haven’t had many of those.