31GhostsIV
Banned
Still not worried about time running out on the season, 6ish hours of Twin Peaks is a hell of a lot of time.
On one hand, yes. On the other... what episode did Jade post the Great Northern key again? How many episodes ago?
Still not worried about time running out on the season, 6ish hours of Twin Peaks is a hell of a lot of time.
Same here... well, I kinda get it, but I don't empathize with it at all. I always rewatch the previous part before the new one airs, so this hour of downtime felt appropriate after the honking and howling insanity of Part 11.Honestly thought episode 10 was worse than this one, and neither was BAD really. Don't know why everyone is reacting so badly to 12, besides the whole #NotMyAudrey thing.
Just enjoy the lazy-river ride through nightmarish scenarios, soap-opera drama, and hilariously awkward silences.
What actually happens:
Dougie Jones appears for a few seconds and fails to catch a ball.
It's a really interesting thing to be watching Twin Peaks in realtime because I've always been able to bingewatch the show. One per week makes the clunkier episodes stick out more. I imagine the audiences during the original run would have sounded a lot like this thread.
Still not worried about time running out on the season, 6ish hours of Twin Peaks is a hell of a lot of time.
I've spent much of this season telling myself, "Wow- Lynch has still got it." The second half of last night's episode kinda' had me wondering if he might not be losing it, though. I'll wait to see what, if any, payoffs lie ahead from Audrey's reintroduction scene and the scene at the Roadhouse before going at it too hard, though. Seems awfully late in the game to be introducing new threads with that many characters.
That's the thing that's getting me about all of this. It's not the same as the old series, but episodes where nothing really happened or was moved forward much were present in the original series. It's been said multiple times what they wanted to do with the series originally was never reveal the killer and focus on the going ons, and in this series they're doing something akin to this and purposely testing some things.It's a really interesting thing to be watching Twin Peaks in realtime because I've always been able to bingewatch the show. One per week makes the clunkier episodes stick out more. I imagine the audiences during the original run would have sounded a lot like this thread.
Still not worried about time running out on the season, 6ish hours of Twin Peaks is a hell of a lot of time.
EW: Agent Cooper is back on Earth, but hes not yet the Cooper we know. Can you describe a bit how you make sense of this Cooper?
Kyle: This is a guy that is a child not even a child, a baby, who has the focus and the capability of a baby. So if something is interesting to him, all his focus and attention is on that object for as long as its there or until something else gets his attention. Everything is new for this character. Just the exercise of it was fun, and finding the funny quirky moments, too. And to play with tempo how long can you play something out? And that plays into one of the things that David is so brilliant at, which is rhythm. Rhythm and tempo. So it was just great playing in that space and style that he does.
All that cooper hype for naught. Think Ima wait till next Sunday to watch this one.
Seems strange to me that you'd be completely on board for nearly 12 hours, only to completely question it all because of the last 10 minutes, ha.
I could only give this the show smallest amount of attention this week. The bare minimum. This is Lynch trolling the audience. I've made it to twelve hours, so I might as well stick to the end. But you know what, when I think about it, too much of this season has been just awful with a few moments of greatness.
She had a message for Garland Briggs.I forgot. What happened?
Still not worried about time running out on the season, 6ish hours of Twin Peaks is a hell of a lot of time.
I expect the final dossier to wrap up the first one, not the series itself. Could be wrong though.I feel like we say a sentence like that every episode at this point: 'No worries, Lynch has X amount of hours still to wrap this up." The fact that we need another book as an extended 'epilogue' makes it worrisome that it's still gonna end cryptic and unsatisfying with some plot threads never bothered to be explained. But we'll see lol. Honestly I'm convinced Lynch might have the Woodsmen kill the town of TP or something.
Yuck, why even watch art if it has to 100% cater to you? Art is about someone else's point of view, not yours. The beauty is finding art you find agreeable, not forcing it to be in line with you. Also, how disrespectful to the artist. You will only find art you like if you let artists create things they want to create. Just stop watching the thing. It're really not hard. I guarantee you will find something else you like elsewhere.
There will definitely be more context given, on account the next episode is literally titled, "What story is that, Charlie?", and we now know who Charlie is.I think the Audrey scene was the fastest I went from excited to eyes glazing over in the show so far. Hoping more context is given next episode, might make it better on rewatch.
You may be joking but I genuinely wonder if all this meta stuff is totally intentional from Lynch's part. Same with Bobby and the horn last week.
I am joking but I think it probably is intentional.
There will definitely be more context given, on account the next episode is literally titled, "What story is that, Charlie?", and we now know who Charlie is.
Yeah this stings. I guess it has to do with the format (18 hour movie being cut up into 18 episodes) and that bad part with Audrey taking up so much time.
I really don't like what they've done with Audrey :/
There will definitely be more context given, on account the next episode is literally titled, "What story is that, Charlie?", and we now know who Charlie is.
Unless it's Audrey asking that and Charlie just giving the quiet stare again
Perhaps this has been considered but...
I think Audrey is still in a coma...I believe that her husband is actually a construct...her connection to the outside world. Her "husband" just found out about Richard and was keeping it from her to protect her.
Audrey in the scene doesn't even move...she is locked in place in fact. She has to rely on him to relay information that she would (in any previous incarnation of herself) get alone. She wouldn't never worry about going anywhere alone...Her "husband" in fact talks her out of going tot he Roadhouse and instead makes a phone call to get the info she wants.
On an aside, I'm pretty certain that somehow the conversation on the phone is in regards to Richard, the truck, and the guy Andy was trying to question several episodes ago. Thoughts?
Unless it's Audrey asking that and Charlie just giving the quiet stare again
I more meant we know Charlie will be in the next episode at least, and most likely Audrey too, so we'll st least get more context in the sense we'll be seeing more of them.Knowing this show it could go this way ><
I think I'll probably scream if it's just Charlie watching someone sweep the floor for 5 minutes.
Perhaps this has been considered but...
I think Audrey is still in a coma...I believe that her husband is actually a construct...her connection to the outside world. Her "husband" just found out about Richard and was keeping it from her to protect her.
Audrey in the scene doesn't even move...she is locked in place in fact. She has to rely on him to relay information that she would (in any previous incarnation of herself) get alone. She wouldn't never worry about going anywhere alone...Her "husband" in fact talks her out of going tot he Roadhouse and instead makes a phone call to get the info she wants.
On an aside, I'm pretty certain that somehow the conversation on the phone is in regards to Richard, the truck, and the guy Andy was trying to question several episodes ago. Thoughts?
It's weird this supposed "18 hour movie" format should be a reason for things to be annoyingly slow.
There are two ways to make a 9-hour thing into an 18-hour thing.
1. You stretch the whole thing in a way that slows down everything until the existing thing is twice as long.
2. You leave the 9-hour thing as it is and make other 9 hours of completely new stuff and then add them together.
It feels like Twin Peaks: The Return was made more like 1 than 2.
EDIT:
I don't have anything against slowness. Slowness can be interesting. It's just when the slowness happens to be also boring, then I have an issue with it.
I think at the very least Bobby in the original series will become a lot more likable for many knowing how he eventually ends up. In the original series he mellows out and grows as the series goes on and he has a few oddly touching scenes with his father, which I'm very happy Season 3 built upon and will contextualize the first two seasons a lot more.Watching this makes me really excited to rewatch the original series after this. Just seeing Bobby and Shelly together, knowing where their lives end up, feels vastly different than even my recent rewatch did. Curious to see how that applies to all the characters, after this series is done.
So, who is Billy?
He's been mentioned twice now.
Not saying it's an excuse to be unnecessarily slow. I'm just saying that with 18 hours it's very likely that there will be a few episodes with about 20/30 minutes of material that's not as exciting in isolation so they feel even slower.
Perhaps this has been considered but...
I think Audrey is still in a coma...I believe that her husband is actually a construct...her connection to the outside world. Her "husband" just found out about Richard and was keeping it from her to protect her.
Audrey in the scene doesn't even move...she is locked in place in fact. She has to rely on him to relay information that she would (in any previous incarnation of herself) get alone. She wouldn't never worry about going anywhere alone...Her "husband" in fact talks her out of going tot he Roadhouse and instead makes a phone call to get the info she wants.
On an aside, I'm pretty certain that somehow the conversation on the phone is in regards to Richard, the truck, and the guy Andy was trying to question several episodes ago. Thoughts?
Interesting notion, but I feel like if this were the case, Ben Horne would have said '[Richard] grew up without parents' rather than fixating on just the father.Perhaps this has been considered but...
I think Audrey is still in a coma...I believe that her husband is actually a construct...her connection to the outside world. Her "husband" just found out about Richard and was keeping it from her to protect her.
Audrey in the scene doesn't even move...she is locked in place in fact. She has to rely on him to relay information that she would (in any previous incarnation of herself) get alone. She wouldn't never worry about going anywhere alone...Her "husband" in fact talks her out of going tot he Roadhouse and instead makes a phone call to get the info she wants
Billy owned the truck Richard ran over the kid with. The person Andy was waiting for who never showed. He is the guy someone ran into the RR looking for.So, who is Billy?
He's been mentioned twice now.
I like this theory. I doubt it's right, but it's fucking fantastic.
It would mean though, assuming Richard is hers, that she gave birth during her coma. Is that possible?
I more meant we know Charlie will be in the next episode at least, and most likely Audrey too, so we'll st least get more context in the sense we'll be seeing more of them.
Seriously! I can't wait to go through the whole thing (including FWWM & Missing Pieces) with the context of this new season.Watching this makes me really excited to rewatch the original series after this. Just seeing Bobby and Shelly together, knowing where their lives end up, feels vastly different than even my recent rewatch did. Curious to see how that applies to all the characters, after this series is done.
I kind of doubt the Audrey coma theory will hold any water, it's interesting but even in this episode Ben Horne says Richard didn't have a father, he doesn't say Richard grew up without a mother. Though I will say it's odd for all Richard is being discussed how none of them mention Audrey. Like when Sylvia gets attacked by Richard she contacts Ben and not Audrey, and then it seems like Audrey and Charlie have some contract that's not further explained. There's definitely something going on there, at least.