One of Ted's last pieces was, of course, his depiction of Valyria before the Doom. That was one where we shared what little we had—the “topless towers” line from Catelyn, the magically sculpted stones of Dragonstone—and suggested some ideas. The initial sketch was amazing, but when George saw it he felt it was much too “elvish” . . . and so what followed was a brief essay from him describing Valyria as you see it in the final painting: canals of lava, sculpted towers reaching far above the heat, dragons flitting between them. It was jaw-dropping
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The details George provided really brought to life this sorcerous city that was well and truly unlike anything anyone had imagined. That the Fourteen Flames were in the vicinity, sure, we all knew that. That the towers were tall and sculpted, sure. But that the lava of the volcanoes was deliberately channelled through the city, and that the towers were so tall that the dragonlords would be above the heat—would, in some cases, never set their feet on the ground of Valyria, but instead spend their lives in the city flitting from tower to tower on dragon-back—was just amazing to us.