I avoid that dilemma thankfully. Don't think I could sleep soundly with that on my conscience!How can you say you love her if you can't even buy her BDs?
I avoid that dilemma thankfully. Don't think I could sleep soundly with that on my conscience!How can you say you love her if you can't even buy her BDs?
Surely that most be coming though. That should be Nasu's main goal with this series.
I wonder if these delays are related to CR's increasingly growing number of shows each season. It seems like part of it could be workload simply catching up with them. Not to say that there aren't actual delays in delivering the materials, but I've noticed that in the past they tried their best to minimize the delays, and I've heard from freelancers/contract staff who worked on the subs before that they've had to rush stuff because the materials were late or they would change before broadcast.
But starting from last season it seemed like they were more willing to just let a delay slide a day or two. Could it be a sign that their resources are being totally stretched out, hence a delay in materials could throw a spanner into their already tight schedules causing longer than usual delays? In contrast I've noticed that Wakanim and Daisuki have no problems putting up their non-English subtitles on time for stuff like Kill la Kill, but their English subtitles would always be held back since they're provided by CR.
If this is indeed what is going on, I think people have every right to feel that CR isn't doing their best to provide the service they are promising to subscribers. Taking on a dozens of shows every season definitely makes their service more appealing, but if it's affecting their quality standards and timely delivery of the content that kinda blows for people paying!
Delivery delays are real, because subs don't come out of nowhere. You have to receive materials before you can work on them, and if you don't receive them early enough it will affect your production schedule. But I've provided a more detailed hypothesis above on why the delays might be getting more frequent.
I guess I may have been assuming things wrong all along, but I was always under the assumption that they would have gotten an entire show weeks before hand, or at least at the start of the season that way they could go through the scripts and translate well in advance.
I wonder how this works in Anime. Does a studio usually animate an entire series then sell that to a TV station, or is it pretty much animated on a week by week basis? Because if its the former, then there should really be no reason why someone like Crunchyroll wouldn't get all the materials before hand.
I guess I may have been assuming things wrong all along, but I was always under the assumption that they would have gotten an entire show weeks before hand, or at least at the start of the season that way they could go through the scripts and translate well in advance.
I wonder how this works in Anime. Does a studio usually animate an entire series then sell that to a TV station, or is it pretty much animated on a week by week basis? Because if its the former, then there should really be no reason why someone like Crunchyroll wouldn't get all the materials before hand.
It is incredibly rare for any anime to be complete by the time it goes on air. I can think of a couple of shows where that was the case, but it's so rare that it's not worth considering as a norm. In most cases the production is considered timely if the production lead time has a dozen or half dozen episodes animated by the time it goes on air.
Thanks for taking the time to explain. I think I get it now. Completely different from what I initially thought, and it kind of does give me a better perspective to how Crunchyroll might be dealing with things.It is incredibly rare for any anime to be complete by the time it goes on air. I can think of a couple of shows where that was the case, but it's so rare that it's not worth considering as a norm. In most cases the production is considered timely if the production lead time has a dozen or half dozen episodes animated by the time it goes on air.
In extreme cases, episodes are only completed to a satisfactory level on the same day it goes on air in Japan, and delivered to the station at the last minute. Even shows with a good lead in production can start to fall behind if later episodes take longer than expected. By the end of a series, it's not unusual to see a all-hands-on-deck approach to the final episodes, similar to crunch time on games which need to hit a release date.
So no, Crunchyroll does not get entire series weeks before hand. They get episodes a week in advance sometimes, more often in the same week its meant to be released. It's kinda shitty but that's how the entire anime industry is. It's a rushed industry, where opportunity cost and broadcast windows dictate everything else, rather than studios having an easy time sitting back and making stuff until they're complete and then selling them off like they are actually valued products. That's a pipe dream.
Texhnolyze 15
Holy shit... what the fuck.
Takuto is painted as somewhat of an airhead in the series in that he seems overly happy in a lot of situations but what I liked about the conversation he had with the random female theater club member was that he is aware of the group dynamics. He's also unsure as to what his role in the group is and whether he should bother continuing. However what random female theater club member makes him aware of is that sometimes all people really need are friends, especially when times are rough. So while he still might view himself as a third wheel, for him, that doesn't matter so much now.
You ain't seen nothing yet.
... the finger.
Texhnolyze 19
... Wow.
... the finger.
Texhnolyze 19
... Wow.
Fairy Tail page updated with an image: http://www.fairytail-tv.com/
I'm not really fond of the redesign.
Got a question about some Evangelion episodes:
Is it better to watch the Director's Cut or On-air versions of the last episodes?
No reason to not watch the DC version.
Cool, what about Death and Rebirth? Are they worth watching? I don't get what they're about exactly and it looks like I can skip them without losing anything of significance.
There's no stopping now!
The chart is always right.
I buy all the shows with my waifus in them.
Depends on the studio...
*cough* SHAFT
Cool, what about Death and Rebirth? Are they worth watching? I don't get what they're about exactly and it looks like I can skip them without losing anything of significance.
Star Driver 5- rewatch
Excellent , now i can finish this anime !Gatchaman Crowds - Episode 11-12 + DC12
I've been debating whether I even wanted to type out more detailed thoughts on this after finally finishing the series the other day. It's been so long I dunno if anyone cares anymore. I really enjoyed the conclusion though. I avoided the broadcast ending when I heard it was incomplete, and finally looking at the TV ending after finishing it makes me wonder how that even got to air. It's not a vague climax, it's just plain unfinished. Pretty embarrassing for NTV to even boardcast something like that for a big franchise like Gatchaman, instead of just delaying it so it can be finished, or giving it a longer broadcast slot for the end.
As for the completed ending itself, I really liked it. It's very true to the tone and message of the series itself, and Hajime's final solution to defeating Berg Katse is true to her character, consistent with what the show built up to, and satisfying for the entire series arc. The Tachikawa Crowds Game was also a fitting conclusion to the ongoing theme in the show with regards to social media and how it is both a positive and negative force for the world depending on how it is used.
The director's cut conclusion to the series also adds many slower scenes showing the aftermath of the incident, the state of the characters directly after the incident and also two years later, as well as scenes showing how they fixed the Neo Hundreds themselves after collecting them all.
With the ending completed, it definitely feels like a better series overall, but still far from perfect. I wish it weren't such an inconsistent production, and at least it's creative and unique. Hajime's definitely the best depiction of an autistic savant as a lead character I've seen in an anime. <3
Surely that most be coming though. That should be Nasu's main goal with this series.
you guys totally forgot about fate/kaleid prisma illya ?The Illya route is the true sequel to Fate/Zero.
Chihayafuru - 15
ALL HAIL THE QUEEN (and her voice hhhhhhggggnnngggghhhhh)
I was even sad when Taichi lost the finals ;_;
Buddy Complex Episode 4
The complexity to buddying up made it feel quite deep. Dio not wanting to at first but then finaly getting over it and having that fully merged conscious with Aoba therewas a good bit to some of the episode. Still enjoying it.family protective feelings seems common for the VA for Aoba in these anime Ive heard him in
Star Driver-7 rewatch
Oh and I should mention that the Kiraboshi uniforms fullfill every sort of clothing fetish out there. You have underboob, boob windows, ass shots, and sideboob. Not to mention when the females enter the cockpit and are electrocuted, it's like some S&M scene. The series in general really doesn't play down the sexuality aspect.
My biggest problem with the series is in that bait and switch and it's representative of a bigger problem: The plot hasn't gone anywhere. Earlier on, the story was establishing characters and motivations, which is fine, but really, what's happened in the story since the first episode? Not a whole lot, and of that, what has been really compelling? I can't tell you a single thing about Ryuko other than she wants to avenge her father and she has a fiery personality. If we compare it to the writer/directors last outing in Gurren Lagann, the pacing was electric. Every beat of the story felt like progress and the characters were constantly undergoing growth and transformation. I keep expecting to watch an episode and for it to click into this secret wealth of Imaishi madness, but instead it just seems to drag on.
That being said, I am still finding it to be entertaining episode to episode.
Tokyo Ravens Episode 16 - _DARKNESS_EMERGE_ -Divine Fan-
A Reiji Bakatora teamup and potential training would be a good development for the future but I doubt the anime would go into it more to really take him up on his offer.
But the fight and twists with Hirata and Daizenit was incredible fight, third best of the anime thus far, just for how many times the table turned and how shocking it was. I hadnt even realized he was in a genjutsu either.
And he never used Giga drill breaker.
NOT. ONCE.
He does get that badass fireball punch, though. It's no Shining Finger, but it's still pretty cool.
What is there to rewatch in SD? :/
With that said, it doesn't play it up, either. While it's obviously a visual thing rather than totally within the script, it feels like Enokido makes the same mistake here that he did in Melody of Oblivion - the sensuality of the show has little bearing on the actual main content of the show.
While, of course, there's an inescapable implication of a link between, it's not really followed through in any meaningful sense, nor is the constant Engrishy talk ofthe breaking of the Maiden's Seal and loss of virginity. Several of the Crux members have storylines that seem to revolve around tortured personal relationships and sexuality, but they're unfortunately (for whatever reason) surprisingly dull.libido
Comparing anything to the Shining Finger is kinda unfair, though.
It's the season of purchases ... ( for me anyway ) .
Something good to add in my collection
season 2 is nextactually no , since the disc is region locked.
It's the season of purchases ... ( for me anyway ) .
Something good to add in my collection
season 2 is nextactually no , since the disc is region locked.
Nice. But Happy Go Lily is such a stupid name. They really didn't to add it.It's the season of purchases ... ( for me anyway ) .
Something good to add in my collection
season 2 is nextactually no , since the disc is region locked.
Amusingly enough, episode fifteen was the first time in a while that the story in KLK progressed a little. But from how it's presented within the episode - complete with color-shifting credits, as if we had just witnessed some show-shaking change - you'd think that someone had died. Instead it's just one last nudge forward before it comes to a halt again.
If you can't appreciate Nils Nielsen, black American weeaboo child prodigy, running around spying on people while wearing a ninja suit, then I don't know how you can appreciate anything.
It's the season of purchases ... ( for me anyway ) .
Something good to add in my collection
season 2 is nextactually no , since the disc is region locked.