Sure, but even that wore thin for you eventually. That's where I'm at with Shirobako at the moment, and I'm apparently in the middle of the "good part".If Bakuman had tighter pacing it would've been a lot better.
I enjoyed it until it went into shounen battoru territory.
And, you didn't see it because you're only an anime watcher, but most of us in the manga thread liked Bakuman early on because of the insight it gave us into the manga-creation process.
Honestly, I would appreciate a dead family member or some faux incest angst at this point.Bakuman turned into "sport" (competition is the right word, you get the gist) with rating, Shirobako is not.. its still role-playing drama which absurdly rare in anime despite its an common at asian live action drama scene.
Sure, but even that wore thin for you eventually. That's where I'm at with Shirobako at the moment, and I'm apparently in the middle of the "good part".
I don't disagree, but is the absence of character better than bad characters?
If you care about how Shounen Jump actually works, I assume you'd find the show very engaging. Certainly it's the first time I became aware of the fact that a lot of the more disposable manga magazines are printed on green and pink newsprint.
I mean, the comedy in Nozaki-kun got one-note and sitcom-ey, but sure.No, what wore thin was the characters not going anywhere.
If they just fed me more juicy details about the process I would've eaten it up.
I guess you just want more Nozaki-kun out of your "meta stories about an industry"?
I didn't even make it to that point before it just became too dull to watch.The issue with Bakuman really is after their first manga got cancelled, the story had nothing more interesting to tell about the entire process or the industry. It just became repetitive with your average dumb shounen writing and some ridiculous villain that tried to create a factory to churn out manga.
I guess I would also have to ask where all the praise was for Bakuman when it went into tedious detail about the production process at Shounen Jump? I mean, is this because people here are more inclined to be anime fans? Is it because the main character is a girl instead of the most bland male protagonist to step out of Shounen Jump?
if you have time, check out the last few chapters, they did the whole "seiyuus must remain pure and virgins without any boyfriends" storyline. It's pretty hilarious.I didn't even make it to that point before it just became too dull to watch.
My issue with the "double standard" is more an assumption that this is a show about the very medium that people here are a fan of, which would lead people to be more inclined to like it than if the show was about, say, what it's like to work in a Japanese hospital and Miyamori was a doctor fresh out of medical school doing her first residency.The answer is
C) Bakuman was dragged down by romantic subplots that went nowhere and writing that simply wasn't good. Please don't insinuate that there's some sort of double standard going on here. If anything, the moe female protagonists makes it harder to recommend this show to casual anime fans.
Honestly? Shirobako's acclaim comes down to the fact that it's a competent anime (unlike those shows you mentioned). I hate to play that card, but the general enthused response speaks to a certain level of quality (unlike something say... Bakuman, which almost definitely had a mixed reception). Your mileage may vary of course, but I've personally never been bored with any of the episodes.
Gag. I remember seeing that the climax is the two main characters finally meeting for the first time since high school or something dumb like that. lolif you have time, check out the last few chapters, they did the whole "seiyuus must remain pure and virgins without any boyfriends" storyline. It's pretty hilarious.
Genshiken was about a college clique that did clique things.
The Comiket arc was just one segment of the entire thing. It worked because it already had established characters to play off of one another.
But Shirobako's entire existence revolves around the process of anime creation. It's not a story about a bunch of high school girls dreaming of making anime, its a story about production!
Genshiken:
Focus - College bros being bros (characters)
Side story - Making doujinshi for comiket (process)
Shirobako:
Focus - Anime production (process)
Side Story - Depressed moe girl who needs to learn to draw cats so she can eat donuts (character)
I'm not so sure. lolIts OK to not like things other people like.
I watched the first episode and it had one of the dumbest premises I've ever seen. Plus sexism. Not sure why it's being compared to Shirobako.
That's because I assume working at a municipal office in Japan is one of the most boring jobs in the world.Working x Working was terrible at showing anything about being a civil service worker in Japan and better at showing the story of a girl with big tits who was socially inept when it comes to relationships getting courted by a guy everyone considers a horndog.
Oh god, we're comparing Genshiken to Shirobako now? Please, no.
:sdburton
New OTP incoming
I don't think I've been bored, but I also have been uninterested. I don't necessarily think they are synonymous anyway.
While I agree its probably boring as all hell, I would consider it a bad example of a 'people at work' anime because that clearly wasn't the focus. But it is an amusing example of 20somethings dealing with relationships though.That's because I assume working at a municipal office in Japan is one of the most boring jobs in the world.
Servant x Servant was terrible at showing anything about being a civil service worker in Japan and better at showing the story of a girl with big tits who was socially inept when it comes to relationships getting courted by a guy everyone considers a horndog.
I mean, to be fair, no one would make a show like this that wasn't a documentary anyway. And if we're just talking about anime, then it's not like there are a lot of choices.While I agree its probably boring as all hell, I would consider it a bad example of a 'people at work' anime because that clearly wasn't the focus. But it is an amusing example of 20somethings dealing with relationships though.
Hah, sure. Ultimately, my problem with the show comes down to "why should I care?" rather than "why aren't they doing anything?".Fair enough, though in my defense "dull" and "bored" pretty much go hand in hand.
Fanboys is better at least.What a bizarre comparision.
Might as well compare I dont know....Newsroom with Fanboys.
Fanboys is better at least.
(At least I'd assume so)
I'd suggest you not go into the OTs for the show then. lolWell I liked Newsroom. But then I also liked other Sorkin tv.
She does speak but she's a very introverted person so she tends not to. Characters will sometimes remark when she does talk though.Sketchbook Full Colors episode 1
Does Sora talk at all? I can hear her thinking, but I don't think she says a damned thing during the episode. Also, possible yuri?
watHowever, there are some completely skippable stuff. Toys in the Attic for example
The director isn't crazy. He's lazy, and a coward, and a terrible person when seen from a distance that remains somewhat lovable because the viewer can, to a degree, empathize with his struggles. Locking him in a cell shows the insanity of the anime process more than his own insanity. The director is at some level competent. He isn't Ed Wood.They had an episode where they locked the director in a cage because he wouldn't do his storyboards. I mean, in the oeuvre of crazy directors in fiction, Ed Wood is basically the gold standard.
Besides, you can't have it both ways. Otherwise, everything you say has to be qualified by "for an anime."
Skipping Toys in the Attic....
icantcarrythatweight.jpg
Sorry I got bored, it´s too charged with scifi movie references and I don't think it suits the series at all.
Really? he put a lobster there and one year later is some cousin of Alien?
Given the reaction from both posters already I guess it´s not a popular opinion to have
Take an episode like Toys in the Attic. [Toys in the Attic Spoilers to Follow]
It's sort of a fun, weird episode, but through the episode we learn about each of the characters' life philosophy as well as carrying through one of the major themes of the show. Clean out the fridge. Or phrased another way, let go of the past.
The imagery and the narrative speak for themselves in this episode
Consider that it is Ed, the character who most exists in the present, who 'defeats' the monster.
Consider that the final climactic struggle of the episode is to eject the fridge from The Bebop. A fridge that literally contains elements from the past that have been growing twisted, and festering away in a very real and physical sense.
Look at how the occupants of the bebop were depicted, Faye and Jet becoming weightless as though their burdens were lifted as Spike disabled gravity to push the fridge out of The Bebop, and after it's gone, they float freely.
And the whole time it's riffing off of Alien.
Nothing is thrown away in Cowboy Bebop. There is such a level of care and attention to crafting every scene. And they work together as part of a whole which expresses itself with a unique character.
Someone's analysis of that specific episode that might make you appreciate it more:
Shirobako 12
It's a Christmas miracle!
EDIT:
wat
Should I be watching this? Like I saw most of it waaaay back but don't really remember shit besides Celty.
Give me an example.The director isn't crazy. He's lazy, and a coward, and a terrible person when seen from a distance that remains somewhat lovable because the viewer can, to a degree, empathize with his struggles. Locking him in a cell shows the insanity of the anime process more than his own insanity. The director is at some level competent. He isn't Ed Wood.
I don't have an issue with making references to other mediums. I do have a issue with you making shallow comparisons between works based on the most superficial and arbitrary of similarities. Your impressions posts are little more than a grab bag of crosstextual comparisons which either say nothing about the original film or series or grossly twist it into something it doesn't resemble at all and lead conversation down the rabbit hole, and you do this All. The. Fucking. Time.
The director isn't crazy. He's lazy, and a coward, and a terrible person when seen from a distance that remains somewhat lovable because the viewer can, to a degree, empathize with his struggles. Locking him in a cell shows the insanity of the anime process more than his own insanity. The director is at some level competent. He isn't Ed Wood.
I don't have an issue with making references to other mediums. I do have a issue with you making shallow comparisons between works based on the most superficial and arbitrary of similarities. Your impressions posts are little more than a grab bag of crosstextual comparisons which either say nothing about the original film or series or grossly twist it into something it doesn't resemble at all and lead conversation down the rabbit hole, and you do this All. The. Fucking. Time.
Durarara!! character rankings
Shizuo > Kadota > Izaya = Simon > Celty > Walker = Erika > Shinra's Dad > Anri > Namie > Mikado > Police Cop > Kida > Shinra > Haruna > Tom > Izaya imoutos > Togusa > Mika > All the others who barely showed up and weren't memorable enough for me to care > Seiji > Teacher.
My issue with the "double standard" is more an assumption that this is a show about the very medium that people here are a fan of, which would lead people to be more inclined to like it than if the show was about, say, what it's like to work in a Japanese hospital and Miyamori was a doctor fresh out of medical school doing her first residency.
I don't think I've been bored, but I also have been uninterested. I don't necessarily think they are synonymous anyway.
snip