• Hey, guest user. Hope you're enjoying NeoGAF! Have you considered registering for an account? Come join us and add your take to the daily discourse.

Wkd Box Office 02•06-08•15 - Spongebob cleans up latest Wachowski siblings hot mess

Status
Not open for further replies.
Holy shit. Let that sink in for a minute. Just... HOLY SHIT. How do they continue to get bankrolled massive budgets!?

I think I read around the time that Cloud Atlas came out that they do a lot of overseas financing and distribution deals and it works out in such a way that no single entity is taking a giant loss.

Or something to that effect.
 

Kusagari

Member
Frankly, if Warners are still willing to hand them blockbuster budgets, they deserve to lose every penny of it.

No way in hell that quote tells the whole story, though. This has got to be one bomba too far.

I have a feeling they'll try to give them something guaranteed to be a hit like a DC movie.
 
I had a question about that, the whole "anti-machine" thing feel stupid and forced because a big part of the economy depended on robots and machines, I mean it's implied that big corporation had a lot of money invested on them. They didn't do anything to stop that? They just let the luddite angry mob run wild just because? And who had the bright idea to obscure the Sun?

Honestly, it's probably best not thought about too much. It's just a fun and somewhat interesting story.
 

FoneBone

Member
At least it's good to hear Wachowskis will still get more chances.

That's meaningless PR blather. A WB executive isn't going to publicly say something like "We're disappointed with them and won't work with them in the future."

I'm sure the Wachowskis will make another movie somewhere, somehow, but they're not going to get those kinds of budgets again anytime soon.
 

Oersted

Member
Strange Magic, Mortdecai, Jupiter, Blackhat... so many huge bombas. Still glad Paddington is doing strong.

I think I read around the time that Cloud Atlas came out that they do a lot of overseas financing and distribution deals and it works out in such a way that no single entity is taking a giant loss.

Or something to that effect.

Yep, lots of funding in Europe.
 

FoneBone

Member
I think I read around the time that Cloud Atlas came out that they do a lot of overseas financing and distribution deals and it works out in such a way that no single entity is taking a giant loss.

Or something to that effect.

Cloud Atlas was financed independently, with WB only distributing the film in the US, whereas WB fronted a large portion of Jupiter's budget.
 
That's meaningless PR blather. A WB executive isn't going to publicly say something like "We're disappointed with them and won't work with them in the future."
Well, then why even mention the future? Why not just say "it's a shame"? I don't have anything else to go on with what the studio plans to do with the Wachowskis other than people here saying to not believe the PR and they're getting kicked off from the lot now.
 
I had a question about that, the whole "anti-machine" thing feel stupid and forced because a big part of the economy depended on robots and machines, I mean it's implied that big corporation had a lot of money invested on them. They didn't do anything to stop that? They just let the luddite angry mob run wild just because? And who had the bright idea to obscure the Sun?
If we're going by "The Second Renaissance" short from The Animatrix it was implied that humanity was so technologically advanced and superior as a species that they became drunk with power which lead them to make a lot of dumbass decisions. They saw themselves as a god to the machines and the machines decided they had enough of it.
 
Well, then why even mention the future? Why not just say "it's a shame"? I don't have anything else to go on with what the studio plans to do with the Wachowskis other than people here saying to not believe the PR and they're getting kicked off from the lot now.
"shame" is one of those words that you rarely hear from an executive the other is "failure" Wrestling does the same thing, when they cut a wrestler they always put the same boring PR saying "We end our partnership with "X" and we wish him good luck on his future projects"

If we're going by "The Second Renaissance" short from The Animatrix it was implied that humanity was so technologically advanced and superior as a species that they became drunk with power which lead them to make a lot of dumbass decisions. They saw themselves as a god to the machines and the machines decided they had enough of it.
Still not a good reason IMO, basically they're like those aliens on Battlefield Earth?
 

MoeDabs

Member
"shame" is one of those words that you rarely hear from an executive the other is "failure" Wrestling does the same thing, when they cut a wrestler they always put the same boring PR saying "We end our partnership with "X" and we wish him good luck on his future pprojects"

They call it it being "Future Endeavored". Has a fun ring to it.
 

obin_gam

Member
The Wachowski keeps getting to make movies despite being terrible at it.
Dredd keeps not getting a sequel despite how great it is.

Life's not fair.
 

Abounder

Banned
Do the Wachowskis have another film project underway?

Shame to see another original scifi movie bomb but it was expected.
 
Still not a good reason IMO, basically they're like those aliens on Battlefield Earth?
I've never seen Battlefield Earth so I don't know but I think it raises a question of what responsibilities we have when we create artificial intelligence that can have a mind of it's own. It's not gonna be perfect and most times it's always gonna lead to the extreme "man vs the machine" but it opens up discussion on this topic.
 

Elija2

Member
Would Spongebob really have done worse if the ads only showed the traditionally animated portions of the movie? Kids know Spongebob is traditionally animated, why would they have a problem watching a movie that's traditionally animated too?
 

Dabanton

Member
This is a total marketing failure considering the movie looks like it was made for the Twilight teenage crowd.

Mentioned this in another thread.Marketing missed a major trick in not aiming this at females. And this was borne out by the crowd I saw it with which was mostly female the screening was pretty much sold out as well.

The thing was the film was great. It's a shame as I found the film very entertaining.

As a space opera it was imo better than Guardians of the galaxy' which rewatching it over Xmas showed how mediocre that film really was. That marvel branding really lifts middling movies.
 

TheSeks

Blinded by the luminous glory that is David Bowie's physical manifestation.
Matrix prequels please. The Animatrix was a good appetizer. I'm ready for more.

I wouldn't not be against this. The architech basically said there was... 6-7(?) "revolutions" of the machines digging to Zion to nuke it and rebuild the human batteries/reboot the system. I'd like to see that "Shiny Happy People" one that failed that Agent Smith mentioned in the first film. Why people suddenly went to Zion.

The Animatrix short about the Second Renaissance wouldn't work in Live Action. Too costly to make with CGI budgets for the machines, blotting the world out, etc. A "first revolution" one would work because you could make sets for the "real world"/post-blocked sun and machines won. You'd be able to make sets for the Matrix/LA-on-location(? despite having to de-age LA to 1999). Muuuuch easier.

alfredoroyalan said:
I had a question about that, the whole "anti-machine" thing feel stupid and forced because a big part of the economy depended on robots and machines, I mean it's implied that big corporations had a lot of money invested on them. They didn't do anything to stop that? They just let the luddite angry mob run wild just because? And who had the bright idea to obscure the Sun?

Think about it. If the machines were running a lot of the things we take for granted (banks, etc) and we were treating them as slaves (which we basically were) why WOULDN'T they nuke our systems silently and make us regret giving them more power than they should have.

The "blotting the sun" idea was because most machines (in the universe) at the time were running on solar power. Unfortunately, the Machine City knew the humans were probably planning this and upgraded the machines/systems to not require that. It was similar to an EMP-nuke-bomb move, but backfired on the humans because the machines can "evolve"/overcome that weakness AND fucked the world up for the humans in a "fuck you, we're going down together" attempt.
 
Would Spongebob really have done worse if the ads only showed the traditionally animated portions of the movie? Kids know Spongebob is traditionally animated, why would they have a problem watching a movie that's traditionally animated too?

I think the marketing campaign for Spongebob was brilliant, because it capitalized on the superhero angle of the CGI part of the movie, and superhero movies are the it thing for kids these days, and there is no question that CG is much more marketable these days than traditional animation. In the process, the ads differentiated this movie from the last one, so it gave people a reason to see it. The only failure was alienating the older fans who were put off at the idea of CG Spongebob.
 
Think about it. If the machines were running a lot of the things we take for granted (banks, etc) and we were treating them as slaves (which we basically were) why WOULDN'T they nuke our systems silently and make us regret giving them more power than they should have.

The "blotting the sun" idea was because most machines (in the universe) at the time were running on solar power. Unfortunately, the Machine City knew the humans were probably planning this and upgraded the machines/systems to not require that. It was similar to an EMP-nuke-bomb move, but backfired on the humans because the machines can "evolve"/overcome that weakness AND fucked the world up for the humans in a "fuck you, we're going down together" attempt.
Here's the thing, the whole mess started because one robot (can't remember the name) had a "malfunction" and defends itself from its master, now according to Animatrix there was a period where all machines tried to get their shit together and work with the humans for equallity, instead of that everybbody crossed their arms and let the idiot run wild, destroying robot and dumping them into the ocean (another great idea), I hate that concept of "we became so smart that we started acting like idiots" I've seen that with other Sci Fi universes and it's awful because it's tooo viseral, seems that everybody thinks with their livers instead of their brains.

I understand the Sun thing, but seriously nobody tought about the damage on our planet? Still it's a bad plan, honestly the whole man Vs machine war shouldn't have happened.
 

Htown

STOP SHITTING ON MY MOTHER'S HEADSTONE
“The Wachowkis have an incredible history of making fan favorite films,” said Jeff Goldstein, Warner Bros. distribution executive vice president. “This didn’t hit the wide audience their films have in the past, but they’ll do better in the future.”
Ha. You keep telling yourself that.
 
They need a hit. Stat.

What they really needed was an editor who could have told them their movies was chasing too many targets at once. It's already really compacted (which is good), but it should have removed the Cinderella crap as well.

I mean, this is the genre list I could put Jupiter Ascending in:
Love story / Cinderella story / family survival / space opera / political / fantasy / conspiracy

The list with a proper cut / editor:
love story - family - political - fantasy

Or something similar to that anyway.

Btw: I did like the effort to write some things more towards a female observer, like Tatum's character getting a sanitary towel stuck to him as a band aid (resulting in a great exchange of 'the f' looks), instead of the cliche piece of suddenly available first aid kit.

There is also a strange difference is how fleshed out the Earth sections are compared to the lack thereof in the space parts. I imagine that they could write an excellent 'down back here on Earth' script, but it's the fantasy angle that does this movie in. Also: those family scenes feel very natural, presumably due to Kunis being a child of former Ukrainians. But..... but..

edit:

Oh! and as for the genetics angle I now fully expect Jurassic World to be a turd as well. Hollywood doesn't understand this stuff, apparently.
 
It has been a shitty start to the year for movies. I have been wanting to check out the new theater down the street but there hasn't been a single film I wanted to see. :(
 

Anth0ny

Member
Holy bomba.

The legs on American Sniper continue to blow me away.

Does 50 Shades beat American Sniper and Matrix Reloaded's opening weekend to become the biggest R rated opening weekend of all time?
 

JB1981

Member
The Wachowski pile-on in here is hilarious. I guess I live in an alternate reality where Cloud Atlas was a terrible movie.
 

TheSeks

Blinded by the luminous glory that is David Bowie's physical manifestation.
The Wachowski pile-on in here is hilarious. I guess I live in an alternate reality where Cloud Atlas was a terrible movie.

It kinda was
. I mean, not knocking it. But it bored me to tears. The only interesting part was the "True-true"/new language of the future culture. I couldn't care about the "interconnecting stories." Pretty sure I'm not alone in that sentiment which means it kinda failed at adapting the book.
 
The Wachowski pile-on in here is hilarious. I guess I live in an alternate reality where Cloud Atlas was a terrible movie.

It was unnecessarily long and some of the accents/make up was awful.

Interesting approach to telling a story though, I did that aspect of the movie. Didn't so well at the BO though right?
 

Instro

Member
Holy bomba.

The legs on American Sniper continue to blow me away.

Does 50 Shades beat American Sniper and Matrix Reloaded's opening weekend to become the biggest R rated opening weekend of all time?

Seems very unlikely. Latest tracking puts it in the 50-60 range.
 

Oriel

Member
The Wachowskis will likely never be allowed near a Hollywood producer's office after this latest bomba from the duo. Time to pack in directing guys, er siblings. Your films are pants and no one likes them.
 

Oersted

Member
Holy bomba.

The legs on American Sniper continue to blow me away.

Does 50 Shades beat American Sniper and Matrix Reloaded's opening weekend to become the biggest R rated opening weekend of all time?

The legs of Paddington feel for me far more impressive. A family film based on a european IP doing so well worldwide months after the christmas window.
 

Slayven

Member
I bet 50 shades will be frontloaded as fuck. Everyone that wants to see it will see it opening weekend, then it will drop like a rock.
 
The Matrix was a one-hit wonder.

It was the right movie at the right time.

I quite enjoyed the sequels for what they were and Animatrix was pretty great. V wasn't too bad either.

Speed Racer is probably their second best movie to date, I really don't know why that one bombed. Seemed to have quite a lot of mass audience appeal. Was there any specific reason for it bombing? I didn't really follow B.O news back then.
 

Ahasverus

Member
I don't know why I like mortdecai bombing so much. It's like that Gwyneth Paltrow poster made me ignite some unrelenting hate since the first time I saw it.
I bet 50 shades will be frontloaded as fuck. Everyone that wants to see it will see it opening weekend, then it will drop like a rock.
I agree.
 

gogogow

Member
How can Andy and Lana Wachowski still get funding when their movies after the Maxtrix Trilogy never made any money? And their movies are always so expensive. I think they need to make some movies costing around $50 million at most.
 
I quite enjoyed the sequels for what they were and Animatrix was pretty great. V wasn't too bad either.

Speed Racer is probably their second best movie to date, I really don't know why that one bombed. Seemed to have quite a lot of mass audience appeal. Was there any specific reason for it bombing? I didn't really follow B.O news back then.
Art style wasn't appealing, most people that grown with the show wasn't interesting to see it, really bad story, criticseat the heart out of that movie. It wasreleased 1 week after that little movie known as Iron Man.
 
Art style wasn't appealing, most people that grown with the show wasn't interesting to see it, really bad story, criticseat the heart out of that movie. It wasreleased 1 week after that little movie known as Iron Man.

Yeah, the visuals were pretty take it or leave it in their approach, so I can somewhat understand from that point of view. Had no idea it came out just after IM, no wonder it pretty much tanked.
 
awww crap Kingsman is coming out on the same day as 50. I'm hearing some good things about the movie and now it looks like it'll have a hard time making any money. This is brutal.
 
Is the beginning of 2015 the worst series of flops in like film history?

I mean there has been massive bomba's like every single week. HUGE Bombs
 

Ridley327

Member
I quite enjoyed the sequels for what they were and Animatrix was pretty great. V wasn't too bad either.

Speed Racer is probably their second best movie to date, I really don't know why that one bombed. Seemed to have quite a lot of mass audience appeal. Was there any specific reason for it bombing? I didn't really follow B.O news back then.

You seem to think that Speed Racer had as much mass audience appeal as the Wachowskis thought it did. Even back then, people smelled a flop from the jump.
 
The Wachowski pile-on in here is hilarious. I guess I live in an alternate reality where Cloud Atlas was a terrible movie.

There were some good qualities to Cloud Atlas but the movie was very uneven. The makeup was just completely ridiculous.

If I'm asked to name the last unqualified success a la The Matrix for the Wachowskis, it's pretty much The Matrix.

Of course, I haven't seen Jupiter Ascending yet, so I might change my tune.
 
Status
Not open for further replies.
Top Bottom