To be fair, DOFP Quicksilver is absurdly OP compared to the comic version. Like fastest being ever in live action
Wait what?
To be fair, DOFP Quicksilver is absurdly OP compared to the comic version. Like fastest being ever in live action
Weirder physics are how his grappling hook can hold his weight. Not only that, he gently lands on his feet like his suit doesn't have any mass. :lolI guess so. I was wondering if I missed anything but I guess not.
It's a cheap way discredit someone's argument because they don't love a movie like you do.It's not far from the truth.
It's a cheap way discredit someone's argument because they don't love a movie like you do.
You think the significance of that scene is they have the same name. He's right.First of all, you have no right to tell me (or anyone for that matter) that I don't understand the movie.
You think the significance of that scene is they have the same name. He's right.
Wait what?
It's a cheap way discredit someone's argument because they don't love a movie like you do.
It's a comic book movie about two of the best well known bad guys fighting each other, the whole thing is contrived. And again, it's not about moms, it's that Clark is human and not a distant uncaring unfeeling alien god. "Martha" is specifically triggering his Catholic guilt over his past, and now it shows him that he has recreated that scenario as the bad guy.I said that the way the conflict is resolved is contrived.
Ironic that you agree with the "you don't understand" BS, and then you go off and misconstrue what I said.
It's a comic book movie about two of the best well known bad guys fighting each other, the whole thing is contrived. And again, it's not about moms, it's that Clark is human and not a distant uncaring unfeeling alien god. "Martha" is specifically triggering his Catholic guilt over his past, and now it shows him that he has recreated that scenario as the bad guy.
It's a cheap way discredit someone's argument because they don't love a movie like you do.
My problem has always been that the way Superman and Batman come to terms (for lack of a better word) is completely contrived, between the dialogue selection to Martha instead of mother. The only reason Batman gets his “redemption” is because Superman had the luck to say that his mother needs to be saved. Otherwise, Superman was going to be dead and the “bad ending: dimension would have been the reality for Batman and the other members of the Justice League.
What’s worse is there’s no real reasoning behind Bruce feeling like he let Superman down by the end. They barely even know each other, and only went in on one mission together. All of those warranted concerns that Batman had about a God destroying mankind is thrown out the window for the service of the plot, in fact, they never really revisit it inIIRC.light of Superman’s death, or during his fight against Doomsday
The WB execs weren't kidding when they said it's ending would go over people's heads.
What can "fuck off" is the constant ignorance you see despite legitimate counters to the common criticisms from many, many people.I respect Dead's opinion even if I disagree with that characterization of the Kents. He clearly has a point. But this? This sort of shit can fuck off.
Its specifically a comic book movie about the two of the biggest comic icons, just about every time they've fought has been contrived. No he's saying that Batman is the killer, which is a completely different thing, because Batman has already been condemning himself for his parents death."It's a comic book movie, everything is contrived!"
And yet, Superman telling Batman that he's letting his mom die is what stopped Batman from outright killing him.
This doesn't track when one of the main complaints is about Clark's self doubt and "depression" or reluctance which is a decidely human conflict.If not for that, Superman and Martha were going to be dead. Superman uttering that key word, and Lois explaining what it meant is what stops the conflict and moves Bruce towards somehow seeing Clark's humanity (which I feel the film doesn't even communicate well).
You mean the paranoid feelings immediately proven wrong by Clark proving he has human feelings enough to care for another human over his own life? Batman knows he's wrong, and has been wrong for a couple of years. He's trying to be the absolute good guy Clark has shown to be, which he can by saving Clark's mom. This also allows him to be the righteous avenger he always wanted to be, instead of a moneyed thug beating other thugs up because he's got better equipment. "We've always been criminals."Not to mention, Bruce somehow is okay with Clark and all paranoid feelings about him is thrown out the window because plot. You can deconstruct its significance and interpret what it does to Batman all you want, but that's what the writing says, and it is an asspull way to end the conflict.
You mean like Tony Stark knowing that Bucky was under mind control, yet still wanted to kill him and Cap? Or how about Cap explaining what was going on and the threat they're going after, yet was cut off by Black Widow during the airport scene? Like bitch, he's literally trying to talk some sense to you and you cut him off with "You can't punch your way through this one.." And this was after they deliberately destroyed airplanes, tons of cars, and fucked shit up in this forced battle. No complaints about destruction from the audience though despite that being a plot device earlier in the movie."It's a comic book movie, everything is contrived!" is a horrendous argument. There have been so many comic book movies that managed to construct a great plot, and great reasoning behind character motivations.
How is it luck for superman to say that his mother needed to be saved? He doesn't want to actually fight Batman, and his mother actually is in trouble. He went there to try to reason with him. How do you reason with someone who, presumably, tries to save people? Tell them that someone is in danger. Now it's funny you have issue with the dialogue selection of "Martha" instead of "Mother" and then the next sentence say it was luck for Superman to say his mother needs to be saved. He didn't actually luck into saying 'mother,' because he didn't say that. Lois Lane did. The funny thing is that if Superman had said "mother" instead of Martha that scene would still work, in my opinion. Batman still realizes he's tarnished his own legacy at that point and become that which he hates. He'd realize Superman is more human, and he'd realize he could get redemption for his own mother's death by helping here. He'd realize Superman is needed against Doomsday and that the only real solution to what's going on is what happened in the movie. The fact that "Martha" is the trigger just makes it a bit more of an 'aha moment,' and it's probably there even moreso for the easter egg rather than being needed.
I just literally can't see any "luck" to this scene at all. Superman's arc was following toward that point, where he needed to reason with Batman and his mom was in trouble, and Batman's entire arc through the movie lead to that as a soft turning point. I say soft turning point because his actual turning point was at the end when Superman sacrificed himself.
Bruce let himself down. He doesn't need to know Superman really well for his existential crisis to be more or less 'solved' at that point. His legacy was in jeopardy when he saw Superman doing what he did. That coupled with his decades as batman showing him that people don't stay good, that they all eventually go lead to the Batman we see in the movie. Superman sacrificed himself, which contradicted that everyone goes bad. But that fight against Doomsday also showed that the meta-human/super-human problems aren't going away. He thought his legacy hinged on getting rid of a super-human that could destroy the world when he was going after Superman. That problem still exists, though, but he knows he needs those super-humans in order to take on that problem. He's been shown that first hand. That's the entire point and that's the lead-in to Justice League.
Man, Affleck's Batsuit looks really great or really stupid depending on the angle it's shot from. That cover is one of the bad angles. Nice to see Wonder Woman front and center though.
Want to say it's the cowl size and thick neck that causes it. It's necessary for him to move his head freely but it can look off.
You mean like Tony Stark knowing that Bucky was under mind control, yet still wanted to kill him and Cap? Or how about Cap explaining what was going on and the threat they're going after, yet was cut off by Black Widow during the airport scene? Like bitch, he's literally trying to talk some sense to you and you cut him off with "You can't punch your way through this one.."
But hey it's Marvel and there's no Snyder, so it's great!
Clark saying "mother" would be his death, as Batman would think he's about to get attacked by Clark's alien family. This is a very nuanced point that you keep glazing over. Yes it is, it's what the Martha scene is. He has failed Clark in life because he spent the past 2 years hating and scheming against him instead of allying with and building each other up. And this is the entire point. Why would they create the justice league if they've got the most powerful man on the planet? His death creates a power vacuum that only a fellowship of those bound together in his honor can even hope to fill.? Even if you argue that the failure is not realizing who Superman was, the paranoia that Batman presented is never actually resolved and Snyder expects the audience to buy another shift without showing Not to mention, another incredibly sloppy way to set-up the Justice League, especially going so far as to rely on the death of one of its central figures (obviously he will return, but not until the movie starts, in which case, Batman may have already recruited major members by then).
I love how this gets a pass, but Clark getting attacked by 3 different weapons before lifting a hand to Batman is out of character and bad.Implying Tony would be completely okay with Bucky killing his parents. It was completely understandable why Tony wasn't willing to listen to Cap. As much as Tony was governed by his emotions, it was understandable why he sought vengeance. Also, who said he was killing Cap?
Its specifically a comic book movie about the two of the biggest comic icons, just about every time they've fought has been contrived. No he's saying that Batman is the killer, which is a completely different thing, because Batman has already been condemning himself for his parents death.
Batman: [suffocating Superman with his foot on his throat] You were never a god. You were never even a man!
Superman: [hardly breathing] You're letting them kill Martha...
Batman: What does that mean? Why did you say that name?
Superman: Find him... Save Martha...
Batman: Why did you say that name? Martha? Why did you say that name? WHY DID YOU SAY THAT NAME?
Lois Lane: [enters running] It's his mother's name! It's his mother's name.
This doesn't track when one of the main complaints is about Clark's self doubt and "depression" or reluctance which is a decidely human conflict.
You mean the paranoid feelings immediately proven wrong by Clark proving he has human feelings enough to care for another human over his own life? Batman knows he's wrong, and has been wrong for a couple of years. He's trying to be the absolute good guy Clark has shown to be, which he can by saving Clark's mom. This also allows him to be the righteous avenger he always wanted to be, instead of a moneyed thug beating other thugs up because he's got better equipment. "We've always been criminals."
Clark saying "mother" would be his death, as Batman would think he's about to get attacked by Clark's alien family. This is a very nuanced point that you keep glazing over. Yes it is, it's what the Martha scene is. He has failed Clark in life because he spent the past 2 years hating and scheming against him instead of allying with and building each other up. And this is the entire point. Why would they create the justice league if they've got the most powerful man on the planet? His death creates a power vacuum that only a fellowship of those bound together in his honor can even hope to fill.
I love how this gets a pass, but Clark getting attacked by 3 different weapons before lifting a hand to Batman is out of character and bad.
I love how this gets a pass, but Clark getting attacked by 3 different weapons before lifting a hand to Batman is out of character and bad.
You're trolling me now. This is literally the movie.So just because some of the fights in their 70 year history were contrived, that means its okay? Thats horrible logic. Worlds Finest animated movie had a good reason to fight (where Superman disapproves of Batmans methods and calls him no better than a criminal),
Batman knows he has a family, he even says it while fighting. "You're parents probably told you you you were special, my parents taught me by dying." Again you're missing the point. He thinks Clark is an unfeeling alien who doesn't care about humanity. "You're not brave. Men are brave." And he shows his repentance by asking to do something for someone else. Clark's problem is specifically that Batman is only beating up lower income hoods to take out his anger. Clark shows him that humanity should be fought for out of hope and love, not beaten into your world view just because you have the power to do so. And no my reading of his life is not incorrect. Batman has become Joe chill, so he is the them in his own mind, hence his freak out. Batman doesn't need to ask what to do, Clark has shown him. It sounds like you just need more exposition where people state their feelings out loud like black panther, this is not that movie, this is a movie about action men.Which is completely irrelevant to what I said. I meant humanity in the sense that Batman realizes Superman has a human side after seeing previously Superman as an Other figure, neither man nor God.
The point isnt about being proven wrong. The problem is the film never resolved that and expects the audience to buy that Batman has changed those feelings without actually showing how thats changed. This is why so many people have problems with a Brutal Batman, particularly because the movie never shows you how he degraded. Something as simple as Alfred, how can I be good. Criminals werent good to Alfred. I cant let the same thing happen again.
You have got to be kidding me. "You're letting them kill my mother" would have similar impact as "you're letting them kill Martha." How in the world would Batman be thinking about alien family when it was common knowledge in MOS and in the first part of BVS that he has no family,
Nothing about the ending went over anyone's heads. It's a ridiculously contrived way to solve the conflict, presented terribly with no believable shift in the characters' viewpoints or behaviors, which never addresses Batman's initial (and completely correct) belief about Superman's danger to the human race. And yes, it is about the mothers' names, not the "realization that Superman has emotions or an inner life or humanity" or whatever the hell the latest asspull from the inexplicable defenders of this pile of shit film are using currently.
At no point in the film does Batman express any kind of skepticism in terms of Superman having emotions or human motivations, he's simply saying "He's too powerful, nobody should be that powerful, I have to stop him." That's it, that's the conflict from Batman's side, and that conflict is never resolved properly. The only way to reconcile the outcome with the explanation defenders of that idiotic scene give is if Batman somehow convinced himself Superman was not a sentient being, which is clearly not the case.
Is there a way in which the "Martha" gag could be used to catalyze a believable character shift? Yeah, probably, but it wasn't in this movie at all. A full rewrite might be able to make it work by changing Batman's motivation and making Superman more human to the audience so they'd be rooting for Batman to realize the kind of man he was trying to kill. But it's not there in the film as it exists.
Even in the places where Snyder has an opportunity to build Superman into that character, he fumbles it or sidesteps it, such as not letting Superman give his own point of view in a scene designed to let Superman do exactly that, instead choosing to just blow something up.
Again. And for no reason whatsoever, since one scene later it's revealed everyone knows Superman didn't have anything to do with it, yet somehow didn't put together the Luthor connection despite obvious circumstantial evidence. Hell, how about in the pitiful "fine, here you fanboys go" montage of Superman saving people he could have looked just a tad less like he was attending his own dog's funeral for a couple of shots?
The "Martha" thing is harped on specifically because despite the apparent attempt to use it as a thematic catalyst for shifting the conflict, there's nothing below the surface that indicates that thematic shift should or could take place. As such, in the context of the film itself, yes, they literally stop fighting because their moms have the same name, as the film has done nothing to lay the groundwork for that shift being anything else.
Claiming otherwise is dragging outside knowledge or context of the characters into the film, which is just fans doing Snyder's work for him. This is nothing new, given the absurd defenses of Man of Steel I've read over the years, but BvS really does drive home that he has no business telling these stories about these characters.
tl;dr - The shoes have some problems, dude.
You mean like Tony Stark knowing that Bucky was under mind control, yet still wanted to kill him and Cap? Or how about Cap explaining what was going on and the threat they're going after, yet was cut off by Black Widow during the airport scene? Like bitch, he's literally trying to talk some sense to you and you cut him off with "You can't punch your way through this one.." And this was after they deliberately destroyed airplanes, tons of cars, and fucked shit up in this forced battle. No complaints about destruction from the audience though despite that being a plot device earlier in the movie.
But hey it's Marvel and there's no Snyder, so it's great!
There are two novels that can change a bookish fourteen-year olds life: The Lord of the Rings and Atlas Shrugged. One is a childish fantasy that often engenders a lifelong obsession with its unbelievable heroes, leading to an emotionally stunted, socially crippled adulthood, unable to deal with the real world.The other, of course, involves orcs'
The intellectual pretention in this thread.
Like you have to be wrong in the head to think the movie is a plodding, bloated, horribly edited mess with not a lot of narrative or character consistency.
You're trolling me now. This is literally the movie.
Batman knows he has a family, he even says it while fighting. "You're parents probably told you you you were special, my parents taught me by dying." Again you're missing the point. He thinks Clark is an unfeeling alien who doesn't care about humanity. "You're not brave. Men are brave." And he shows his repentance by asking to do something for someone else. Clark's problem is specifically that Batman is only beating up lower income hoods to take out his anger. Clark shows him that humanity should be fought for out of hope and love, not beaten into your world view just because you have the power to do so. And no my reading of his life is not incorrect. Batman has become Joe chill, so he is the them in his own mind, hence his freak out. Batman doesn't need to ask what to do, Clark has shown him. It sounds like you just need more exposition where people state their feelings out loud like black panther, this is not that movie, this is a movie about action men.
You're trolling me now. This is literally the movie.
Batman knows he has a family, he even says it while fighting. "You're parents probably told you you you were special, my parents taught me by dying." Again you're missing the point. He thinks Clark is an unfeeling alien who doesn't care about humanity. "You're not brave. Men are brave." And he shows his repentance by asking to do something for someone else. Clark's problem is specifically that Batman is only beating up lower income hoods to take out his anger. Clark shows him that humanity should be fought for out of hope and love, not beaten into your world view just because you have the power to do so. And no my reading of his life is not incorrect. Batman has become Joe chill, so he is the them in his own mind, hence his freak out. Batman doesn't need to ask what to do, Clark has shown him. It sounds like you just need more exposition where people state their feelings out loud like black panther, this is not that movie, this is a movie about action men.
The only snobbery I've seen is from detractors who are just flabbergasted anyone likes this movie. Others seem to be intent on explaining away the dumb memes that pop up, like Snyder allegedly being an objectivist, when in reality, this movie refutes that entire ideal. Or those who think Snyder doesn't get superman, because he decided to ground Clark's idealism in reality.It's really kind of embarrassing. I feel like I'm reading a Dark Souls/Bloodborne thread (and I'm a die hard Souls/Borne fan but Christ the snobbery is unbearable).
The problem isn't that people don't "get" what Snyder and crew were going for. It's that Snyder clumsily, and hamfistedly bungles the execution. The movie tries to be deep. It tries to be philosophical. It tries to have metaphorical imagery and scenes dripping with subversive intent, but it all has the subtlety of a sledgehammer. It's not that we can't see the symbolism and intent of the director and his crew. It's that it's laughably bad. The movie is a boring, pretentious, self important slog. It was Snyder trying to show us how "deep," he can be.
I actually really like Watchmen. I own the director's cut and think it gets a bad rap, but Snyder just isn't a good film maker.
BvS isn't a bad movie, as I wrote in my review a few months back, but it's not very good. The editing is a major culprit, but flat, one note characterizations and performances that are wildly inconsistent in both how they match the tone of the movie, and how they play off of each other (Lex feels like he's from a totally different movie, an while I enjoyed Diana, she has no more characterization beyond wanting something from Lex, flirting with Bruce, the joining in the finale).
We know exactly what Snyder was trying to do. He just did it badly for the vast majority of of the movie.
With that said, there are individual scenes that, when viewed separately from each other, work really well. As I mentioned, the opening of the movie with Bruce and the battle of metropolis is really good. The warehouse sequence is of course a standout. Even the scene with Lex and Holly Hunter where she drops the "granny's peach tea" line is a good scene. Unfortunately, most of the other scenes are lacking in just about everything that makes a movie enjoyable to watch: solid dialogue, characterization, cast chemistry, and plot relevance. The reason why the Bruce/Alfred scenes work so well is because they have the aforementioned qualities. Irons and Affleck have a nice rapport with each other, so whenever we got to see them interacting with one another, the movie picks up.
Unforunately, the other half of the equation just wasn't as interesting. Cavill didn't have anyone to play off of in any meaningful way. Every scene with him an Adams fell flat, and I really like Amy. I think she'd have been a fantastic Lois Lane if they actually gave her something to do, and actually let her play to her strengths. Cavill, despite being a jackass, can be incredibly charismatic and charming. We get literally NONE of that in either Superman movies.
Everybody just feels wasted. Henry Lenix is an excellent actor, and he's relegated to boring military man yet again. What should have been a simple movie about the differences in ideology between Batman and Superman was instead an overlong, plodding, schizophrenic mess.
There is no hidden depth that's simply eluding the poor fanboy plebes who just want I see the DCCU crash and burn (I want my Spectre, Booster Gold and Blue Beetle movies, dammit! I want this shit to be good!).
I actually don't mean to be so harsh on the movie, but if I didn't care, I wouldn't be in these threads. I didn't like MoS at all, but I was giving BvS a chance, because, in typical Snyder trailer fashion, it looked like it'd be a better movie. It shocks me that I actually liked MoS more. Then again, I liked Winter Soldier more than Civil War (although I do still really like Civil War), so I don't know. Sequels are hard to do, I guess.
The snobbery about people not understanding the movie is silly, though. Not liking a movie doesn't mean I didn't get it.
It's not like BvS is Green Lantern, or Ghost Rider, or Fant4stic. It's just boring and try too hard for me.
So no, you said it yourself. The rest of what you have to say has been explained over and over. Check my posts, but at this point it seems you're building your points of fuzzy memories of a movie you seemed to not enjoy watching. Wait till the movie comes out then come back with more salient points.Something as simple as Alfred, how can I be good. Criminals werent good to Alfred. I cant let the same thing happen again.
Assumption? You just literally wrote you needed Batman to say:
So no, you said it yourself. The rest of what you have to say Haas been explained over and over. Check my posts, but at this point it seems you're building your points of fuzzy memories of a movie you seemed to not enjoy watching. Wait till the movie comes out then come back with more salient points.
Sorry you couldn't enjoy this good movie.I never said that it had to be the ONLY way to communicate character development. So again, it's one example.
At this point, you're not even providing good counterpoints, so really, what's the point in continuing?
There are many people as good and idealist as Clark Kent in real life.Snyder doesn't get Superman because you can't ground Clark's idealism in reality. It doesn't work.
But Terrio isn't, and in every interview he comes off as a very illustrated writer who is fond of universal themes. Try again.Amazing the themes and layers people keep trying to put on this trash when EVERY interview Snyder has ever given shows him to be a simple man who just likes to watch superheroes wreck shit up.
This is a lie. Dude has art degrees, his mother was a painter and teacher, and he compared himself to Verhoven on the release of 300. If anything dude is about showing humanity at it's most grotesque and subverting that notion.Amazing the themes and layers people keep trying to put on this trash when EVERY interview Snyder has ever given shows him to be a simple man who just likes to watch superheroes wreck shit up.