tringworldso
Member
Eh, I'm sure he/she would still enjoy it. When I read my first comic trade (Identity Crisis), I didn't know the majority of the characters that were shown. It actually made me more interested in those characters (Deathstroke, Zatanna, Atom, just to name a few) and seek out more stories that involved them.
I know a lot of characters' backgrounds as I grew up watching the animated movies and tv shows, just never got into the comic books. I might not know many of the obscure characters though, but I can wiki them.
Yeah, I guess that works too.
Edit:
First post on new page??! Okay time to add some news.
MIKEL JANÍN Promises 'Totally Different, But Same' DICK in GRAYSON
http://www.newsarama.com/21326-mikel-janin-promises-totally-different-but-same-dick-in-grayson.html
Nrama: Most people know your art best from Justice League Dark, and you changed things up a bit in your art on that book, from the darker tones you used for Peter Milligan's story, to the super heroic flavor when Jeff Lemire changed the book a bit. We've seen a preview of what you're doing for Grayson, thanks to your pages in Nightwing #30. How would you describe the way you've changed things up for Grayson?
JanÍn: Justice League Dark was a mix between pure superheroics and dark supernaturals, and I always tried to blend these two natures graphically, moving the balance a bit, following the tone given by the different writers.
Now, we have a super action-packed book, so my style is deliberately more loose, bringing to the table elements like motion lines, small panels accelerating pace or a different use of blacks and negative space.
Nrama: You mentioned some things we'll see in your art, but can you describe any of the artistic techniques you're using in the studio while creating Grayson? What artistic tools do you use for this series?
Janín: I keep doing my art digitally, using 3D models as reference and Photoshop, with a Wacom tablet to draw the actual pages, but I'm using a totally new range of digital brushes for Grayson. The main inking brush I'm using is more "wild" — it goes a bit on its own, more like an actual ink brush. If you stay in the same place too long, the "ink" flows and stains the drawing, so I need to make quick strokes to have it under control, which translates in a more fresh style. I hope fans will like this.
Great interview questions by NRama. They asked a question to which Janin gives a BS answer. It was nothing like what he says which is utter bollocks. The colourist changed from Ulisis Arreola to Jeremy Cox which translated into Janin having to do more of the heavy lifting and losing some of the subtle yet noticeable details in the art style which were present in the first few issues of JL. Colorists make a hell lotta difference. Just look at David Finch on Moon Knight and compare it to Forever Evil.
On the other hand his answer to the next question above does sort of assuage my concerns about how his art looked in the later issues of JLark.