Tizoc
Member
Who said you can't do car chases in comics
Brah.
BRAH.
Please tell me you read Smallville, cuz they had a Batmobile chase scene WITH STUNTS!
Who said you can't do car chases in comics
I still love that one from New X-Men.
There are so many little things Quitely does to indicate motion in this inherently static medium, without any motion blur or speed lines. The trail of spit from Hank's mouth, the reflection of the trees and the clouds in the windshield showing us a sense of the speed, the tail light trails showing the quick turns, the smoke and flames from Herman and the car. He doesn't use any fancy panel designs, but he subtlety shifts the panel sizes and positions to lead the reader's eye and give them a sense of progressive movement. The panel where Cyclops on the left side of the scene shoots his laser is positioned on the left, we follow that down to the one of Herman getting hit positioned just to the right(which matches the positions of the two characters in relation to each other), or the panels start closing in when Beast is closing in on Herman and just escapes his grasp.
And then you turn the next page and see that everyone has a potato face.
You never read US 1?
That looks rad. Is it any good?
1. David Aja, Hawkeye #3
2. Morgan Jeske, Zero #4
3. Wes Craig, Deadly Class #1
4. Tradd Moore, All-New Ghost Rider #1
I think I have to get over my issues being perfect, too many times there's little dings or creases. I think it's only because of the price they charge but they don't really hold value anyhow so I should just get over it. There's probably little to any price difference in the long run.
I still love that one from New X-Men.
There are so many little things Quitely does to indicate motion in this inherently static medium, without any motion blur or speed lines. The trail of spit from Hank's mouth, the reflection of the trees and the clouds in the windshield showing us a sense of the speed, the tail light trails showing the quick turns, the smoke and flames from Herman and the car. He doesn't use any fancy panel designs, but he subtlety shifts the panel sizes and positions to lead the reader's eye and give them a sense of progressive movement. The panel where Cyclops on the left side of the scene shoots his laser is positioned on the left, we follow that down to the one of Herman getting hit positioned just to the right(which matches the positions of the two characters in relation to each other), or the panels start closing in when Beast is closing in on Herman and just escapes his grasp.
It's like Quitely is one of the best in the medium or something. Crazy how that works.
Quitely is the only reason I'm even paying attention to Jupiter's Legacy. If it was just Millar and someone else, I wouldn't give two shits.
This is Mark Millar's greatest revenge against Grant. Taking his best partner on some shit story that never comes out so he can't finish that Watchmen issue of Multiversity
This is Mark Millar's greatest revenge against Grant. Taking his best partner on some shit story that never comes out so he can't finish that Watchmen issue of Multiversity
Just finished Six Gun Gorilla. It was a cool story and I'm glad I read it but chalk it up to the incredible amount of hype in these forums and on Twitter to diminish its impact. Would have been better experienced month to month like Maq and Acid did.
Is that releasing on anything close to a regular schedule?
where did you get those shelves?
want.
I am the same way. Dings and creases and wear in the edges bothers me. I've learned that with Marvel books, you are fighting a losing battle. The paper is so poor and thin that you just are not going to get a perfect page. It's one of the main reasons I don't buy their books in print. Not because I expect my books to increase in value, mind, just because it drives me nuts.
Books from Marvel and DC will almost always lose value regardless. Big exceptions being things like nu52 Batman #1 first print, etc, because Snyder's run has become highly loved and regarded, beyond perhaps what might have been expected because he wasn't a big name writer going into it. But generally? Collecting big two books should be done for the love.
Image and smaller press books, however, can increase in value. That is still the exception and not the rule, but it will happen more often with indie books. For example, first prints of early issues of Rachel Rising, Day Men, Peter Panzerfaust, and Saga fetch good money. But 3 out of 4 of those have been optioned for film or TV and that's the reason in their case. A book like Saga was just such an astronomical hit that sheer demand lead to an increased value of early first print issues.
Yep. It was a good read, but had no chance of living up to the hype.
Just finished Six Gun Gorilla. It was a cool story and I'm glad I read it but chalk it up to the incredible amount of hype in these forums and on Twitter to diminish its impact. Would have been better experienced month to month like Maq and Acid did.
It was amazing month-to-month. Plus the books are lovely objects. Great covers, great paper.
Still, it surprises me to hear these responses to the story. I think the turns it takes, the creatures and world(s) you encounter, the beautiful messages and themes.. I'd expect it would be incredible to experience all this regardless of the general hype that came before.
Then again, it was exhilarating to feel I was reading something awesome and original as is was being created. And the fact that so few others were along for the ride was as frustrating as is was exciting.
Dan knows what's up. That list is nice and all, but Stumptown had one of the best car chases of all time. OF ALL TIME.Needs some of that amazing car chase from Stumptown Vol 2.
The climax to this sequence was so brilliant. Giant, two-page spread with only three colors and super spare, yet as epic as it could ever be.
It was amazing month-to-month. Plus the books are lovely objects. Great covers, great paper.
Still, it surprises me to hear these responses to the story. I think the turns it takes, the creatures and world(s) you encounter, the beautiful messages and themes.. I'd expect it would be incredible to experience all this regardless of the general hype that came before.
Then again, it was exhilarating to feel I was reading something awesome and original as is was being created. And the fact that so few others were along for the ride was as frustrating as is was exciting.
I just feel the commentary the book delivers is something, we as comic readers have already thought about. It's why we read comics in the first place. I didn't need that story to get the message, it was already in my head. It's was delivered very cleverly though.
I guess you're talking about this commentary/message:
What happens in a world without fiction? The story explores what becomes of a world that turns away from creativity and instead prioritizes immediate stimulation. In our world reality TV replaces drama. Talk shows replace soap operas. This is our potential future.
But the series speaks to more than that, like:
What is the point in making ourselves vulnerable to romantic pain? And once we've experienced rejection and pain, what happens if we refuse to take responsibility for it? What if we allow it to outshine the beauty of what came before? And Then how do we find our way out of that dark place?
What does it mean to really mature beyond thinking of yourself as the centre of the world and start to see yourself as a part of it?
I think Six Gun Gorilla speaks to maturity. As a society and as individuals. The way these themes weave into this cool world and how these messages are delivered through these rad characters and events is an achievement.
The first theme, the world without fiction is the only theme that is present with the times. The rest of the themes you mentioned are timeless, but done to death in the realm if fiction. The commentary works both ways when you think about it. The themes of love, heartbreak, maturity have been done to death in fiction, that's why people are turning to reality TV and talk shows to experience them. Thus eliminating "fiction" in the process. Thats why a talking badass gorilla is what the story needs. It needs imagination.
Um, hmmm. What?
I don't really understand the emphasis I'm hearing on it lacking originality. Even assuming that it lacks originality and is predictable.. Fair enough, some might find it to be .. So what? As you imply, every story that can be told has been. Storytelling and stories themselves were all sorted out by the Greeks. Everything else has been a copy. You read a bunch of Batman and cape stuff that is a constant rehash of everything before. Not to fight, Korupt, but I genuinely don't understand the criticism. Regardless of Six Gun Gorilla dealing with themes that have been explore before, it weaves these specific themes together and delivers their messages in tandem. And does a beautiful job of it.
Has anyone read Peter Tomasi's Light Brigade?
It sounds cool, and I see it's getting a hardcover release from Dark Horse at the end of the month. I'm really becoming a big fan of Tomasi, with his work Batman and Robin and Green Lantern Corps. I'm going to C2E2 next month and I thought this would be a cool book to get signed.
Here's an updated version of the Justice League United cover with the new female Cree character
Seriously, how good does McKone's work look on this cover?
Easily the most anticipated comic coming up. I love everyone on this team, and Lemire/McKone? Yes. Yes. Yes.
Excited to find out more about the new Cree hero too.
The first theme, the world without fiction is the only theme that is present with the times. The rest of the themes you mentioned are timeless, but done to death in the realm if fiction. The commentary works both ways when you think about it. The themes of love, heartbreak, maturity have been done to death in fiction, that's why people are turning to reality TV and talk shows to experience them. Thus eliminating "fiction" in the process. Thats why a talking badass gorilla is what the story needs. It needs imagination.
It sounded like you were complaining that the story themes were tired and played out. And with the last sentence I thought you were suggesting that the plot lacked imagination. Guess I misunderstood?
Anyway, I'm glad that you (and others around these parts) seem to have enjoyed it to greater and lesser degrees.