Can someone please explain to me why people seem to like Lose Yourself to Dance so much? I'm not shitting on people that like it, I'm just genuinely curious as to what makes it so good. I really can't stand Pharrell's singing on it, it seems way too falsetto.
Had a feeling someone would have posted this in here. I made it. Here are two others...
http://rumblephish.deviantart.com/art/Daft-Punk-Poster-2-372109190
http://rumblephish.deviantart.com/art/Daft-Punk-Poster-1-372109057
Loving the new album btw.
So I've been working on this crazy mash-up music video with 39 Daft Punk tracks for like a month in preparation of the album:
http://www.youtube.com/watch?v=8HwoWE-bbJo
Let me know what you guys think.
Had a feeling someone would have posted this in here. I made it. Here are two others...
http://rumblephish.deviantart.com/art/Daft-Punk-Poster-2-372109190
http://rumblephish.deviantart.com/art/Daft-Punk-Poster-1-372109057
Loving the new album btw.
So everyone who totally loved disco before Daft Punk did it is listening to the new Italians Do It Better comp, aye? It kills m/
Link? Love Chromatics
http://www.youtube.com/watch?v=kH-F_1Sm1Fw&t=4m27s
Do you guys know how hauntingly beautiful this moment is?
So I've been working on this crazy mash-up music video with 39 Daft Punk tracks for like a month in preparation of the album:
http://www.youtube.com/watch?v=8HwoWE-bbJo
Let me know what you guys think.
So I've been working on this crazy mash-up music video with 39 Daft Punk tracks for like a month in preparation of the album:
http://www.youtube.com/watch?v=8HwoWE-bbJo
Let me know what you guys think.
So I've been working on this crazy mash-up music video with 39 Daft Punk tracks for like a month in preparation of the album:
http://www.youtube.com/watch?v=8HwoWE-bbJo
Let me know what you guys think.
Already up on some places (at least Sweden and Finland), in most places it should be coming by 20th.When is this coming to Spotify? They have just an empty album now
Already up on some places (at least Sweden and Finland)
So I've been working on this crazy mash-up music video with 39 Daft Punk tracks for like a month in preparation of the album:
http://www.youtube.com/watch?v=8HwoWE-bbJo
Let me know what you guys think.
I keep on seeing that there is a live stream for the wee waa event but I can't find anything. Anyone know where the stream is?
So I've been working on this crazy mash-up music video with 39 Daft Punk tracks for like a month in preparation of the album:
http://www.youtube.com/watch?v=8HwoWE-bbJo
Let me know what you guys think.
I've been pretty much listening to the album non-stop since Monday. Anyone else?
I am so glad I got to see them in Sydney. Was the most insane concert I've been to. My girlfriend who wasn't even really into them at the time walked out blown away.The Alive 2007 talk on page 42 reminds me how sad I am that I missed that, if there is one concert I could travel (back) to it would be that.. The energy that flows in the songs and visuals/crowd is insane.
The Alive 2007 talk on page 42 reminds me how sad I am that I missed that, if there is one concert I could travel (back) to it would be that.. The energy that flows in the songs and visuals/crowd is insane.
I thought everyone realized? He outright states what he's playing.It's fun to go back to the Chilly Gonzales collaborator video now that we've heard the album, especially this part
http://youtu.be/Kc3I0Ent9Zg?t=5m11s
He actually plays a few notes from Giorgio by Moroder, and then Within. We had a pretty good snippet and didn't even realized.
I thought everyone realized? He outright states what he's playing.
The first 30 seconds of that song gives me goosebumps. Its just a fucking serious groove, the stomping and grinding and clapping and that guitar...just get Prince to sing it and it would make more sense.Can someone please explain to me why people seem to like Lose Yourself to Dance so much? I'm not shitting on people that like it, I'm just genuinely curious as to what makes it so good. I really can't stand Pharrell's singing on it, it seems way too falsetto.
So I've been working on this crazy mash-up music video with 39 Daft Punk tracks for like a month in preparation of the album:
http://www.youtube.com/watch?v=8HwoWE-bbJo
Let me know what you guys think.
Already up on some places (at least Sweden and Finland), in most places it should be coming by 20th.
Grantland said:Its weird mix of champagne-sipping soft rock and lite-funk jazz-odyssey indulgences (all played by distinguished studio musicians instead of computers) is a reaction against the current sound of status quo EDM, which derives in part from Daft Punk's first two albums, 1997's Homework and 2001's Discovery. RAM is uncommonly abundant and moneyed for a contemporary pop record. It manages to be ridiculous in places without exactly being fun. The single "Get Lucky" is definitely RAM's most infectious track; the "Radiolab"-like "Giorgio by Moroder" is definitely not. This will be remembered as the third-best Daft Punk album.
I can sign off on all of that. This leaves two questions open to debate:
1. Is Random Access Memories good?
2. Is Random Access Memories good enough?
Not physically possible to watch that and not imagine just how epic Contact is going to be in their next live set.
That was a horribly overwrought and painful article to read (as is all music critique), but I did agree with the last paragraph:Grantland has another good read on RAM up : http://www.grantland.com/story/_/id/...ccess-memories
Where's the future on this record? Random Access Memories posits that (musically speaking) there is no "future" (or "past" or "present"). It's an album where sounds, production techniques, and cultural references once associated with bygone eras are as present today as so-called "modern" music. By merging rockism with dance music, pop with prog, openness with obscurity, human musicians with songs about robots, and every era of 40-some years of popular music in one overstuffed package, Daft Punk has made a record that is unstuck in time and available for whatever context you choose to bring. (My Paul Williams and Comedown Machine might be your Todd Edwards and Herbie Hancock's Thrust.) This is to say, Daft Punk is once again pointing the way forward. We're all robots now, with a hard drive of randomly accessible and increasingly disconnected experiences — only we don't yearn to be human, because we believe we still are.
I never saw the Contact/2001 mash up posted earlier in this thread due to the negative feedback but I just ran into this one and I think it's pretty good, particularly on the last parts.
http://www.youtube.com/watch?v=FbCTG0-PkRA